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John Constable, 1776–1837, British

Study of an Ash Tree

between 1801 and 1803 or between 1810 and 1830

Not on view

John Constable, 1776–1837, British

Stormy Sea, Brighton

ca. 1828

Not on view

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Harvest Moon

ca. 1833

Not on view

Mary Beale, 1633–1699, British

Bartholomew Beale

1663-64

Edward Lear, 1812–1888, British

Temple of Venus and Rome, Rome

1840

Not on view

Paul Sandby, 1731–1809, British

Landscape with a Lake

1808

Not on view

Paul Sandby, 1731–1809, British

Landscape with a Castle

ca. 1808

Not on view

Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

Hadrian's Villa

between 1775 and 1782

Not on view

Francis Swaine, 1730–1782, British

An English Sloop and a Frigate in a Light Breeze

undated, exhibited between 1762 and 1782

Not on view

Francis Swaine, 1730–1782, British

An English Sloop Becalmed near the Shore

mid-18th century

Not on view

Lionel Constable, 1828–1887, British

Landscape

between 1849 and 1855

Not on view

Edward William Cooke, 1811–1880, British

Godstow Bridge near Oxford

1835

Not on view

David Cox, 1783–1859, British

Going to the Hayfield

1853

Not on view

Attributed to Edward Haytley, active 1740–1761, British

Thomas Newenham

ca. 1749

Not on view

George Chinnery, 1774–1852, British

A Man Carrying Faggots

ca. 1799

Not on view

John Linnell, 1792–1882, British

The Rest on the Flight into Egypt

ca. 1827

Not on view

John Frederick Herring, 1795–1865, British

A Hound and a Bearded Collie seated on a Hunting Coat

1855

Not on view

Sir David Wilkie The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall

Sir David Wilkie, 1785–1841, British

The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall

undated

Not on view

unknown artist, nineteenth century

French harbor scene

ca. 1825

Not on view

Attributed to Robert Scaddan, 1720–1802, British

Portrait of a Man, called Tobias Smollett

ca. 1750

Not on view

Arthur Devis, 1712–1787, British

William Farington of Shawe Hall, Lancashire

ca. 1743

Not on view

Arthur Devis, 1712–1787, British

An Unknown Man with His Daughter

between 1746 and 1748

Not on view

Richard Dadd, 1817–1886, British

Negation

1860

Not on view

Thomas Christopher Hofland, 1777–1843, British

Greenwich Hospital from the Observatory with a Distant View of London

1824

Not on view

Daniel Turner, active 1782–1805, British

York Water-Gate and the Adelphi

ca. 1800

Not on view

unknown artist, nineteenth century

Mountainous Landscape with Figures by a Lake

1825 to 1830

Not on view

unknown artist

Trentham Park

ca. 1801

Not on view

James Ward, 1769–1859, British

Ravager, One of the Lambton Hounds

1835

Not on view

Unknown artist, nineteenth century (imitator of French 17th century bronzes)

A Roman Emperor

1830s

Not on view

Peter Turnerelli, 1774–1839, British

An Unknown Man

1821

Not on view

Sir Francis Leggatt Chantrey, 1781–1841, British

William Howley, Bishop of London (1766-1848)

1821

Not on view

Print made by Robert Polhill Bevan, 1865–1925, British

Found!

1898-1899

Print made by Robert Polhill Bevan, 1865–1925, British

The Flying Pack

1898-1899

Robert Polhill Bevan, 1865–1925, British

Swiss Cottage, Hampstead

between 1912 and 1913

Robert Polhill Bevan, 1865–1925, British

Crocks

ca. 1924

Robert Polhill Bevan, 1865–1925, British

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan, 1865–1925, British

Landscape with Three Trees

undated

John Constable, 1776–1837, British

Salisbury Cathedral From the Meadows

1829

John Constable, 1776–1837, British

Old Sarum at Noon

1829

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Barns

undated

George Stubbs, 1724–1806, British

Study of the Human Figure, Anterior View (Outline Drawing for Table VI)

1795 to 1806

George Stubbs, 1724–1806, British

Human Skeleton, Anterior View

1795 to 1806

George Stubbs, 1724–1806, British

Fowl Head and Neck, Lateral View

1795 to 1806

George Stubbs, 1724–1806, British

Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)

1795 to 1806

George Stubbs, 1724–1806, British

Human Figure, Posterior View (Further Study for Table XII)

1795 to 1806

George Stubbs, 1724–1806, British

Monkey Standing, Anterior View

1795 to 1806

Robert Polhill Bevan, 1865–1925, British

The Flying Pack

undated

Robert Polhill Bevan, 1865–1925, British

The Meet

between 1901 and 1925

Robert Polhill Bevan, 1865–1925, British

A Sussex Cart Horse

between 1905 and 1906

Robert Polhill Bevan, 1865–1925, British

The Meet, with further sketches in margin

Robert Polhill Bevan, 1865–1925, British

Found, with further sketches in the margin

Robert Polhill Bevan, 1865–1925, British

The Hunt

undated

Print made by William Hogarth, 1697–1764, British

Plate 1, The Fellow 'Prentices at their Looms

1747

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Edward Lear, 1812–1888, British

Calder Bridge

1836

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta

1866

Edward Lear, 1812–1888, British

Platycercus Brownii / Brown's Parrakeet

1832

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

George Romney, 1734–1802, British

Lord Salisbury, Standing by a Pillar

undated

William Blake, 1757–1827, British

Satan Approaching the Court of Chaos

1784 to 1785

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 51

1804 to 1820

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827