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Creator:
Print made by William Blake, 1757–1827
Title:

Jerusalem, Plate 51

Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Bentley Copy E

Date:
1804 to 1820
Medium:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm), Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(51)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
bald | cave | cavern | chained | chains | fire | flames | literary theme | men | nudes | religious and mythological subject | robe | sceptre | shackles | sitting
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3483
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British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13) [YCBA Objects in the Exhibition]

William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]

Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 350-51, no. 241, fig. 241, N6767 B78 2007 + OVERSIZE (YCBA) [YCBA]


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