Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Date: 1773

Print made by James Bretherton, ca. 1730–1806, British

The Damnation of Obadiah

1773

Print made by James Bretherton, ca. 1730–1806, British

Inimitable Mr. James Moss

1773

Print made by James Bretherton, ca. 1730–1806, British

Man with a Walking Stick in a Landscape

1773

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

The Battle of the Cataplasm

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Print made by Charles Cameron, 1742–1812, British

Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase

1773

Attributed to John Sanders, 1768–1826, British

Torquay from the Paignton Road

undated

John Hoppner, 1758–1810, British

A Rocky Bank

undated

John Hoppner, 1758–1810, British

Study of a Seated Woman

undated

Thomas Hearne, 1744–1817, British

The Ruins of the College of Lincluden, Near Dumfries

ca. 1778

Thomas Hearne, 1744–1817, British

Edinburgh

ca. 1778

Thomas Hearne, 1744–1817, British

The Gateway of Lancaster Castle

ca. 1778

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. IV

undated

Attributed to James Miller, active 1773–1814

A Christening at the Vatican with Swiss Papal Guard, etc

undated

Alexander Nasmyth, 1758–1840, British

Edinburgh

undated

John Smart, 1741–1811, British

Portrait of a Gentleman

1773

John Smart, 1741–1811, British

Portrait of a Lady

1773

Thomas Barber, ca. 1768–1843, British

Capel House Enfield Outer Suburb - North

undated

John Hoppner, 1758–1810, British

Young Child with Lap-Dog

undated

Alexander Nasmyth, 1758–1840, British

Westminster Abbey from Dean's Yard

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

Sir Richard Colt Hoare, 1758–1838, British

The Isola Farnese

undated

Samuel Hieronymus Grimm, 1733–1794, Swiss

Rocky Landscape with Peasants and Cattle

1773

attributed to John Hoppner, 1758–1810, British

Half-Length Study of a Seated Woman

undated

John Hoppner, 1758–1810, British

Study of a Massive Rock

undated

Sir Richard Colt Hoare, 1758–1838, British

Ardea di Cesarini

undated

Sir Richard Colt Hoare, 1758–1838, British

View of Nettuno

undated

Samuel Hieronymus Grimm, 1733–1794, Swiss

At Mortlake

1773

Print made by unknown artist, eighteenth century-nineteenth century

The Pursuit of the French after the Victory at Ramellies

undated

Print made by unknown artist, eighteenth century-nineteenth century

The Battle of Taniers, Part Second

undated

Print made by unknown artist, eighteenth century-nineteenth century

The Battle of Blenheim MDCCIV, Part the Second

undated

Print made by unknown artist, eighteenth century-nineteenth century

The Battle of Ramillies MDCCVI

undated

James Basire, 1730–1802, British

Two Views of the Monument of John Tradescant in the Church of St. Mary

1773

Print made by unknown artist, eighteenth century-nineteenth century

The Battle of Blenheim

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket for the Benefit of Mr. Sal Pietro

1773

Sir Richard Colt Hoare One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"

Sir Richard Colt Hoare, 1758–1838, British

One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"

between 1773 and 1838

John Collet, ca. 1725–1780, British

A Lady of Fashion with Black Shawl and Red Shoes

ca. 1778

John Robert Cozens, 1752–1797, British

Galleria di Sopra, Albano

ca. 1778

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vede di Mezzo il Fiume un Cavaliero..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

...Scuote, il Lembo Pieno; e Nella Torbida Onda..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lo Corse ad Abbracciare, e a Sargli Sesta..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

In Quel Momento il Monte, e il Piano Scosse..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Angelica, e Medoro in Varj Modi..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

E d'Uccider se Stesso in Pensier Venne..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Stava Ella Nel Sepolcro; e Quivi Attrita..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

1773

Thomas Watson, 1743–1781, British

Mrs. Frances Ann Crewe as 'St. Genevieve'

1773

James Watson, 1740–1790, British

Her Royal Highness Anne, Dutchess of Cumberland

1773

Print made by James Watson, 1740–1790, British

Earl and Countess of Pembroke and Son

1773

Print made by Francis E. Adams, active ca.1760–1775, British

Miss Carpenters

1773

Giuseppe Marchi, ca. 1735–1808, Italian

Mrs. Elizabeth Hartley

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 3

1773

James Watson, 1740–1790, British

John Hawkesworth

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 4

1773

John Finlayson, 1730–1776, British

Robert Marsham, 2nd Baron Romney

1773

John Hoppner, 1758–1810, British

Mrs. Skinner and Child

undated

Alexander Nasmyth, 1758–1840, British

A View of Edinburgh

undated

John Dixon, ca. 1740–1811, Irish

A Tigress

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The Circus

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: Queen Square

1773

Print made by John Robert Cozens, 1752–1797, British

The City of Bath taken from the London Road

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The South Parade

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The Crescent

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The North Parade

1773

Print made by John Robert Cozens, 1752–1797, British

South View of Bath

1773

George Siegmund Facius, and I. G., 1750–1804

The Birth of Venus

ca. 1778

Print made by James Bretherton, ca. 1730–1806, British

The Slumbers of Ragotin Interrupted

1773

Print made by Henry William Bunbury, 1750–1811, British

The Damnation of Obadiah

between 1773 and 1817

Giuseppe Marchi, ca. 1735–1808, Italian

Samuel Dyer

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 2

1773

Thomas Watson, 1743–1781, British

Mrs. Theresa (née Robinson) Parker

1773

Print made by John Raphael Smith, 1752–1812, British

The Bread and Butter Manufactory or the Humours of Bagnigge Wells

1773

Sparrow, active 1773–1787

Lambeth Palace

1773

Print made by Richard Earlom, 1743–1822, British

Life School at the Royal Academy

1773

Print made by Matthew Darly, active 1754–1778, British

Hats

1773

Print made by David Allan, 1744–1796, British, born in Scotland

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Print made by Richard Earlom, 1743–1822, British

The Royal Academy of Arts

1773

Richard Earlom, 1743–1822, British

An Iron Forge

1773

Print made by Richard Earlom, 1743–1822, British

Life School at the Royal Academy

1773

Print made by Richard Earlom, 1743–1822, British

Life School at the Royal Academy

1773

Thomas Beilby, 1747–1826, British

View above New Bridge on the River Wear at Durham

1773

Thomas Beilby, 1747–1826, British

Winlaton Bridge on the Derwent near Newcastle

1773

Thomas Beilby, 1747–1826, British

Stannington Bridge, the Seat of Mr. Ward

1773

attributed to John Hoppner, 1758–1810, British

Portrait Study of a Young Man, possibly Frank Issom

undated

Thomas Beilby, 1747–1826, British

View on the River Tyne above Newcastle

1773

George Richardson, ca.1738–ca.1813, British

Design for a Chimney Piece

1773

Jacob Hogg, active 1751, British

Sketchbook with landscapes, classical and allegorical figures

between 1773 and 1780

John Finlayson, 1730–1776, British

The Right Honorable Gertrude Viscountess Villiers

1773

Philip Dawe, ca.1745–ca.1809, British

Miss Woolls

1773-1774

Thomas Watson, 1743–1781, British

Mrs. Frances Ann Crewe as St. Geneviere

1773

George Townly Stubbs, 1748–1815, British

Brown Horse Mask

1773

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Date 1773

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Date 1773

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