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Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

George Stubbs The Farmer's Wife and the Raven

George Stubbs, 1724–1806, British

The Farmer's Wife and the Raven

1788

William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

William Hogarth, 1697–1764, British

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

1746

William Hogarth Hudibras Vanquished by Trulla

William Hogarth, 1697–1764, British

Hudibras Vanquished by Trulla

William Hogarth Mr. Garrick in the Character of Richard III

William Hogarth, 1697–1764, British

Mr. Garrick in the Character of Richard III

1746

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

William Blake The Death of Juliet

Print made by William Blake, 1757–1827, British

The Death of Juliet

1799

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827, British

Romeo and Juliet, Act IV, Scene V

1799

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827, British

The Shepherd, from Songs of Innocence

ca. 1795

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Pity

Print made by William Blake, 1757–1827, British

Pity

ca. 1795

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827, British

Songs of Innocence and of Experience

1789-1794

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake Jerusalem, Plate 10, "Into the Furnaces...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 10, "Into the Furnaces...."

1804 to 1820

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 13, "And that toward Eden...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 13, "And that toward Eden...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 29, "Then the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 29, "Then the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

1804 to 1820

William Blake Jerusalem, Plate 41, "Bath who is Legions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 41, "Bath who is Legions...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 90, "The Feminine separates...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 90, "The Feminine separates...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake Jerusalem, Plate 1, Frontispiece

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 1, Frontispiece

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 26, "Such Visions Have...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

William Blake Jerusalem, Plate 27, "To the Jews...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 27, "To the Jews...."

1804 to 1820