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Creator:
Print made by Samuel Palmer, 1805–1881
Title:

Opening the Fold

Additional Title(s):

Early Morning

Date:
1880
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm), Plate: 6 7/16 x 9 1/16 inches (16.3 x 23 cm), Image: 4 5/8 x 6 15/16 inches (11.8 x 17.6 cm)
Inscription(s)/Marks/Lettering:

Inscribed in graphite, lower left: "Artist's Proof. A.H.P. Private Press"; inscribed in graphite, lower center: "A.13 iv"; inscribed in graphite, lower right: "Martin Hardie | M.H." ("Martin Hardie" underlined); inscribed in graphite, lower left on back: "Opening the Fold' | Pubd. in "The Eclogues of Virgil, An English Version" by Samuel Palmer, 1883. | This was only one actually pub'd. [?for] [?this] series by S.P. himself."

Lettered lower left within image: "S. PALMER. INV + FEC"; lettered lower center within plate marks: "Published by The Fine Art Society, 148, New Bond St., London, W. 1880."

Signed in graphite lower right within plate marks: "S.Palmer"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.10927
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
birds | bugle | clouds | farming | hat | herd | hills | horn | labor | landscape | light | literary theme | morning | mountains | pipe | river | roof | sheep | shepherd | sky | smoke | sunrise | sunset | thatch | town | trees
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:29353
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The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20) [YCBA Objects in the Exhibition]

The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01) [YCBA Objects in the Exhibition]

Rachel Campbell-Johnston, Mysterious wisdom, the life and work of Samuel Palmer , Bloomsbury, London; New York, 2011, pp. 322, 328, NJ18 P19 C36 2011 (YCBA) [YCBA]


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