Subject Terms: flames / Classification: Prints - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

William Blake, 1757–1827, British

Songs of Innocence and of Experience

1789-1794

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 29, "Then the Divine Vision...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 17, "On Albions Angels...."

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 51

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 36, "Reuben returnd to his place...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 46, "Bath, mild Physician...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 59, "And formed into Four precious stones...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 22 (Bentley 24)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

1794

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 12 (Bentley 22)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

1794

Print made by William Blake, 1757–1827, British

Fire; Plate 7

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 2, Title Page

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

1794

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 4 (Bentley 24)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 21 (Bentley 16)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 3 (Bentley 22)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

1794

Samuel Hieronymus Grimm, 1733–1794, Swiss

A View of the Fire in Covent Garden

1769

Louis Haghe, 1806–1885, British

View of the City of Bristol

ca. 1831

Print made by Robert Sargent Austin, 1895–1973, British

Woman Praying

1928

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by William Clerk, ? 19th c.

The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

after 1840

Pieter S. van der Gunst, 1659–c. 1724

Thomas Cranmer

undated

Print made by John Bogle, 1746–1804, British

Night Watchman

1776

Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Spectrum Dioneum

1768

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

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