Subject Terms: birds / Classification: Prints - YCBA Collections Search Search Results

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

William Blake, 1757–1827, British

Illustrations of Imitation of Eclogue I, Page 17

1821

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake, 1757–1827, British

The Shepherd, from Songs of Innocence

ca. 1795

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

1794

William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Louis Francais, 1814–1897, French

Bords de la Seine

between 1849 and 1862

Print made by James Clark, 19th century

Cowdray Ruins

1824

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Robert Sargent Austin, 1895–1973, British

Church Tower at Stretton, Leicestershire

1915

Print made by Robert Sargent Austin, 1895–1973, British

Romance

1922

Print made by Robert Sargent Austin, 1895–1973, British

The Bell, No.1 at Wareham, Dorest

1927

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British

The Pilot

1925

Sir David Young Cameron, 1865–1945, British

A Venetian Fountain [North Italian Set: No. 7]

1894

Print made by Robert Sargent Austin, 1895–1973, British

Springtime at Fulham

1921

Print made by Robert Sargent Austin, 1895–1973, British

Plane Tree Cottage

1926

Print made by Thomas Shotter Boys, 1803–1874, British

Buckingham Palace from St. James's Park

1842

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British

At the Tiller

1929

Print made by Robert Sargent Austin, 1895–1973, British

Early Spring, Gloucestershire

1922

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

Print made by Clare Leighton, 1898–1989, American, born in Britain

Gull and Wave

ca. 1954

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

1847

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Print made by George Cruikshank, 1792–1878, British

Sagittarius - The Archer (Not "Venus' Son Divine.")

undated

Print made by John Copley, 1875–1950, British

Tennis Players

1918

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Pheasant Shooting

1822

Print made by Alfred Henry Forrester, 1804–1872, British

Why... Because..

undated

Print made by David Allan, 1744–1796, British, born in Scotland

Glaud and Peggy

1808

Print made by Jacob Gole, 1660–1737, Dutch

April

undated

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Print made by George Cruikshank, 1792–1878, British

Virgo - Unmatched Enjoyment

undated

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by John Goto, born 1949, British

Brigands

2000 to 2001

Print made by John Goto, born 1949, British

Pasturelands

2000 to 2001

Print made by William Wynne Ryland, 1732–1783, British

A Hawking Party

1765

Print made by Robert Sargent Austin, 1895–1973, British

The Plough

1922

Print made by Robert Sargent Austin, 1895–1973, British

Autumn

1922

Print made by Robert Sargent Austin, 1895–1973, British

The Angelus

1922

Print made by Robert Sargent Austin, 1895–1973, British

San Carlo and San Giacomo, Rome

1924

Print made by Robert Sargent Austin, 1895–1973, British

Ponte Pietra, Verona

1928

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Mortmain

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Palace Farm

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Minister

1924

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Anglia Perdita

1925

Print made by François-Séraphin Delpech, 1778–1825, French

Ratisbonne

between 1818 and 1825

Joseph Gray, 1890–1962, British

North Sea

undated

Sir Francis Seymour Haden, 1818–1910, British

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Shepperton

1864

Sir Francis Seymour Haden, 1818–1910, British

Thames Fishermen, no. 2

1878

Albany E. Howarth, 1872–1936

Dowham, Sussex

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