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John Constable Study of a Cloudy Sky
John Constable, 1776–1837, British
Study of a Cloudy Sky
ca. 1825
Not on view
Samuel Palmer Sketch from Nature in Sion Park
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sketch from Nature in Sion Park
1819
Not on view
Edward John Poynter Eliza Eastlake (née Bailey)
Edward John Poynter, 1836–1919, British
Eliza Eastlake (née Bailey)
1864
Not on view
John Sell Cotman Beach Scene
Attributed to John Sell Cotman, 1782–1842, British
Beach Scene
ca. 1820
Not on view
Paul-Lucien Dessau Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953
Paul-Lucien Dessau, 1909–1999, British
Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953
1953
Not on view
Robert Macaulay Stevenson `Reve de crepuscule'
Robert Macaulay Stevenson, 1854–1952, British
`Reve de crepuscule'
between 1890 and 1895
Not on view
Walter Richard Sickert La Rue Pecquet, Dieppe
Walter Richard Sickert, 1860–1942, British, born in Germany
La Rue Pecquet, Dieppe
ca. 1907
Not on view
Edward Dayes Rochester
Edward Dayes, 1763–1804, British
Rochester
1799
Not on view
John Taylor of Bath A Bridge Over the River Wye
John Taylor of Bath, 1735–1806, American
A Bridge Over the River Wye
1776
Not on view
Prunella Clough Midland Landscape, 1958
Prunella Clough, 1919–1999, British
Midland Landscape, 1958
1958
Not on view
Robert Fawcett Doorway
Robert Fawcett, born 1966, British
Doorway
2000
Not on view
William Anderson A Wherry Taking Passengers out to Two Anchored Packets
William Anderson, 1757–1837, British
A Wherry Taking Passengers out to Two Anchored Packets
1825
Not on view
William Anderson Dutch Sailing Vessels
William Anderson, 1757–1837, British
Dutch Sailing Vessels
1814
Not on view
Julius Caesar Ibbetson A Stage Coach on a Country Road
Julius Caesar Ibbetson, 1759–1817, British
A Stage Coach on a Country Road
1792
Not on view
John Linnell A Finished Study for 'Reaping'
John Linnell, 1792–1882, British
A Finished Study for 'Reaping'
1858
Not on view
William Watson Peploe Portrait of a Young Man with Long Hair
William Watson Peploe, 1869–1933, British
Portrait of a Young Man with Long Hair
ca. 1915
Not on view
Richard Parkes Bonington A Wooded Lane
Richard Parkes Bonington, 1802–1828, British
A Wooded Lane
ca. 1825
Not on view
George Morland The Squire's Door
George Morland, 1763–1804, British
The Squire's Door
ca. 1790
Not on view
James Ward An Overshot Mill
James Ward, 1769–1859, British
An Overshot Mill
between 1802 and 1807
Not on view
James Pollard Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
James Pollard, 1792–1867, British
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
1818
Not on view
Peter Gaspar Scheemakers Francis, second Earl of Godolphin
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Francis, second Earl of Godolphin
1733
Not on view
Sir Francis Leggatt Chantrey Alexander Knox
Sir Francis Leggatt Chantrey, 1781–1841, British
Alexander Knox
late 1820s
Not on view
Benjamin Gibson Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A.
Benjamin Gibson, 1811–1851, British, active in Italy
Portrait Bust of the Artist's Brother, the Sculptor John Gibson, R.A
1837 to 1838
Not on view
Herbert Haseltine Percheron Stallion: Rhum
Herbert Haseltine, 1877–1962, American
Percheron Stallion: Rhum
cast 1967 (original model 1930)
Not on view
Herbert Haseltine Mumtaz-Mahal
Herbert Haseltine, 1877–1962, American
Mumtaz-Mahal
1957
Not on view
Ben Nicholson Two Bottles and Glass
Ben Nicholson, 1894–1982, British
Two Bottles and Glass
1967 (1973)
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
Robert Polhill Bevan The Horse Mart
Robert Polhill Bevan, 1865–1925, British
The Horse Mart
ca. 1917
John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837, British
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
John Constable Salisbury Plain from Old Sarum
John Constable, 1776–1837, British
Salisbury Plain from Old Sarum
1829
Samuel Palmer Cornfields with Barn, Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfields with Barn, Shoreham
ca. 1829
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806, British
Plate VII, Human Body, Lateral View
1804
George Stubbs Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806, British
A Horse Affrighted by a Lion
1788
George Stubbs Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
George Stubbs Tiger, Recumbent, Viewed Ventrally
George Stubbs, 1724–1806, British
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
Robert Polhill Bevan Hay Carts, Cumberland Market (sketch)
Robert Polhill Bevan, 1865–1925, British
Hay Carts, Cumberland Market (sketch)
ca. 1915
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764, British
The First Stage of Cruelty
ca. 1750
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851, British
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
Edward Lear Calder Abbey, September 12. 1836
Edward Lear, 1812–1888, British
Calder Abbey, September 12. 1836
1836
Edward Lear A Ruined Tower House
Edward Lear, 1812–1888, British
A Ruined Tower House
1836
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888, British
Gebel Sheikh Eredi
1867
Edward Lear Lorius Domicella / Black-capped Lorry (Plate 37)
Edward Lear, 1812–1888, British
Lorius Domicella / Black-capped Lorry (Plate 37)
1832
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888, British
The Capo Sant' Angelo, Amalfi
ca. 1885
George Romney Anger, Envy, and Fear
George Romney, 1734–1802, British
Anger, Envy, and Fear
undated
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797