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Attributed to Francis Danby, 1793–1861, Irish

Sunset at Sea after a Storm

ca. 1824

Not on view

John Constable, 1776–1837, British

Sketch for "The Hay Wain"

ca. 1820

Not on view

Attributed to John Constable, 1776–1837, British

Study of Hollyhocks

ca. 1826

Not on view

Henry Walton, 1746–1813, British

Girl with a Bouquet of Flowers

ca. 1772

Not on view

Henry Walton, 1746–1813, British

Portrait of a young woman, possibly Miss Nettlethorpe

ca. 1770

Not on view

Henry Walton, 1746–1813, British

Portrait of a Woman, Possibly Miss Nettlethorpe

ca. 1770

Not on view

Thomas Creswick, 1811–1869, British

The Summer Bower, Derwent Water

ca. 1838

Not on view

Samuel De Wilde, 1748–1832, British

William Shuttlewood

1788

Not on view

Richard Redgrave, 1804–1888, British

Self-Portrait

ca. 1832

Not on view

Thomas Creswick, 1811–1869, British

Dolwyddelan

ca. 1838

Not on view

Thomas Creswick, 1811–1869, British

View from Mr. Southey's House, Keswick

ca. 1838

Not on view

Frederick W. Watts, 1800–1862, British

Haymakers Resting

ca. 1825

Not on view

Thomas Smith of Derby, ca. 1720–1767, British

An Imaginary Landscape with a Wagon and a Distant View of a Town

ca. 1749

Not on view

Thomas Smith of Derby, ca. 1720–1767, British

A Wooded Landscape with a Stream and a Fisherman

ca. 1749

Not on view

John Cheere, 1709–1787, British

Sir Isaac Newton

ca. 1750

Not on view

Francis Danby, 1793–1861, Irish

Hope near Bergen

ca. 1840

Robert Polhill Bevan, 1865–1925, British

Huntsman and Hounds

ca. 1896

John Constable, 1776–1837, British

Sky Study with Rainbow

1827

John Constable, 1776–1837, British

Brighton Beach Looking West

undated

attributed to John Constable, 1776–1837, British

A View on the Orwell

undated

John Constable, 1776–1837, British

Suffolk Landscape

undated

John Constable, 1776–1837, British

Mr. Hobson of Markfield and Family

ca. 1806

John Constable, 1776–1837, British

Stoke Poges Church

1834

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Page from a Cornish Sketchbook: Cornwall 32

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Page from a Cornish Sketchbook: Cornwall 30

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Moonlit Scene with a Winding River

ca. 1827

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bright Cloud

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Cornfield and Church by Moonlight

early 1830s

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

William Hogarth, 1697–1764, British

Gabriel Hunt

undated

William Hogarth, 1697–1764, British

The Company of Undertakers

1736

William Hogarth, 1697–1764, British

Colombus breaking the Egg

1753

William Hogarth, 1697–1764, British

Scholars at a Lecture (A Chorus of Singers)

1736

William Hogarth, 1697–1764, British

A Consultation of Physicians

1736

William Hogarth, 1697–1764, British

The Laughing Audience

1733

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner, 1775–1851, British

North East View of Grantham Church, Lincolnshire

ca. 1797

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812