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Height [cm] 27

Subject Terms literary theme

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Paulus Pontius Aubertus Miræus

Print made by Paulus Pontius, 1603–1658, Flemish

Aubertus Miræus

ca. 1635

Thomas Stothard The Tenth Day of the Decameron

Thomas Stothard, 1755–1834, British

The Tenth Day of the Decameron

ca. 1825

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

John Flaxman Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

John Flaxman, 1755–1826, British

Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

ca. 1795

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1834

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

William Marshall Craig Hamlet and the Ghost

William Marshall Craig, 1763 or 1764–1829, British

Hamlet and the Ghost

ca. 1820

Rev. William Warren Porter Castle of Udolpho

Rev. William Warren Porter, 1776–1804, British

Castle of Udolpho

undated

Rev. William Warren Porter Scene from 'The Mysteries of Udolpho'

Rev. William Warren Porter, 1776–1804, British

Scene from 'The Mysteries of Udolpho'

undated

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790, British

Hamlet

1809

Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ophelia: There Is Rue for You and Here's Some for Me

1784

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Edward Fisher Lucilia

Print made by Edward Fisher, 1722–1785, British

Lucilia

1776

Robert Smirke Virgilia and Volumnia Plead with Coriolanus

Robert Smirke, 1752–1845, British

Virgilia and Volumnia Plead with Coriolanus

ca. 1795

Keith Vaughan Faim, Soif, Cris, Danse, Danse, Danse

Keith Vaughan, 1912–1977, British

Faim, Soif, Cris, Danse, Danse, Danse

1949

Francesco Bartolozzi Lovelace in Prison

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Francesco Bartolozzi Tancred and Clorinda

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tancred and Clorinda

1785

Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Amedeo Gabrielli Griselda Returning to her Father

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Francesco Bartolozzi The Death of Cora

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Death of Cora

1788

Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ophelia: There's Rue for You, and Here's Some for Me

1784

Ralph Hudson The Pilgrim's Progress Illustrated, Uncut Panorama

Print made by Ralph Hudson, active ca. 1820, British

The Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820