Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
5
William Hogarth, 1697–1764, British
Hudibras and the Lawyer (no.7)
6
Print made by William Hogarth, 1697–1764, British
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
7
Print made by William Hogarth, 1697–1764, British
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
8
Print made by William Hogarth, 1697–1764, British
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
9
Print made by William Hogarth, 1697–1764, British
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
10
Print made by William Hogarth, 1697–1764, British
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
11
Print made by William Hogarth, 1697–1764, British
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
12
Print made by William Hogarth, 1697–1764, British
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
13
Print made by William Hogarth, 1697–1764, British
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
14
Print made by William Hogarth, 1697–1764, British
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
15
Print made by William Hogarth, 1697–1764, British
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
16
Print made by William Hogarth, 1697–1764, British
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
17
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
18
Print made by Joseph Mallord William Turner, 1775–1851, British
Shields Lighthouse
between 1820 and 1826
19
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
21
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
22
Etched by Joseph Mallord William Turner, 1775–1851, British
The Fifth Plague of Egypt
1808
23
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
24
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Interior of a Church
1819
25
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
26
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
27
Etched by Joseph Mallord William Turner, 1775–1851, British
River Wye
1812
28
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
29
Etched by Joseph Mallord William Turner, 1775–1851, British
Basle
1807
30
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
31
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
32
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
33
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
34
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
35
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Junction of Severn and Wye
1811
36
Etched by Joseph Mallord William Turner, 1775–1851, British
Ships in a Breeze
1808
37
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
38
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
39
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
40
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
41
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Crypt of Kirkstall Abbey
1812
42
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
43
Etched by Joseph Mallord William Turner, 1775–1851, British
Morpeth, Northumberland
1809
44
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
45
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
46
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
47
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
48
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
49
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
50
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
51
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
52
Print made by William Blake, 1757–1827, British
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
53
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
54
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
55
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
56
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
57
Etched by Joseph Mallord William Turner, 1775–1851, British
London from Greenwich
1811
58
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
59
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes Snellincx
ca. 1635
60
Print made by Paulus Pontius, 1603–1658, Flemish
Aubertus Miræus
ca. 1635
61
Print made by Paulus Pontius, 1603–1658, Flemish
Henricus Steenwyck
ca. 1635
62
Print made by John Boydell, 1720–1804, British
Greenland Fishery
1754
63
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
64
Print made by John Boydell, 1720–1804, British
Morning
1753
65
Print made by John Boydell, 1720–1804, British
Evening
1755
66
Print made by John Boydell, 1720–1804, British
Noon
1753
67
Print made by John Boydell, 1720–1804, British
Night
1756
68
Print made by Charles Bretherton, ca. 1760–1783, British
Lady Pointing with a Stick
1782
69
Richard Parkes Bonington, 1802–1828, British
Rouen - Entre de la Salle des Pas Perdus
70
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
71
Print made by David Lucas, 1802–1881, British
A Mill
1830
72
Print made by Charles Turner, 1774–1857, British
Shields on the River Tyne
1823
73
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
74
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
75
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
76
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
77
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
78
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
79
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Inglese
1772
80
Print made by Charles W. Bartlett, 1860–1940, British
Udaipur, 1916
1916
81
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
82
Thomas Major, 1714–1799, British
The Royal Palace of Windsor
1745
83
Paul Nash, 1889–1946, British
A Christmas Card to Arthur and Madeline Clifton, 1926
ca. 1926
84
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
85
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
86
Print made by John Byrne, 1786–1847, British
Rome, Tomb of Cecilia Metella
1818-1820
87
Print made by John Pye, 1782–1874, British
Junction of the Greta and Tees at Rokeby
1819
88
Print made by Edward Goodall, 1795–1870, British
A Village – Evening
1834
89
Print made by Edward Goodall, 1795–1870, British
The Gipsy
1834
90
William Finden, 1787–1852, British
A Wish
1834
91
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
92
Print made by John Pye, 1782–1874, British
Paestum (vignette)
1830
93
William Finden, 1787–1852, British
The Tear
1834
94
William Finden, 1787–1852, British
The Mask
1834
95
William Finden, 1787–1852, British
The Sailor
1834
96
Print made by John Cousen, 1804–1880, British
The Acropolis of Athens
1832-1834
97
Samuel Buck, 1696–1779, British
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
98
Samuel Rawle, 1771–1860, British
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
1816
99
unknown artist
A South View of the Church of St. Pancras in the Country of Middlesex
1781
100
Samuel Rawle, 1771–1860, British
Elevation of Part of the Interior of Crosby Hall (Council Room)