Height [cm]: 26 / Subject Terms: men - YCBA Collections Search Search Results

1. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

Creator:: George Stubbs, 1724–1806, British
Date:: late 1750s
Medium:: Oil on four pieces of paper conjoined on canvas
Dimensions:: 10 1/4 × 11 7/8 inches (26 × 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

Creator:: unknown artist, eighteenth century
Date:: between 1790 and 1799
Medium:: Oil on panel
Dimensions:: 10 1/4 x 11 1/2 inches (26 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Under the Hammer

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: between 1912 and 1913
Medium:: Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Gabriel Hunt

Creator:: William Hogarth, 1697–1764, British
Date:: undated
Medium:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827, British
Date:: 1799 to 1800
Medium:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 100

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 26, "Such Visions Have...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Calm

Creator:: Print made by John Boydell, 1720–1804, British
Date:: 1754
Medium:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806, British
Date:: 1773
Medium:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Action at Kowloon

Creator:: Lt. Joseph Sparkhall Rundle, 1815–1880
Date:: 1839
Medium:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted thick, moderately textured, cream wove paper
Dimensions:: Mount: 10 1/8 × 11 7/8 inches (25.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Venetian Dignitaries Boarding Gondolas

Creator:: James Holland, 1799–1870, British
Date:: 1844
Medium:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hulks at Plymouth

Creator:: Samuel Prout, 1783–1852, British
Date:: undated
Medium:: Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Brightlingsea Hard, Landing Oysters

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
Date:: 1929
Medium:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Drifting

Creator:: Thomas Alexander Graham, 1840–1906, British
Date:: undated
Medium:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16in. (26 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edwin Austin Abbey Memorial Collection

38. Woodcutters in a Forest

Creator:: John Linnell, 1792–1882, British
Date:: undated
Medium:: Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Mary, Queen of Scots

Creator:: Edward Francis Burney, 1760–1848, British
Date:: undated
Medium:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Lismore Castle, Ireland

Creator:: Francis Wheatley, 1747–1801, British
Date:: 1783
Medium:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Study for the Central Group in the "Death of Earl of Chatham"

Creator:: John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Date:: 1778
Medium:: Black and white chalk on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 10 3/8 x 12 1/2 inches (26.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852, British
Date:: undated
Medium:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1820
Medium:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: undated
Medium:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Woodcutter's Picnic

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: undated
Medium:: Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Bookseller and Author

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1784
Medium:: Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Soldiers on a March

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: 1805
Medium:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Innisfallen Abbey, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ross Castle, Mouse Island, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Eagles' Nest Mountain

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Man of War Rock, Upper Lake Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Kenmare Road Tunnel, Killarney

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Part of the Killarney Lake between the Upper and Lower Lakes

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Augur's Lake, Gap of Dunloh

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Bull Mountain and the Hare's Bridge

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. From Above the Tunnel on the Kenmare Road, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Purple Mountains, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854, British
Date:: 1841
Medium:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Richmond Horse Show

Creator:: Lewis Morley, 1925–2013, British
Date:: 1960s
Medium:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

65. London

Creator:: Lewis Morley, 1925–2013, British
Date:: 1960s
Medium:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 11 3/4 × 15 7/8 inches (29.8 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

66. Glaud and Symon

Creator:: Print made by David Allan, 1744–1796, British, born in Scotland
Date:: 1808
Medium:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

67. Madge and Bauldy

Creator:: Print made by David Allan, 1744–1796, British, born in Scotland
Date:: 1808
Medium:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

68. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796, British, born in Scotland
Date:: 1808
Medium:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

69. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878, British
Date:: 1820
Medium:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:: 1847
Medium:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Creator:: Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:: 1848
Medium:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

Creator:: Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:: 1848
Medium:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.3 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

Creator:: Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:: 1849
Medium:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Stephen Brought Prisoner to Empress Mathilda

Creator:: Henry Singleton, 1766–1839, British
Date:: undated
Medium:: Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Wooded Landscape with Figures on Horseback Crossing a Bridge

Creator:: Thomas Gainsborough, 1727–1788, British
Date:: between 1775 and 1780
Medium:: Gray wash, pen and gray ink, white gouache, and white chalk on medium, slightly textured, cream laid paper, mounted on card
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick

Creator:: John Donowell, active 1753–1786
Medium:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 x 16 1/4in. (26 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966, British
Date:: 1933
Medium:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

Creator:: unknown artist
Medium:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/8 × 16 inches (25.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

Creator:: George Bickham the Younger, ca. 1706–1771, British
Medium:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 x 15 3/4in. (26 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A View of the Grotto & Two Shell Temples in the Gardens of Earl Temple at Stow, in Buckinghamshire

Creator:: George Bickham the Younger, ca. 1706–1771, British
Medium:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 10 1/4 x 15 1/2in. (26 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Patie Rebukes Roger

Creator:: Print made by David Allan, 1744–1796, British, born in Scotland
Date:: 1808
Medium:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

82. Glaud and Peggy

Creator:: Print made by David Allan, 1744–1796, British, born in Scotland
Date:: 1808
Medium:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

83. Two Riders Exercising Horses at a Gallop

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Snipe Shooting

Creator:: Robert Dighton, 1752–1814, British
Date:: ca. 1790
Medium:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Steeplechasing: Three Riders Taking a Brook

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: ca. 1825
Medium:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Whipper-in With a Hound, the Field Ahead at Left

Creator:: Samuel Alken, 1756–1815, British
Date:: undated
Medium:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 × 16 1/16 inches (25.7 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Stag Hunting - The Meet: a Hind Released From a Van..

Creator:: Samuel Alken, 1756–1815, British
Date:: undated
Medium:: Watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Grouse Shooting

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Medium:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 7/16 inches (27 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Stable Boy rubbing down a Racehorse

Creator:: Sawrey Gilpin, 1733–1807, British
Date:: undated
Medium:: Black chalk and stumping on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1790
Medium:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Pheasant Shooting

Creator:: Robert Dighton, 1752–1814, British
Date:: before 1801
Medium:: Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Quakers' Meeting

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: ca. 1810
Medium:: Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Saddling Enclosure, Epsom

Creator:: James Barenger, 1780–after 1831, British
Date:: undated
Medium:: Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

Creator:: Hablot Knight Browne, 1815–1882, British
Date:: undated
Medium:: Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Death: The Fox Hoist to a Fence

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Death: Huntsman Holding Fox Aloft

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 5/16 inches (26 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Steeplechasing: The Field Jumping Into and Out of a Lane

Creator:: Henry Thomas Alken, 1785–1851, British
Date:: undated
Medium:: Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 26

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1. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

2. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

3. Under the Hammer

4. Gabriel Hunt

5. Christ Giving Sight to Bartimaeus

6. Jerusalem, Plate 100

7. Jerusalem, Plate 26, "Such Visions Have...."

8. Jerusalem, Plate 51

9. The First Book of Urizen, Plate 4 (Bentley 24)

10. The First Book of Urizen, Plate 18 (Bentley 21)

11. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

12. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

13. The First Book of Urizen, Plate 28 (Bentley 27)

14. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

15. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

16. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

17. The First Book of Urizen, Plate 15 (Bentley 14)

18. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

19. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

20. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

21. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

22. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

23. The First Book of Urizen, Plate 21 (Bentley 16)

24. The First Book of Urizen, Plate 23 (Bentley 9)

25. The First Book of Urizen, Plate 3 (Bentley 22)

26. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

27. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

28. The First Book of Urizen, Plate 7 (Bentley 12)

29. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

30. A Calm

31. The Damnation of Obadiah

32. Action at Kowloon

33. Florence, from the Chiesa al Monte

34. Venetian Dignitaries Boarding Gondolas

35. Hulks at Plymouth

36. Brightlingsea Hard, Landing Oysters

37. Drifting

38. Woodcutters in a Forest

39. Florence, from the Chiesa al Monte

40. Mary, Queen of Scots

41. Lismore Castle, Ireland

42. Study for the Central Group in the "Death of Earl of Chatham"

43. Window West End, South Aisle, Saint Vincent

44. Florence, from the Chiesa al Monte

45. Drury Lane. The School for Scandal

46. A Woodcutter's Picnic

47. Bookseller and Author

48. Soldiers on a March

49. Innisfallen Abbey, 4 September 1841

50. Ross Castle, Mouse Island, 4 September 1841

51. Eagles' Nest Mountain

52. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

53. Man of War Rock, Upper Lake Killarney, 4 September 1841

54. Kenmare Road Tunnel, Killarney

55. Part of the Killarney Lake between the Upper and Lower Lakes

56. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

57. Augur's Lake, Gap of Dunloh

58. Ash Valley Lake in the Gap of Dunloh, September 1841

59. Bull Mountain and the Hare's Bridge

60. Augur's Lake, Gap of Dunloh, 6 September 1841

61. From Above the Tunnel on the Kenmare Road, 4 September 1841

62. The Purple Mountains, 6 September 1841

63. Looking South From the Black Stream Bridge, 6 September 1841

64. Richmond Horse Show

65. London

66. Glaud and Symon

67. Madge and Bauldy

68. Sir William Worthy's Blessing

69. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

70. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

71. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

72. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

73. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

74. Stephen Brought Prisoner to Empress Mathilda