Work Type: intaglio print / Image Use: Free to Use / Subject Terms: sheep

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

Hind Head Hill

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by John Copley, 1875–1950, British

Sheep in Twilight

1922

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Print made by James Walker, 1748–1808, British

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808, British

Elgin Cathedral, Morayshire

1797

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Print made by Samuel Rawle, 1771–1860, British

North East View of Dunster Castle, Somersetshire

1800

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Young Male Shearing a Sheep

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Evening

undated

Print made by David Allan, 1744–1796, British, born in Scotland

Patie Rebukes Roger

1808

Robert Havell, 1769–1832, British

Crofton

1813

Print made by J. S. Cooper, active 1885, British

Sheep

ca. 1880

Print made by David Allan, 1744–1796, British, born in Scotland

Peggy and Patie

1808

Sir Francis Seymour Haden, 1818–1910, British

Werrington

1868

Print made by George Richmond, 1809–1896, British

The Shepherd

1827

Print made by Richard Earlom, 1743–1822, British

A Landscape

1817

Sir Francis Seymour Haden, 1818–1910, British

The Two Sheep

1870

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by James Walker, 1748–1808, British

Hampton Court, Herefordshire

1797

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stepping Stones

1915

Sir Francis Seymour Haden, 1818–1910, British

On the Test

1878

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stevenage

1902

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by Thomas Cheesman, 1760–1834/35, British

Lady Hamilton as The Sempstress

1787

Print made by Richard Earlom, 1743–1822, British

The Exposition of Cyrus

1781

Print made by Edward Radclyffe, 1809–1863, British

Changing Pasture

undated

Print made by Edward Radclyffe, 1809–1863, British

Outskirts of the Forest

undated

Engraved by William Woollett, 1735–1785, British

Celadon and Amelia

1766

Print made by Joseph Grozer, ca. 1755–1798, British

Miss Mary Palmer as "The Young Shepherdess"

ca. 1785

Print made by John Spilsbury, 1730–1795

Lady Mary Leslie

ca. 1766

Print made by John Dean, 1754–1798, British

A Shepherdess

1786

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Shepherdess

undated

Print made by Elisha Kirkall, ca. 1682–1742, British

Flight into Egypt

undated

Print made by John Robert Cozens, 1752–1797, British

The City of Bath taken from the London Road

1773

Print made by John Robert Cozens, 1752–1797, British

South View of Bath

1773

Print made by Henry William Bunbury, 1750–1811, British

The Judgement of Paris

1771

Print made by Bradshaw & Blacklock, active ca.1850, British

Chepstow Castle

after 1850

Print made by Edward Calvert, 1799–1883, British

The Bride

1828

Print made by Edward Calvert, 1799–1883, British

The Sheep of His Pasture

ca. 1828

Print made by Richard Earlom, 1743–1822, British

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

John Greig, active 1803–1853, British

Godalming, Surrey

1820

William Woollett, 1735–1785, British

The Haymakers

ca. 1800

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Reapers

1790

Thomas Higham, 1796–1844, British

Benacre Hall, Suffolk

1819

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

Print made by Richard Ansdell, 1815–1885, British

Sleepest or Wakest Thou?

ca. 1853

Print made by James Caldwall, 1739–1819, British

Ham Court, the Seat of John Martin, Esq

undated

Print made by unknown artist, (J. Appleton)

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by Letitia Byrne, 1779–1849, British

Bolton Abbey, Yorkshire

1809

Thomas Higham, 1796–1844, British

Red-Scar, the Residence of William Cross, Esquire

1832

John Cousen, 1804–1880, British

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Shepherd and Flock Outside a Village

1737

Print made by George Bickham the Elder, 1683/4–1758, British

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by John Dean, 1754–1798, British

Master Wynn in the Character of St. John

1776

Print made by David Lucas, 1802–1881, British

The Cornfield

1833

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Sheep-Sheering

1798

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Work Type intaglio print

Image Use Free to Use

Subject Terms sheep

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