A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
2
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
3
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
4
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
5
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
6
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
7
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
8
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
9
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
10
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
11
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
13
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
14
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
15
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
16
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
17
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
19
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
20
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
21
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
22
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
24
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
25
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
26
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
27
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
28
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 36, "Reuben returnd to his place...."
1804 to 1820
29
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
30
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
31
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
32
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
33
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 66, "In awful pomp & gold...."
1804 to 1820
34
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
35
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
36
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4 (Bentley 24)
1794
37
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
1794
38
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3 (Bentley 22)
1794
39
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
40
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
41
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
42
George Jones, 1786–1869, British
Fire on the Thames
ca. 1808
43
Cornelius Varley, 1781–1873, British
Evening
1828
44
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene VI
ca. 1802
45
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
46
Thomas Hand, died 1804, British
Wooded Landscape with Figures Round a Cooking Pot
1793
47
Thomas Hearne, 1744–1817, British
The Welsh Curate
undated
48
William Callow, 1812–1908, British, active in France
Plymouth Dockyard after the Fire
1840
49
William Simpson, 1823–1899, British
The Ganges
1863
50
Samuel Wale, 1721–1786, British
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
51
George Shepheard, ca. 1770–1842, British
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
52
Attributed to John Martin, 1789–1854, British
Fall of a City
undated
53
Henry Pierce Bone, 1779–1855, British
Incantation Scene
undated
54
Thomas Wyck, 1616–1677, Dutch
Newgate Prison, the Fire of London
undated
55
Paul Sandby, 1731–1809, British
London Cries: All Fire and No Smoke
ca. 1759
56
William Simpson, 1823–1899, British
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
57
Nicholas Pocock, 1740–1821, British
Landscape with Gypsies
undated
58
George Cattermole, 1800–1868, British
Scene of Three Witches from Shakespeare's Macbeth
1840
59
Francis Wheatley, 1747–1801, British
Olivia Returns to Her Family
undated
60
unknown artist, nineteenth century
The Destruction of Sodom and Gomorrah
undated
61
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
62
Thomas Rowlandson, 1756–1827, British
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
63
David Roberts, 1796–1864, British
The Destruction of Pompeii
undated
64
James Pattison Cockburn, 1779–1847, British
Cuirassiers
ca. 1832
65
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
66
Dennis Flanders, 1915–1994, British
The House of Common Under Fire
1942
67
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
68
Thomas Daniell, 1749–1840, British, active in India
Boats at Sea
undated
69
Thomas Rowlandson, 1756–1827, British
Gypsies Cooking on an Open Fire
undated
70
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
71
Mrs. P. D. H. Page, 20th century
Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
undated
72
Mrs. P. D. H. Page, 20th century
Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
undated
73
Sawrey Gilpin, 1733–1807, British
Rough sketch of figures and horses
undated
74
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
75
Joshua Cristall, 1768–1847, British
Country Folk Gathered Around a Cooking Pot
undated
76
James Pattison Cockburn, 1779–1847, British
Calvary Resting
undated
77
Thomas Rowlandson, 1756–1827, British
A Maiden Aunt Smelling Fire
1804
78
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
79
Sir Charles D'Oyly, 1781–1845, British, active in India
The Summer Room in the Artist's House at Patna
1824
80
Sir Charles D'Oyly, 1781–1845, British, active in India