Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806, British
Pumpkin with a Stable-lad
1774
Not on view
3
Mary Beale, 1633–1699, British
Bartholomew Beale
1663-64
4
William Hogarth, 1697–1764, British
William Augustus, Duke of Cumberland
1732
Not on view
5
George Romney, 1734–1802, British
John Flaxman Modeling the Bust of William Hayley
1795 to 1796
Not on view
6
Jonathan Richardson the Elder, 1667–1745, British
Nathaniel Seymour
between 1730 and 1735
Not on view
7
Henry Singleton, 1766–1839, British
The Wandering Sailor
ca. 1798
Not on view
8
Alfred Elmore, 1815–1881, Irish
Pompeii, A.D. 79
1878
Not on view
9
Robert Hannah, 1812–1909, British
Refreshing the Weary
ca. 1847
Not on view
10
John Closterman, 1660–1711, German, active in Britain (from 1680)
John Poulett, first Earl Poulett
ca. 1680
Not on view
11
John Wootton, 1682–1764, British
Rievaulx Abbey
ca. 1745
Not on view
12
Lambert Marshall, 1809–1873, British
'Sultan' at the Marquess of Exeter's Stud, Burghley House
1826
Not on view
13
William Turner of Oxford, 1789–1862, British
Shepherd Boy on a Hillside
ca. 1840
Not on view
14
William Hilton, 1786–1839, British
Cupid Armed
ca. 1833
Not on view
15
Willem Wissing, ca. 1656–1687, Dutch, active in Britain (by 1676)
Portrait of an Unknown Boy
ca. 1685
Not on view
16
unknown artist, eighteenth century
The Hermitage
ca. 1772
Not on view
17
Henry Howard, 1769–1847, British
Venus and Cupid
1809
Not on view
18
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
ca. 1762
Not on view
19
John William Inchbold, 1830–1888, British
Ariccia, near Rome, Italy
1860
Not on view
20
unknown artist, nineteenth century
The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
late 18th century
Not on view
21
Francis Cotes, 1726–1770, British
Charles Collyer as a Boy, with a Cricket Bat
1766
Not on view
22
unknown artist, eighteenth century
The Buckley-Boar Family
between 1758 and 1760
Not on view
23
Jean Laurent Mosnier, 1743/44–1808, French, active in Britain (1790–96)
Margaret Callander and Her Son James Kearney
1795
Not on view
24
Sir Joshua Reynolds, 1723–1792, British
Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas
1782
Not on view
25
Attributed to Andrea Soldi, 1703–1771, Italian, active in Britain (from ca. 1736)
Sir Robert and Lady Smyth with Their Son, Hervey
between 1738 and 1739
Not on view
26
unknown artist, eighteenth century
The Death of the Hare
between 1760 and 1770
Not on view
27
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
28
Sir Henry Raeburn, 1756–1823, British
Quentin McAdam
ca. 1815
Not on view
29
John Hamilton Mortimer, 1740–1779, British
Portrait of a Man and a Boy Looking at Prints
between 1765 and 1770
Not on view
30
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Children Playing with a Hobby Horse
between 1741 and 1747
Not on view
31
unknown artist, eighteenth century
The Practical Joke
ca. 1740
Not on view
32
John Opie, 1761–1807, British
Thomas Abraham of Gurrington, Devon
1784
Not on view
33
Edward Penny, 1714–1791, British
Widow Costard's cow and goods, distrained for taxes, are redeemed by the generosity of Johnny Pearmain
1782
Not on view
34
Edward Penny, 1714–1791, British
The Profligate Punished by Neglect
1774
Not on view
35
Arthur Devis, 1712–1787, British
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
36
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Mother with her Son and a Pony
ca. 1775
Not on view
37
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Servants Washing a Deer
ca. 1775
Not on view
38
George Barret, ca. 1728/32–1784, Irish
Wooded Landscape with a Boy and his Dog
ca. 1770
Not on view
39
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Son Raphael
1773
Not on view
40
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Elizabeth West (née Shewell), and Her Son Raphael
ca. 1773
Not on view
41
Francis Wheatley, 1747–1801, British
Evening
1799
Not on view
42
Francis Wheatley, 1747–1801, British
Night
1799
Not on view
43
Francis Wheatley, 1747–1801, British
Morning
1799
Not on view
44
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Family
ca. 1772
Not on view
45
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Richard Heber
1782
Not on view
46
Arthur William Devis, 1762–1822, British
Emily and George Mason
between 1794 and 1795
Not on view
47
George Barret, ca. 1728/32–1784, Irish
Landscape with Cottagers
ca. 1775
Not on view
48
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
49
George Chinnery, 1774–1852, British
Men Round the Food Vendor’s Stall
after 1825
Not on view
50
George Chinnery, 1774–1852, British
An English Family in Macao
ca. 1835
Not on view
51
Unknown artist, eighteenth century
A Family Group Called 'The Stafford Family'
ca. 1730
Not on view
52
John Linnell, 1792–1882, British
Landscape with Figures
1816
Not on view
53
John Linnell, 1792–1882, British
Hanson Toot, View in Dovedale
1815, reworked, 1846, 1854, and 1870
Not on view
54
Joseph Highmore, 1692–1780, British
The Head of a Young Boy
ca. 1735
Not on view
55
John Linnell, 1792–1882, British
Evening, Bayswater
1818
Not on view
56
William Hamilton, 1751–1801, British
John Palmer Whalley
ca. 1775
Not on view
57
Gainsborough Dupont, 1754–1797, British
A Wooded Landscape with Cattle and Herdsman
before 1796
Not on view
58
Sir Francis Grant, 1803–1878, British
James Keith Fraser
1844
Not on view
59
John Linnell, 1792–1882, British
Shepherd Boy Playing a Flute
1831
Not on view
60
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
61
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
62
William Watson Peploe, 1869–1933, British
Portrait of a Young Man with Long Hair
ca. 1915
Not on view
63
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Market Day, Roseau, Dominica
ca. 1780
Not on view
64
Julius Caesar Ibbetson, 1759–1817, British
Donkeys and Figures on a Beach
ca. 1815
Not on view
65
Richard Parkes Bonington, 1802–1828, British
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
66
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
67
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
68
Robert Smirke, 1752–1845, British
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
69
Thomas Patch, 1725–1782, British
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
70
Cornelius Johnson, 1593–1661, British
William III, Prince of Orange, as a Child
1657
Not on view
71
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
72
Sir William Beechey, 1753–1839, British
Portrait of a Boy
ca. 1790
Not on view
73
William Ashford, 1746–1824, British
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
74
George Garrard, 1760–1826, British
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
75
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
76
James Seymour, 1702–1752, British
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
77
Thomas Smith of Derby, ca. 1720–1767, British
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
78
Thomas Gainsborough, 1727–1788, British
Landscape with Stream and Weir
between 1750 and 1753
Not on view
79
Julius Caesar Ibbetson, 1759–1817, British
A Married Sailor's Adieu
ca. 1800
Not on view
80
Thomas Smith of Derby, ca. 1720–1767, British
A Wooded Landscape with a Stream and a Fisherman
ca. 1749
Not on view
81
Robert Burnard, 1800–1876, British
John Gubbins Newton and His Sister, Mary Newton
ca. 1833
Not on view
82
Ramsay Richard Reinagle, 1775–1862, British
Francis Noel Clarke Mundy and His Grandson, William Mundy
1809
Not on view
83
Joseph Nollekens, 1737–1823, British
William Le Marchant Porret
ca. 1800
Not on view
84
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Academy by Lamplight
1769
Not on view
85
Edward Bowring Stephens, 1815–1882, British
Narcissus
1846
Not on view
86
Joseph Edgar Boehm, 1834–1890, British
Girl on Horseback with a Boy and a Dog
1865
Not on view
87
George Romney, 1734–1802, British
Boy Seated beneath a Rock
undated
88
George Romney, 1734–1802, British
Mother and Son
undated
89
attributed to William Blake, 1757–1827, British
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
90
Print made by William Blake, 1757–1827, British
Thomas Hayley (1780-1800)
1800
91
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
92
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
93
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
94
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
95
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
96
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
97
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
98
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
99
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
100
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."