Download/Print Selected Image
- Title:
Market Day, Roseau, Dominica
- Former Title(s):
Linen Market, Dominica [1985, Cormack, YCBA Concise Catalogue]
- Date:
- ca. 1780
- Medium:
- Oil on canvas
- Dimensions:
- 14 x 18 1/4 inches (35.6 x 46.4 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.77
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1981.25.77FR
- Subject Terms:
- boy | building | canopy | chair | children | costume | Creole | drums (membranophones) | genre subject | girl | linen (material) | market (event) | men | merchants | produce stands | selling | stalls | street | table | tent | town | toy | women
- Associated Places:
- Dominica | Lesser Antilles | Roseau | West Indies
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:587
- Export:
- XML
- IIIF Manifest:
- JSON
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27) [YCBA Objects in the Exhibition] [Exhibition Description]
Mia L. Bagneris, Agostino Brunias : Capturing the Carribean [sic] (c. 1770-1800), , Robilant + Voena, London, UK, 2010, pp. 10.12, fig. 4, NJ18 B84652 +B34 2010 Oversize (YCBA) [YCBA]
Mia L. Bagneris, Colouring the Caribbean : Race and the Art of Agostino Brunias, Manchester University Press, Manchester, 2018, p. 197, fig. 52, NJ18.B84652 B34 2018 (YCBA) [YCBA]
David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, p. 106, N6761 +H57 2008 Oversize (YCBA) [YCBA]
Douglas Catterall, Women in port, gendering communities, economies, and social networks in Atlantic port cities, 1500-1800 , Brill, Leiden, 2012, front cover, HQ1818.85 .W6596X 2012 (LC) (SML) [ORBIS]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 44-45, N590.2 A83 (YCBA) [YCBA]
John Crowley, Imperial landscapes, Britains's global visual culture 1745-1820 , Yale University Press, New Haven, CT, 2011, p. 118, fig. 140, N8214.5 G7 C76 2011 + (YCBA) [YCBA]
Dror Wharman, Making of the Modern Self : Identity and English Culture in the Eighteenth Century, Yale University Press, New Haven, CT, 2004, pp. 214-15, fig.32, DA485 .W34 2004 (YCBA) [YCBA]
Elisabeth Fairman, Wilde Americk : Discovery and Exploration of the New World, , New Haven, 2001, p.15, V 0857 (YCBA) [YCBA]
Kay Dian Kriz, Slavery, sugar, and the culture of refinement: picturing the British West Indies, 1700-1840, Yale University Press, New Haven, CT, p. 38, N8214.5.W38 K75 2008 (LC) (YCBA) [YCBA]
Felicity Nussbaum, The Global Eighteenth Century, Johns Hopkins University Press, Baltimore, Md., 2003, pp. 204-206, fig.13.6, D287 G56 2003 (YCBA) [YCBA]
Leonora Sansay, Secret History, or, The Horrors of St. Domingo, Broadview Press, Peterborough, ON, 2007, ??, PS2769 .S43x 2007 (SML) [ORBIS]
Beth Fowkes Tobin, Colonizing nature, the tropics in British arts and letters, 1760-1820 , Academy, University of Pennsylvania Press, Philadelphia, 2005, ??, PR129 T76 T63 2005 (YCBA) Also available online - Project Muse (ORBIS) [YCBA]
Beth Fowkes Tobin, Picturing Imperial Power : Colonial Subjects in Eighteenth Century British Painting, Duke University Press, Durham, North Carolina, 1999, p. 160, ND466 759 1999 (YCBA) [YCBA]