Genre: religious and mythological subject / Subject Terms: men

1. Lake Avernus: Aeneas and the Cumaean Sibyl

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: between 1814 and 1815
Medium:: Oil on canvas
Dimensions:: 28 1/4 x 38 1/4 inches (71.8 x 97.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Sketch for 'The Last Supper,' St. Mary's, Weymouth

Creator:: Sir James Thornhill, 1675–1734, British
Date:: between 1719 and 1720
Medium:: Oil on canvas
Dimensions:: 17 1/4 x 23 3/8 inches (43.8 x 59.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. St. Paul before Agrippa

Creator:: Sir James Thornhill, 1675–1734, British
Date:: ca. 1710
Medium:: Oil on canvas
Dimensions:: 32 1/4 x 29 1/4 inches (81.9 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Diana at the Bath

Creator:: James Ward, 1769–1859, British
Date:: 1830
Medium:: Oil on panel
Dimensions:: 30 x 25 1/2 inches (76.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Aeneas and the Sibyl

Creator:: Unknown artist, nineteenth century
Date:: ca. 1800
Medium:: Oil on canvas
Dimensions:: 40 3/8 x 55 1/4 inches (102.6 x 140.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Rebecca Receiving the Bracelet at the Well

Creator:: Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:: 1775
Medium:: Oil on canvas
Dimensions:: 48 3/4 x 63 3/16 inches (123.8 x 160.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Good Samaritan

Creator:: Francis Hayman, 1707/8–1776, British
Date:: between 1751 and 1752
Medium:: Oil on canvas
Dimensions:: 78 1/2 × 48 1/2 inches (199.4 × 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. The Pool of Bethesda

Creator:: Robert Bateman, 1842–1922, British
Date:: 1877
Medium:: Oil on canvas
Dimensions:: 20 × 29 inches (50.8 × 73.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Education of Achilles

Creator:: James Barry, 1741–1806, Irish
Date:: ca. 1772
Medium:: Oil on canvas
Dimensions:: 40 1/2 x 50 3/4 inches (102.9 x 128.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Christ Disappearing at Emmaus

Creator:: Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:: 1792
Medium:: Oil on canvas
Dimensions:: 56 1/2 x 46 1/2 inches (143.5 x 118.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study of the Lamentation on the Dead Christ

Creator:: Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:: ca. 1785
Medium:: Oil on paper on panel
Dimensions:: 11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Rape of Proserpine, design for the staircase of Devonshire House, London

Creator:: Louis Laguerre, 1663–1721, French, active in Britain (from ca. 1684)
Date:: ca. 1704
Medium:: Oil on canvas
Dimensions:: 42 1/8 x 30 inches (107 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Allegory of Fortune

Creator:: Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Date:: ca. 1730
Medium:: Oil on canvas
Dimensions:: 28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Sacrifice to Hercules

Creator:: Gaspar van der Hagen, active 1747–died 1769, Flemish, active in Britain (from ca. 1744)
Date:: ca. 1766
Medium:: Marble relief
Dimensions:: Overall: 24 x 28 15/16 inches (61 x 73.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund and a Gift from the Parnassus Foundation, Courtesy of Jane and Raphael Bernstein

15. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1819
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. David Playing the Harp

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

18. The Accusation of Susanna by the Elders

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

19. The Accusation of Susanna

Creator:: George Romney, 1734–1802, British
Date:: ca. 1773
Medium:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

20. Sketches for "The Accusation of Susanna"

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Graphite with pen and brown ink; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 16 5/8 inches (27.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

21. Samson Overpowered

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Brown ink and brown wash over graphite on medium slightly textured beige laid paper
Dimensions:: Sheet: 19 1/2 x 15 3/8 inches (49.5 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

22. Bacchanalian Scene (Possibly Antediluvian)

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

23. David before Saul

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Gray and brown wash with gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 22 3/8 inches (41.9 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

24. Abraham and Isaac

Creator:: William Blake, 1757–1827, British
Date:: 1799 to 1800
Medium:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827, British
Date:: 1799 to 1800
Medium:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827, British
Date:: 1803 to 1805
Medium:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Copy of the Laocoön, for Rees's Cyclopædia

Creator:: William Blake, 1757–1827, British
Date:: 1815
Medium:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1795 to 1805
Medium:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

29. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827, British
Date:: ca. 1822
Medium:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827, British
Date:: ca. 1805
Medium:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827, British
Date:: 1784 to 1785
Medium:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827, British
Date:: 1800 to 1803
Medium:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

33. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Poems of Thomas Gray, Design 61, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 100

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Europe. A Prophecy, Frontispiece Proof Impression

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1820
Medium:: Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Jerusalem, Plate 14, "One hair nor particle of dust...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Plate 15, "And Hand & Hyle...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Jerusalem, Plate 19, "His children exil'd from his breast...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jerusalem, Plate 20, "But when they saw Albion...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Jerusalem, Plate 25, "And there was heard...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Jerusalem, Plate 29, "Then the Divine Vision...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Jerusalem, Plate 30, "And the Two that escaped...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Jerusalem, Plate 41, "Bath who is Legions...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Jerusalem, Plate 42, "Thus Albion sat...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Jerusalem, Plate 93, "Enitharmon heard...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Jerusalem, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Jerusalem, Plate 24, "What have I said?...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Plate 26, "Such Visions Have...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Jerusalem, Plate 50, "The Atlantic Mountains...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Jerusalem, Plate 6, "His Spectre driv'n...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Jerusalem, Plate 69, "Then all the Males...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Poems of Thomas Gray, Design 25, "A Long Story."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre religious and mythological subject

Subject Terms men

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1. Lake Avernus: Aeneas and the Cumaean Sibyl

2. Sketch for 'The Last Supper,' St. Mary's, Weymouth

3. St. Paul before Agrippa

4. Diana at the Bath

5. Aeneas and the Sibyl

6. Rebecca Receiving the Bracelet at the Well

7. The Good Samaritan

8. The Pool of Bethesda

9. The Education of Achilles

10. Christ Disappearing at Emmaus

11. Study of the Lamentation on the Dead Christ

12. The Rape of Proserpine, design for the staircase of Devonshire House, London

13. Allegory of Fortune

14. Sacrifice to Hercules

15. Christ and the Woman of Samaria

16. The Deluge

17. David Playing the Harp

18. The Accusation of Susanna by the Elders

19. The Accusation of Susanna

20. Sketches for "The Accusation of Susanna"

21. Samson Overpowered

22. Bacchanalian Scene (Possibly Antediluvian)

23. David before Saul

24. Abraham and Isaac

25. Christ Giving Sight to Bartimaeus

26. Joseph and Potiphar's Wife

27. Copy of the Laocoön, for Rees's Cyclopædia

28. Christ Appearing to the Apostles after the Resurrection

29. The Man Sweeping the Interpreter's Parlour

30. Mary Magdalen at the Sepulchre

31. Satan Approaching the Court of Chaos

32. Sealing the Stone and Setting a Watch

33. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

34. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

35. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

36. The Poems of Thomas Gray, Design 61, "The Bard."

37. The Poems of Thomas Gray, Design 65, "The Bard."

38. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

39. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

40. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

41. The Poems of Thomas Gray, Design 97, "Ode for Music."

42. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

43. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

44. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

45. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

46. Jerusalem, Plate 100

47. Europe. A Prophecy, Frontispiece Proof Impression

48. Jerusalem, Plate 14, "One hair nor particle of dust...."

49. Jerusalem, Plate 15, "And Hand & Hyle...."

50. Jerusalem, Plate 19, "His children exil'd from his breast...."

51. Jerusalem, Plate 20, "But when they saw Albion...."

52. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

53. Jerusalem, Plate 25, "And there was heard...."

54. Jerusalem, Plate 29, "Then the Divine Vision...."

55. Jerusalem, Plate 30, "And the Two that escaped...."

56. Jerusalem, Plate 39, "By Satans Watch-fiends...."

57. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

58. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

59. Jerusalem, Plate 41, "Bath who is Legions...."

60. Jerusalem, Plate 42, "Thus Albion sat...."

61. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

62. Jerusalem, Plate 85, "Became a Space & an Allegory...."

63. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

64. Jerusalem, Plate 93, "Enitharmon heard...."

65. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

66. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

67. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

68. Jerusalem, Plate 99, "All Human Forms identified...."

69. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

70. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

71. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

72. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

73. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

74. America. A Prophecy, Plate 1, Frontispiece