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Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827, British

The Shepherd, from Songs of Innocence

ca. 1795

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 76

1804 to 1820

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

1794

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake My Son! My Son!; Plate 10

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tom Jones Assisting Molly Seagrim

1782

William Forrest Abbotsford, Large Vignette

Print made by William Forrest, 1802–1889

Abbotsford, Large Vignette

1836

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

George Richmond The Fatal Bellman

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

George Cruikshank Jack Sheppard's Escape from the Cage at Willesden

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Escape from the Cage at Willesden

1839

William Richardson Ashestiel

Print made by William Richardson, active 1842–1877, British

Ashestiel

1835

John Doyle ('H.B.') Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

1847

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

1783

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Bernard Lens II The Judgement of Paris

Print made by Bernard Lens II, 1659–1725, British

The Judgement of Paris

undated

William Faithorne the Younger Sylvio and Dorinda

Print made by William Faithorne the Younger, ca. 1669–1703, British

Sylvio and Dorinda

between 1752 and 1768

Henry Thomas Alken The School-Boy

Print made by Henry Thomas Alken, 1785–1851, British

The School-Boy

1824

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844, Dutch

Here Nature List'ning Stood

1795

John Doyle ('H.B.') A Great Actor between Tragedy and Comedy

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Great Actor between Tragedy and Comedy

1834

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"

Print made by Henry William Bunbury, 1750–1811, British

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

John Dean Miss Crockatt as Julia de Roubigné

Print made by John Dean, 1754–1798, British

Miss Crockatt as Julia de Roubigné

1786

William Faithorne the Younger Sylvio and Dorinda

Print made by William Faithorne the Younger, ca. 1669–1703, British

Sylvio and Dorinda

between 1680 and 1703

Valentine Green Rinaldo and Armida

Valentine Green, 1739–1813, British

Rinaldo and Armida

1775

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802, British

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

George Baxter Little Red Riding Hood

Print made by imitator of George Baxter, 1804–1867, British

Little Red Riding Hood

after 1856

Thomas Bewick Dog and the Shadow

Print made by Thomas Bewick, 1753–1828, British

Dog and the Shadow

1909

Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"

Richard Earlom, 1743–1822, British

Thomas King and Sophia Baddely in "The Clandestine Marriage"

1772

William Woollett Dido and Aeneas

William Woollett, 1735–1785, British

Dido and Aeneas

1787

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

ca. 1783

Francesco Bartolozzi Tancred and Clorinda

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tancred and Clorinda

1785

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1779

Francesco Bartolozzi Celadon and Amelia

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Celadon and Amelia

1782