Genre: literary theme / Subject Terms: landscape - YCBA Collections Search Search Results

George Stubbs, 1724–1806, British

The Farmer's Wife and the Raven

1786

Not on view

James Smetham, 1821–1889, British

Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

ca. 1874

Not on view

John Atkinson Grimshaw, 1836–1893, British

"The Lady of Shalott"

ca. 1875

Not on view

Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)

Virgil's Tomb by Moonlight, with Silius Italicus

1779

Not on view

Walter Richard Sickert, 1860–1942, British, born in Germany

The Taming of the Shrew

ca. 1937

Not on view

Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)

Mrs. Cibber as Cordelia

1755

Not on view

Landscape by William Hodges, 1744–1797, British

Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I

1790

Not on view

unknown artist, eighteenth century

Prospero, Miranda and Ariel, from "The Tempest"

ca. 1780

Not on view

Robert Smirke, 1752–1845, British

The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii

between 1798 and 1801

Not on view

John S. Clifton, active 1852–1869, British

Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v

1849

Not on view

Robert Smirke, 1752–1845, British

The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii

between 1798 and 1801

Not on view

James Stephanoff, 1787–1874, British

Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

1832

Not on view

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

George Stubbs, 1724–1806, British

The Farmer's Wife and the Raven

1788

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner, 1775–1851, British

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

George Fennell Robson, 1788–1833, British

Macbeth and Banquo on the Heath

ca. 1830

Thomas Grieve, 1799–1882, British

Design for Midsummer Night's Dream

undated

Edward Burne-Jones, 1833–1898, British

The Land of Beulah

1881

unknown artist

Scene from the Inferno Dramatic Landscape

undated

unknown artist

Study for the Damned

undated

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1834

Print made by William Forrest, 1802–1889

Fingal's Cave Staffa

1836

Print made by William Forrest, 1802–1889

Abbotsford, Large Vignette

1836

Joseph Farington, (landscape), 1747–1821, British

Shakespearean Scene (?): A Pilgrim

1796

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851, British

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by William Richardson, active 1842–1877, British

Ashestiel

1835

Samuel Howitt, 1756–1822, British

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt, 1756–1822, British

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745