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James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889, British
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
William Mulready Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
William Mulready, 1786–1863, Irish
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
Adrien Carpentiers Louis-Francois Roubiliac Modelling His Monument to Shakespeare
Adrien Carpentiers, active 1739–1778, Flemish, active in Britain (from 1739)
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
Robert Smirke The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
Robert Smirke, 1752–1845, British
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Gilbert Stuart Newton Shylock and Jessica from the 'Merchant of Venice,' II, ii
Gilbert Stuart Newton, 1794–1835, British
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake Jerusalem, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828, British
Studies for Shylock
1825
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Lewis Morley Front of House, Hadrian the Seventh
Lewis Morley, 1925–2013, British
Front of House, Hadrian the Seventh
1960s
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821, British
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824, British
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886, British
Sketch for the Passions: Jealousy
1853
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Edward Fisher Don Ferdinand
Print made by Edward Fisher, 1722–1785, British
Don Ferdinand
1777
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
Daniel Nikolaus Chodowieki ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
John Dean Phoebe Hoppner as Caroline de Lichtfield
Print made by John Dean, 1754–1798, British
Phoebe Hoppner as Caroline de Lichtfield
1786
Peter Simon Tom Jones
Peter Simon, 1750–1810
Tom Jones
Edward Fisher Don Ferdinand
Print made by Edward Fisher, 1722–1785, British
Don Ferdinand
1777
Edward Fisher Angelina
Print made by Edward Fisher, 1722–1785, British
Angelina
1776
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811, British
The Damnation of Obadiah
between 1773 and 1817
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845, British
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845, British
Ford in a Rage After Seeing Falstaff
1821
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845, British
Feste, as Sir Topas, addressing Malvolio
1822
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885, British
Sleepest or Wakest Thou?
ca. 1853
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822, British
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Alphonso and Aciloe
1788
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Gualtherus and Griselda
1784