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John Atkinson Grimshaw "The Lady of Shalott"

John Atkinson Grimshaw, 1836–1893, British

"The Lady of Shalott"

ca. 1875

Not on view

Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus

Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)

Virgil's Tomb by Moonlight, with Silius Italicus

1779

Not on view

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Joseph Mallord William Turner, 1775–1851, British

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Thomas Goff Lupton Procris and Cephalus

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

George Fennell Robson Macbeth and Banquo on the Heath

George Fennell Robson, 1788–1833, British

Macbeth and Banquo on the Heath

ca. 1830

Sir John Gilbert Enter Malvolio, Crossgartered...

Sir John Gilbert, 1817–1897, British

Enter Malvolio, Crossgartered..

1863

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Thomas Grieve Design for Midsummer Night's Dream

Thomas Grieve, 1799–1882, British

Design for Midsummer Night's Dream

undated

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Edward Burne-Jones The Land of Beulah

Edward Burne-Jones, 1833–1898, British

The Land of Beulah

1881

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882, British

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

William Miller Sandy Knowe, or Smailholm Tower

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower

1839

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

unknown artist Scene from the Inferno Dramatic Landscape

unknown artist

Scene from the Inferno Dramatic Landscape

undated

unknown artist Study for the Damned

unknown artist

Study for the Damned

undated

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

William Miller Sandy Knowe, or Smailholm Tower

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower

1839

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Sandy Knowe, or Smailholm Tower (Vignette)

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower (Vignette)

1839

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882, British

Loch Achray (Vignette)

1853 reprint

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Joseph Farington Shakespearean Scene (?): A Pilgrim

Joseph Farington, (landscape), 1747–1821, British

Shakespearean Scene (?): A Pilgrim

1796

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851, British

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

George Richmond The Fatal Bellman

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Pellissier & Allen Venus and Adonis

Print made by Pellissier & Allen, active late 19th century, British

Venus and Adonis

1900

Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822, British

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822, British

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882, British

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834, reprinted 1851

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

unknown artist

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

undated

Richard Dadd Sketch for the Passions: Love

Richard Dadd, 1817–1886, British

Sketch for the Passions: Love

1853

Rev. William Warren Porter Castle of Udolpho

Rev. William Warren Porter, 1776–1804, British

Castle of Udolpho

undated

Henry Thomas Alken The School-Boy

Print made by Henry Thomas Alken, 1785–1851, British

The School-Boy

1824

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785, British

Celadon and Amelia

1766

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

William Miller Dryburgh

Print made by William Miller, 1796–1882, British

Dryburgh

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1833

Sir Frank Short Aesacus and Hesperie

Print made by Sir Frank Short, 1857–1945, British

Aesacus and Hesperie

1896

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx

1896

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx

1896

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1833

William Miller Abbotsford, Large Vignette

Print made by William Miller, 1796–1882, British

Abbotsford, Large Vignette

1841

Sir Frank Short Procris and Cephalus

Print made by Sir Frank Short, 1857–1945, British

Procris and Cephalus

1885

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882, British

Loch Achray (Vignette)

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Sandy Knowe, or Smailholm Tower (Vignette)

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower (Vignette)

1851

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1843

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834