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Genre landscape

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Work Type intaglio print

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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Aesacus and Hesperie
1819
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851, British
From Spenser's Fairy Queen
1811
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873, British
Procris and Cephalus
1864
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower (Vignette)
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882, British
Loch Achray (Vignette)
1853 reprint
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834, reprinted 1851
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785, British
Celadon and Amelia
1766
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
William Miller Dryburgh
Print made by William Miller, 1796–1882, British
Dryburgh
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1833
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945, British
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945, British
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945, British
Pan and Syrinx
1896
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1833
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882, British
Abbotsford, Large Vignette
1841
Sir Frank Short Procris and Cephalus
Print made by Sir Frank Short, 1857–1945, British
Procris and Cephalus
1885
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882, British
Loch Achray (Vignette)
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower (Vignette)
1851
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1843
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885, British
Sleepest or Wakest Thou?
ca. 1853
Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"
Richard Earlom, 1743–1822, British
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
William Miller The Rhymer's Glen (Vignette)
Print made by William Miller, 1796–1882, British
The Rhymer's Glen (Vignette)
1835
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870, British
Bolton Abbey
1834
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785, British
Celadon and Amelia
1766
unknown artist The Bay of Baiae - Apollo and the Sibyl
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863, British
The Golden Bough
1856
Thomas Abiel Prior The Bay of Baiae - Apollo and the Sibyl
Print made by Thomas Abiel Prior, 1809–1886, British
The Bay of Baiae - Apollo and the Sibyl
1873
James T. Willmore The Golden Bough
Print made by James T. Willmore, 1800–1863, British
The Golden Bough
1856
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945, British
Aesacus and Hesperie
1896