Genre: genre subject / Width [cm]: 38 / Image Use: Free to Use

Briton Riviere, 1840–1920, British

The Old Gardener

1863

Not on view

Robert Polhill Bevan, 1865–1925, British

The Horse Mart (with further sketches in the margin)

ca. 1918

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Cow Lodge with a Mossy Roof

ca. 1829

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Robert Polhill Bevan, 1865–1925, British

Horse Dealers

ca. 1918

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Print made by Joseph Mallord William Turner, 1775–1851, British

Crowhurst

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Print made by James Bretherton, ca. 1730–1806, British

The Damnation of Obadiah

1773

L. Truchy, 1721–1764

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Print made by Charles W. Bartlett, 1860–1940, British

Udaipur, 1916

1916

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

George Moutard Woodward, ca. 1760–1809, British

A Minute Regulation of the Opera Step

undated

Thomas Uwins, 1782–1857, British

Farm House Kitchen at Brackham in Surrey

undated

Cornelius Varley, 1781–1873, British

Study of an Anchor

1807

Paul Sandby, 1731–1809, British

Roslin Castle, Midlothian

ca. 1780

John Absolon, 1815–1895, British

Family Group

undated

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

unknown artist, eighteenth century

The Arrival of Prince Frederick from Hanover in 1728?

ca. 1728

Cornelius Varley, 1781–1873, British

Girl Reading a Book

1814

James Miller, active 1773–1814

Fountain's Boarding School, Marylebone

1780

Print made by Thomas Shotter Boys, 1803–1874, British

St. Paul's from Ludgate Hill

1842

James Bruce, 1730–1794, British

Decorative Border For Title Page

undated

Francis Wheatley, 1747–1801, British

St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

undated

Francis Wheatley, 1747–1801, British

Lismore Castle, Ireland

1783

Peter La Cave, active 1769–1810

Rustic Scene: man fishing, left; cottage with water-mill and horses right

undated

Nicholas Pocock, 1740–1821, British

Interior of an Inn

ca. 1815

Charles Towne, 1763–1840, British

Woman with Cattle

1803

Godfrey Thomas Vigne, 1801–1863, British

Greytown

undated

James Bruce, 1730–1794, British

Weighing Scale

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

John Goldar, 1729–1795, British

The Sacrifice

1767

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Victor A. Prout, active 1835–1877, British

Kew Bridge

1862

Sawrey Gilpin, 1733–1807, British

Horseman fleeing storm

undated

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The State Wagon in Difficulties

1847

Daniel Thomas Egerton, c.1800–1842, British

Mexican Street Scene - Aquas Caliente

ca. 1840

Thomas Gainsborough Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

attributed to Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

1742

Edward Eyre, active 1771–1792, British

The Fair at Cheltenham

1775

Robert Hills, 1769–1844, British

Long-Horned Cattle

undated

Thomas Rowlandson, 1756–1827, British

The Gardener's Offering

between 1803 and 1805

Charles Cooper Henderson, 1803–1877, British

A French Diligence of 1830

undated

Samuel Howitt, 1756–1822, British

A Chaise and Pair, With Post-Boy

undated

Charles Turner, 1774–1857, British

Wrestling

1810

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Thomas Rowlandson, 1756–1827, British

Bodmin Cornwall: The Arrival of the Stage-Coach

1795

Joseph Josiah Dodd, 1809–1894, British

View of Tonbridge During the Late Election

after 1832

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Sawrey Gilpin, 1733–1807, British

Encampment [one of 25 originally bound]

undated

William Gauci, active 1825–1854, British

The Sea Walls, from the Leigh Wood Quarry, Clifton

undated

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Samuel Davis, 1760–1819, British

A Sepoy Sargent in a Compound

undated

George Dance, 1741–1825, British

Two Ladies Standing in Conversation, Presumably a Scene from a Play

undated

Thomas Rowlandson, 1756–1827, British

Bodmin Cornwall: French Prisoners on Parole

1795

Print made by William Bernard Cooke, 1778–1855, British

Source of the Tamar and Torridge

1816

Print made by Johann Gottfried Haid, 1704–1767, German, active in Britain

Two Women Listening to a Bird, with a Man Holding a Gun

undated

Print made by Johann Jacobus Haid, 1704–1767

La fille éveillée

undated

Print made by John Simon, 1675–1755, French

The Gascon Punish'd or The Beau Outwitted

1741

Thomas Girtin, 1775–1802, British

Chalfont Lodge, Buckinghamshire

undated

Print made by John Dixon, ca. 1740–1811, Irish

Mary, Duchess of Ancaster

between 1765 and 1771

Print made by Charles Wilkin, 1750–1814, British

Here Poor Boy

1796

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Choice

1737

Print made by Johann Lorenz Haid, 1702–1750, German

Portrait of Man

early 1750s

Print made by Johann Lorenz Haid, 1702–1750, German

Portrait of a Man

early 1750s

Print made by Johann Jacobus Haid, 1704–1767

Le garcon content

undated

Print made by Thomas Ryley, active ca.1744–1754

Women and Wine

ca. 1749

Print made by John Simon, 1675–1755, French

The Brazen Age

undated

Print made by John Simon, 1675–1755, French

The Iron Age

undated

Print made by George Cruikshank, 1792–1878, British

Monstrosities of 1822 - Pt. 5

1835

Print made by Isaac Cruikshank, 1764–1811, British

Washing the Blackamoor

1795

Print made by George Cruikshank, 1792–1878, British

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Two Country Carts and Figures

1779 to 1780

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Isaac Weld, 1774–1856, Irish

Giving Notice of Arrival of a Bit of Wine... Naples

1819

Isaac Weld, 1774–1856, Irish

Funeral Procession at Rome

1818

L. Truchy Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

L. Truchy, 1721–1764

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

1762