The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
103
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
104
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Title Page; Plate 2
1793
105
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
106
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
107
Print made by William Blake, 1757–1827, British
Fire; Plate 7
1793
108
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
109
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
110
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
111
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
112
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
113
Print made by William Blake, 1757–1827, British
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
114
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
115
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
116
William Blake, 1757–1827, British
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
117
William Blake, 1757–1827, British
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
118
William Blake, 1757–1827, British
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
119
William Blake, 1757–1827, British
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
120
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
121
Print made by William Blake, 1757–1827, British
Water; Plate 4
1793
122
Print made by William Blake, 1757–1827, British
Earth; Plate 5
1793
123
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
124
Print made by William Blake, 1757–1827, British
The Traveller Hasteth in the Evening; Plate 16
1793
125
Print made by William Blake, 1757–1827, British
Death's Door; Plate 17
1793
126
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
127
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
128
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
129
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
130
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
131
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
132
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
133
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
134
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
135
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
136
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
137
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
138
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
139
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
140
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
141
William Blake, 1757–1827, British
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
142
William Blake, 1757–1827, British
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
143
Engravings by William Blake, 1757–1827, British
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
144
William Blake, 1757–1827, British
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
145
William Blake, 1757–1827, British
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
146
William Blake, 1757–1827, British
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
147
William Blake, 1757–1827, British
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
148
William Blake, 1757–1827, British
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
149
William Blake, 1757–1827, British
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
150
William Blake, 1757–1827, British
Plate 8 (page 13): 'The present moment terminates our sight'
1797
151
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
152
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
153
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
154
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
155
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
156
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
157
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
158
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
159
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
160
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
161
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
162
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
163
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
164
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
165
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
166
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
167
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
168
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
169
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
170
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
1794
171
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
172
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
173
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
174
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
175
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
176
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
177
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
178
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
179
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
180
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
181
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
182
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11 (Bentley 17)
1794
183
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23 (Bentley 9)
1794
184
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
185
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
186
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
187
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]