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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
1
- The Horse
- ca. 1805
- Not on view
2
- Virgin and Child
- 1825
- Not on view
3
- The Crescent Moon
- undated
4
- Prison Scene
- undated
5
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
6
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
7
- Rev. John Caspar Lavater (1787-1801)
- 1800
8
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
9
- Abraham and Isaac
- 1799 to 1800
10
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
11
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
12
- The Parable of the Wise and Foolish Virgins
- ca. 1825
13
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
14
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
15
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
16
- Mary Magdalen at the Sepulchre
- ca. 1805
17
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
18
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
21
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
22
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
23
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
24
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
25
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
26
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
27
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
28
- Jerusalem, Plate 100
- 1804 to 1820
29
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
30
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
31
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
32
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
33
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
34
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
35
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
36
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
37
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
38
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
39
- America. A Prophecy, Plate 1, Frontispiece
- 1793
40
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
41
- America. A Prophecy, Plate 2, Title Page
- 1793
42
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
43
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
44
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
45
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
46
- Jerusalem, Plate 51
- 1804 to 1820
47
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
48
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
49
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
51
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
52
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
53
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
54
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
55
- Jerusalem, Plate 76
- 1804 to 1820
56
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
57
- The First Book of Urizen, Plate 24 (Bentley 26)
- 1794
58
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
59
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
60
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
61
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
62
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
63
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
64
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
65
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
66
- The First Book of Urizen, Plate 14 (Bentley 14)
- 1794
67
- The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
- 1794
68
- The First Book of Urizen, Plate 16 (Bentley 17)
- 1794
69
- The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
- 1794
70
- The First Book of Urizen, Plate 21 (Bentley 27)
- 1794
71
- The First Book of Urizen, Plate 18 (Bentley 21)
- 1794
72
- The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
- 1794
73
- The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
- 1794
74
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
75
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
76
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
77
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
78
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
79
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
80
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
81
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
82
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
83
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
84
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
85
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
86
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
87
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
88
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
89
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
90
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
91
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
92
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
93
- The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
- 1794
94
- The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
- 1794
95
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
96
- The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
- 1794
97
- The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
- 1794
98
- The First Book of Urizen, Plate 8 (Bentley 9)
- 1794
99
- The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
- 1794
100
- The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
- 1794