Period: 19th century / Subject Terms: trees - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner, 1775–1851, British

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

Attributed to Joseph Mallord William Turner, 1775–1851, British

Whitchurch, Devonshire

1800

Joseph Mallord William Turner, 1775–1851, British

Luxembourg

ca. 1825 or 1834

Joseph Mallord William Turner, 1775–1851, British

Carlisle

ca. 1832

Joseph Mallord William Turner, 1775–1851, British

Ingleborough from Chapel-Le-Dale

between 1810 and 1815

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Southeast

ca. 1806

Joseph Mallord William Turner, 1775–1851, British

Barnard Castle

ca. 1825

Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, in the Valley of Chamonix

1803

Joseph Mallord William Turner, 1775–1851, British

On the Washburn

ca. 1815

Joseph Mallord William Turner, 1775–1851, British

Mountainous Landscape with Town in Valley

ca. 1840

Joseph Mallord William Turner, 1775–1851, British

Rome from Monte Mario

ca. 1818

Joseph Mallord William Turner, 1775–1851, British

On the Washburn

ca. 1815

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Joseph Mallord William Turner, 1775–1851, British

Andernach

1817

Joseph Mallord William Turner, 1775–1851, British

Foul by God: River Landscape with Anglers Fishing From a Weir

ca. 1830

Joseph Mallord William Turner, 1775–1851, British

Lake Geneva and Mount Blanc

1802 to 1805

Joseph Mallord William Turner, 1775–1851, British

Steeton Manor House, Near Farnley

between 1815 and 1818

Joseph Mallord William Turner, 1775–1851, British

Devil's Bridge, Saint Gotthard's Pass

ca. 1804

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Print made by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Edward Lear, 1812–1888, British

North Stoke. Oct. 21.1834

1834

Edward Lear, 1812–1888, British

Manor (Knowsley Lane?)

undated

Edward Lear, 1812–1888, British

Furness Abbey East, 29 August 1836

1836

Edward Lear, 1812–1888, British

Calder Abbey, September 12. 1836

1836

Edward Lear, 1812–1888, British

Derwentwater

1836

Edward Lear, 1812–1888, British

Brothers Water from Patterdale

1836

Edward Lear, 1812–1888, British

A Ruined Tower House

1836

Edward Lear, 1812–1888, British

Derwentwater, September 1836

1836

Edward Lear, 1812–1888, British

Bassenthwaite

1836

Edward Lear, 1812–1888, British

Crummock Water

1836

Edward Lear, 1812–1888, British

Ullswater

1836

Edward Lear, 1812–1888, British

Ullswater, 14 Oct. 1836

1836

Edward Lear, 1812–1888, British

Calder Bridge

1836

Edward Lear, 1812–1888, British

Knowsley Hall

ca. 1834

Edward Lear, 1812–1888, British

Knowsley Hall

ca. 1834

Edward Lear, 1812–1888, British

View Across a Meadow to a Church

ca. 1834

Edward Lear, 1812–1888, British

At Knowsley?

1834

Edward Lear, 1812–1888, British

Yewbarrow, Wastwater, 16 September 1836

1836

Edward Lear, 1812–1888, British

St. Giulio, Orta, 26 September 1837

1837

Edward Lear, 1812–1888, British

Peppering, Oct. 3. 1834

1834

Edward Lear, 1812–1888, British

Peppering. 20 October. 1834

1834

Edward Lear, 1812–1888, British

Knowsley Hall

undated

Edward Lear, 1812–1888, British

Catania

1847

Edward Lear, 1812–1888, British

A View of the Pine Woods Above Cannes

1869

Edward Lear, 1812–1888, British

Maharraka Temple

February 14, 1867

Edward Lear, 1812–1888, British

Villa d'Este

1866

Edward Lear, 1812–1888, British

Kasr es Saiad

1867

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Period 19th century

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