Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Lord Rivers's Stud Farm, Stratfield Saye
1807
Not on view
3
John Ferneley, 1782–1860, British
The Drag of Sir Watkin Williams Wynn
1843
Not on view
4
John Frederick Herring, 1795–1865, British
'Margrave' with James Robinson Up
1833
Not on view
5
Lambert Marshall, 1809–1873, British
'Sultan' at the Marquess of Exeter's Stud, Burghley House
1826
Not on view
6
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Nine Greyhounds in a Landscape
ca. 1807
Not on view
7
Thomas Woodward, 1801–1852, British
Horses in a Thunderstorm
1823
Not on view
8
James Ward, 1769–1859, British
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
9
James Ward, 1769–1859, British
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
10
Thomas Weaver, 1774–1843, British
Llamas and a fox in a wooded landscape
1828
Not on view
11
unknown artist, eighteenth century
Study of Birds
ca. 1840
Not on view
12
Harry Hall, 1838–1886, British
'Crucifix' with John Day Up
1840 to 1841
Not on view
13
John Frederick Herring, 1795–1865, British
Memnon, with William Scott Up
1825
Not on view
14
James Ward, 1769–1859, British
Hunter in a landscape
1810
Not on view
15
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Group of Whelps Bred between a Lion and a Tigress
1825
Not on view
16
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
A Lady's Grey Hunter
ca. 1806
Not on view
17
Henry Bernard Chalon, 1771–1849, British
The Blacksmith's Shop
between 1810 and 1820
Not on view
18
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Zebra
1803
Not on view
19
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Tiger in a Cave
ca. 1814
Not on view
20
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Guanaco
ca. 1848
Not on view
21
Sir Edwin Henry Landseer, 1802–1873, British
Study of a Dog Lying Down
1860
Not on view
22
John Frederick Herring, 1795–1865, British
Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left
1829
Not on view
23
John Frederick Herring, 1795–1865, British
Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Right
1829
Not on view
24
Benjamin Marshall, 1768–1835, British
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
between 1806 and 1807
Not on view
25
Unknown artist, nineteenth century
A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
ca. 1805
Not on view
26
Sawrey Gilpin, 1733–1807, British
A Setter at the Edge of a Wood
between 1775 and 1785
Not on view
27
John Frederick Herring, 1795–1865, British
A Hound and a Bearded Collie seated on a Hunting Coat
1855
Not on view
28
Unknown artist, nineteenth century
Two Hares: On a Hillside
ca. 1805
Not on view
29
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
The Wellesley Grey Arabian Led through the Desert
ca. 1810
Not on view
30
Sir Edwin Henry Landseer, 1802–1873, British
A Spaniel Lying Down
ca. 1860
Not on view
31
James Ward, 1769–1859, British
A Hunter in a Landscape
1810
Not on view
32
Unknown artist, nineteenth century
Greyhound: Facing Left, with a Dead Hare at His Feet
ca. 1805
Not on view
33
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Vicunas
1831
Not on view
34
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Clouded Leopards
ca. 1825
Not on view
35
Unknown artist, nineteenth century
Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
ca. 1805
Not on view
36
Thomas Weaver, 1774–1843, British
Prize Cattle in a Landscape
1833
Not on view
37
John Frederick Herring, 1795–1865, British
A Clydesdale Stallion
1820
Not on view
38
George Henry Laporte, 1799–1873, British
Mameluke purchasing an Arabian stallion
ca. 1835
Not on view
39
Henry Bernard Chalon, 1771–1849, British
The Earl of Shrewsbury's Groom Holding a Hunter
ca. 1800
Not on view
40
James Ward, 1769–1859, British
Eagle, a Celebrated Stallion
1809
Not on view
41
John Cranch, 1751–1821, British
Plasterer
1807
Not on view
42
David Dalby of York, 1780–1849, British
Portrait of a Dog, Ross
1836
Not on view
43
Julius Caesar Ibbetson, 1759–1817, British
Donkeys and Figures on a Beach
ca. 1815
Not on view
44
unknown artist, nineteenth century
Man on a White Horse
early 19th century
Not on view
45
James Ward, 1769–1859, British
Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P
1835
Not on view
46
James Ward, 1769–1859, British
Rough-Coated Collie
1809
Not on view
47
Charles Cooper Henderson, 1803–1877, British
A Scene on the Road in France
1835
Not on view
48
Charles Hancock, 1802–1877, British
Gentlemen's Carriages: A Cabriolet
between 1820 and 1830
Not on view
49
Benjamin Marshall, 1768–1835, British
Muly Moloch
1803
Not on view
50
James Ward, 1769–1859, British
Theophilus Levett and a Favorite Hunter
1817
Not on view
51
Martin Theodore Ward, 1799–1874, British
Head of a Grey Arabian Horse
between 1820 and 1830
Not on view
52
Dean Wolstenholme, 1798–1882, British
Studies of carrier pigeon
1837
Not on view
53
Sir Edwin Henry Landseer, 1802–1873, British
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
54
James Pollard, 1792–1867, British
John Smith Barry’s Private Drag and Grey Team
1824
Not on view
55
Dean Wolstenholme, 1798–1882, British
Red pied carrier
1837
Not on view
56
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
ca. 1815
Not on view
57
Edmund Bristow, 1787–1876, British
Outside the Guard House at Windsor
between 1817 and 1821
Not on view
58
David Dalby of York, 1780–1849, British
Signal, a Grey Arab, with a Groom in the Desert
1820 or 1829
Not on view
59
John Ferneley, 1782–1860, British
William Massey-Stanley driving his Cabriolet in Hyde Park
1833
Not on view
60
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Study of a Fox
between 1810 and 1830
Not on view
61
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
A Grey Pony and a Black Charger in a Stable
1804
Not on view
62
Henry Bernard Chalon, 1771–1849, British
The Duchess of York's Spaniel
1804
Not on view
63
unknown artist, (Scottish Pearlware)
Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)
1830
Not on view
64
Joseph Edgar Boehm, 1834–1890, British
St. Simon
1885
Not on view
65
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
66
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
67
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
68
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
69
Print made by Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
1898-1899
70
Robert Polhill Bevan, 1865–1925, British
A Harrow in the Orchard
ca. 1896
71
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
72
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
73
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
74
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
75
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
76
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
77
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
78
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
79
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
80
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
81
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
82
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
83
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
84
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
85
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
86
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
87
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
88
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
89
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
90
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
91
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
92
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
93
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
94
Print made after George Stubbs, 1724–1806, British
Plate X, Fowl Body, Lateral View
1804
95
Robert Polhill Bevan, 1865–1925, British
Horses Threshing, Pont Aven
1893
96
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
97
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
98
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
99
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
100
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)