attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Landscape Sketch
undated
3
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study for "The Shearers"
between 1833 and 1834
4
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Wayside Smithy
undated
5
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Rustic Contentment
undated
6
Joseph Mallord William Turner, 1775–1851, British
Vesuvius in Eruption
between 1817 and 1820
7
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
between 1820 and 1826
8
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
9
Etched by Joseph Mallord William Turner, 1775–1851, British
From Spenser's Fairy Queen
1811
10
Engraved by Joseph Mallord William Turner, 1775–1851, British
Stonehenge at Daybreak
1815 to 1819
11
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
12
Etched by Joseph Mallord William Turner, 1775–1851, British
Ben Arthur, Scotland
1819
13
Etched by Joseph Mallord William Turner, 1775–1851, British
Solway Moss
1816
14
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
15
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
16
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
17
Etched by Joseph Mallord William Turner, 1775–1851, British
Marine Dabblers
1811
18
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
19
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
20
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
21
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
22
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
23
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
24
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
25
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
26
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
27
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
28
Print made by Sir Frank Short, 1857–1945, British
View of a Lake, Derwentwater
1891
29
Charles Turner, 1774–1857, British
The Little Cottager
1809
30
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
31
James Bruce, 1730–1794, British
Measured sketches of arch at Assuras
undated
32
William Havell, 1782–1857, British, active in India (1820–26)
Pale Melancholy
ca. 1804
33
Cornelius Varley, 1781–1873, British
Evening
1828
34
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
35
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
36
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Romantic Landscape
1803
37
Print made by John Le Keux, 1783–1846, British
Rome, from the Farnese Gardens
1818-1820
38
Print made by W. R. Smith, active 1819–1851
Amboise
1833
39
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
40
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
41
William Wilkins, 1778–1839, British
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
42
William Havell, 1782–1857, British, active in India (1820–26)
Landscape with figures
ca. 1804
43
Julius Caesar Ibbetson, 1759–1817, British
The Sailor's Farewell
1801
44
Harry John Johnson, 1826–1884, British
On the Shores of an Italian Lake
undated
45
William Henry Hunt, 1790–1864, British
The Building of Waterloo Bridge
ca. 1816
46
Print made by William Byrne, 1743–1805, British
Newbury from Speen Hill
1805
47
Print made by William Byrne, 1743–1805, British
Wickham from the Marlow Road
1803
48
Print made by William Byrne, 1743–1805, British
Eton, from the Slough Road
1803
49
Print made by William Byrne, 1743–1805, British
Abingdon from the Thames Navigation
1805
50
Print made by William Byrne, 1743–1805, British
Part of Chester Castle
1810
51
John Frederick Tayler, 1802–1889, British
Stable Boy with Cart Horses
undated
52
William Wilkins, 1778–1839, British
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
53
William Henry Hunt, 1790–1864, British
A Farmhouse
ca. 1817
54
Print made by William Bernard Cooke, 1778–1855, British
Ilfracombe, North Devon
1818
55
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
56
Richard Principle Leitch, 1844–1875, British
Landscape with Ruined Castle on the Esk
1874
57
John Ruskin, 1819–1900, British
Mountain Landscape, Macugnaga
1845
58
Thomas Rowlandson, 1756–1827, British
Newbury Market Place, Berkshire
between 1815 and 1820
59
Print made by Samuel Cousins, 1801–1887, British
Sir Thomas Lawrence P. R. A
1830
60
Robert Havell, 1769–1832, British
A pair: 2. The Oxford and Oppostion Coaches
1818
61
Henry Edridge, 1769–1821, British
View of Eton from Windsor Castle
1806
62
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Shakespeare Cliff, Dover
ca. 1800
63
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
64
David Cox, 1783–1859, British
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
65
Robert MacPherson, 1814–1872, British
Palace, Church, and Baptistery of the Lateran
ca. 1860
66
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Storm
1861
67
James Pollard, 1792–1867, British
Partridge Shooting
undated
68
James Pollard, 1792–1867, British
Grouse Shooting
undated
69
Print made by Charles Jameson Grant, active 1830–1852, British
The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
1833
70
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
71
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
72
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
73
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
74
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
75
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
76
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
77
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
78
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
79
George Hunt, active 1820–1840, British
The Toast
1824
80
Print made by Charles Cousen, ca. 1819–1889, British
Abingdon
between 1859 and 1861
81
James Charles Armytage, 1802–1897, British
Approach to Venice
between 1859 and 1861
82
Possibly John West Giles, (record as 'J Giles'), active 1827–1865
Man Leading a Horse in Front of a Stable
1827
83
John Buckler FSA, 1770–1851, British
North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
1823
84
Isaac Mendes Belisario, 1795–1849
Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
1835
85
Conrad Martin Metz, 1749–1827, German
Christ the Judge and Saints John the Baptist and Abel
1801
86
Hablot Knight Browne, 1815–1882, British
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
87
Hablot Knight Browne, 1815–1882, British
"You're Not Going to Follow, Belle, Are You?"
undated
88
John Buckler FSA, 1770–1851, British
South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr
1810
89
John Buckler FSA, 1770–1851, British
South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton
1811
90
John Buckler FSA, 1770–1851, British
North view of Longford Castle, lately erected
1811
91
Joseph Josiah Dodd, 1809–1894, British
View of Tonbridge During the Late Election
after 1832
92
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
93
Print made by Robert Brandard, 1805–1862, British
Graville
1834
94
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
95
Print made by R.C. Roffe, active in London 1806–1835, British
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
96
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
97
unknown artist, nineteenth century
The Viaduct
undated
98
David Cox Jr., 1809–1885, British
Group Seated in Grounds of a Large House
between 1840 and 1849
99
R. Stirzaker
Landscape with Town and Beyond River, Castle on Hill in Distance