Period: 19th century / Work Type: intaglio print / Subject Terms: literary theme - YCBA Collections Search Search Results

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Period 19th century

Work Type intaglio print

Subject Terms literary theme

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Thomas Goff Lupton Procris and Cephalus

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867, British

St. Cecilia

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Edward Goodall Columbus and his Son

Print made by Edward Goodall, 1795–1870, British

Columbus and his Son

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882, British

Abbotsford from the Northern Bank of the Tweed

1839

William Miller Abbotsford, Large Vignette

Print made by William Miller, 1796–1882, British

Abbotsford, Large Vignette

1841

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

William Miller Sandy Knowe, or Smailholm Tower

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower

1839

Henry Le Keux Abbotsford, Vignette Title

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Edward Goodall The Nile

Print made by Edward Goodall, 1795–1870, British

The Nile

1839

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

William Miller Berwick-on-Tweed

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

William Miller Sandy Knowe, or Smailholm Tower

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower

1839

William Miller Abbotsford, Large Vignette

Print made by William Miller, 1796–1882, British

Abbotsford, Large Vignette

1841

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1836

William Miller Sandy Knowe, or Smailholm Tower (Vignette)

Print made by William Miller, 1796–1882, British

Sandy Knowe, or Smailholm Tower (Vignette)

1839

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

William Miller Loch Achray (Vignette)

Print made by William Miller, 1796–1882, British

Loch Achray (Vignette)

1853 reprint

Thomas A. Woolnoth Mrs. W. West as Cordelia

Print made by Thomas A. Woolnoth, 1785–1857, British

Mrs. W. West as Cordelia

1820

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

William Miller Loch Achray

Print made by William Miller, 1796–1882, British

Loch Achray

1834

James Heath "This is fairy gold, boy, and will prove so"

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Edward Burne-Jones The Council Chamber

After Edward Burne-Jones, 1833–1898, British

The Council Chamber

1892

Edward Burne-Jones The Briar Wood

After Edward Burne-Jones, 1833–1898, British

The Briar Wood

1892

Edward Burne-Jones The Rose Bower

After Edward Burne-Jones, 1833–1898, British

The Rose Bower

1892

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851, British

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

George Richmond The Fatal Bellman

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Committing the Robbery in Willesden Church

1839

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878, British

Audacity of Jack Sheppard

1839

George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878, British

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House

Thomas Ryder, 1746–1810, Irish

Twelfth Night, Act III, Scene IV: Olivia's House

1803

George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard

Print made by George Cruikshank, 1792–1878, British

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

George Cruikshank The Murder on the Thames

Print made by George Cruikshank, 1792–1878, British

The Murder on the Thames

1839

George Cruikshank Mrs. Sheppard Expostulating with her Son

Print made by George Cruikshank, 1792–1878, British

Mrs. Sheppard Expostulating with her Son

1839

George Cruikshank Jack Sheppard's Escape from the Cage at Willesden

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Escape from the Cage at Willesden

1839

George Cruikshank Jack Sheppard Accuses Thames Darrell of the Theft

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Accuses Thames Darrell of the Theft

1839

George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834