Period: 19th century / Genre: literary theme / Work Type: intaglio print

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Print made by William Blake, 1757–1827, British

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

Prints made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper (volume 3)

1803-1804

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

Print made by William Blake, 1757–1827, British

William Cowper, Author of "The Task"

1802

Print made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper, (volume 1)

1803-1804

Print made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper (volume 2)

1803-1804

Print made by William Blake, 1757–1827, British

The Peasants' Nest: Cowper's tame Hares

1802

Print made by William Blake, 1757–1827, British

William Cowper

1803-1804

Print made by William Blake, 1757–1827, British

Mrs Cowper Mother of the Poet

1803-1804

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Robert Wallis, 1794–1878, British

Tornaro

1834

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

Captivity

1834

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870, British

Leaving Home

1834

Print made by Edward Goodall, 1795–1870, British

The Gipsy

1834

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870, British

Keswick Lake

1834

Print made by Edward Goodall, 1795–1870, British

Datur Hora Quieti

1834

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

An Old Oak

1834

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

Print made by Edward Goodall, 1795–1870, British

The Vision of Columbus

1834

William Finden, 1787–1852, British

A Vintage

1834

William Finden, 1787–1852, British

A Wish

1834

James Henry Watt, 1799–1867, British

St. Cecilia

1834

William Finden, 1787–1852, British

An Arabesque

1834

William Finden, 1787–1852, British

An Arabesque

1834

William Finden, 1787–1852, British

A Voyage of Discovery

1834

Francis Engleheart, 1775–1849, British

The Guitar

1829

Print made by John Horsburgh, 1791–1869, British

Dryden's Monument

1834

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882, British

Loch Achray

1834

William Finden, 1787–1852, British

The Spring

1834

Henry Le Keux, 1787–1868, British

A Convent Gate

1829

William Finden, 1787–1852, British

The Tear

1834

William Finden, 1787–1852, British

The Mask

1834

William Finden, 1787–1852, British

The Sailor

1834

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Period 19th century

Genre literary theme

Work Type intaglio print

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