Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806, British
Pumpkin with a Stable-lad
1774
Not on view
3
William Hogarth, 1697–1764, British
William Augustus, Duke of Cumberland
1732
Not on view
4
George Romney, 1734–1802, British
John Flaxman Modeling the Bust of William Hayley
1795 to 1796
Not on view
5
Jonathan Richardson the Elder, 1667–1745, British
Nathaniel Seymour
between 1730 and 1735
Not on view
6
Henry Singleton, 1766–1839, British
The Wandering Sailor
ca. 1798
Not on view
7
John Wootton, 1682–1764, British
Rievaulx Abbey
ca. 1745
Not on view
8
unknown artist, eighteenth century
The Hermitage
ca. 1772
Not on view
9
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
ca. 1762
Not on view
10
Francis Cotes, 1726–1770, British
Charles Collyer as a Boy, with a Cricket Bat
1766
Not on view
11
unknown artist, eighteenth century
The Buckley-Boar Family
between 1758 and 1760
Not on view
12
Jean Laurent Mosnier, 1743/44–1808, French, active in Britain (1790–96)
Margaret Callander and Her Son James Kearney
1795
Not on view
13
Sir Joshua Reynolds, 1723–1792, British
Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas
1782
Not on view
14
Attributed to Andrea Soldi, 1703–1771, Italian, active in Britain (from ca. 1736)
Sir Robert and Lady Smyth with Their Son, Hervey
between 1738 and 1739
Not on view
15
unknown artist, eighteenth century
The Death of the Hare
between 1760 and 1770
Not on view
16
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
17
John Hamilton Mortimer, 1740–1779, British
Portrait of a Man and a Boy Looking at Prints
between 1765 and 1770
Not on view
18
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Children Playing with a Hobby Horse
between 1741 and 1747
Not on view
19
unknown artist, eighteenth century
The Practical Joke
ca. 1740
Not on view
20
John Opie, 1761–1807, British
Thomas Abraham of Gurrington, Devon
1784
Not on view
21
Edward Penny, 1714–1791, British
Widow Costard's cow and goods, distrained for taxes, are redeemed by the generosity of Johnny Pearmain
1782
Not on view
22
Edward Penny, 1714–1791, British
The Profligate Punished by Neglect
1774
Not on view
23
Arthur Devis, 1712–1787, British
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
24
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Mother with her Son and a Pony
ca. 1775
Not on view
25
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Servants Washing a Deer
ca. 1775
Not on view
26
George Barret, ca. 1728/32–1784, Irish
Wooded Landscape with a Boy and his Dog
ca. 1770
Not on view
27
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Son Raphael
1773
Not on view
28
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Elizabeth West (née Shewell), and Her Son Raphael
ca. 1773
Not on view
29
Francis Wheatley, 1747–1801, British
Evening
1799
Not on view
30
Francis Wheatley, 1747–1801, British
Night
1799
Not on view
31
Francis Wheatley, 1747–1801, British
Morning
1799
Not on view
32
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Family
ca. 1772
Not on view
33
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Richard Heber
1782
Not on view
34
Arthur William Devis, 1762–1822, British
Emily and George Mason
between 1794 and 1795
Not on view
35
George Barret, ca. 1728/32–1784, Irish
Landscape with Cottagers
ca. 1775
Not on view
36
Unknown artist, eighteenth century
A Family Group Called 'The Stafford Family'
ca. 1730
Not on view
37
Joseph Highmore, 1692–1780, British
The Head of a Young Boy
ca. 1735
Not on view
38
William Hamilton, 1751–1801, British
John Palmer Whalley
ca. 1775
Not on view
39
Gainsborough Dupont, 1754–1797, British
A Wooded Landscape with Cattle and Herdsman
before 1796
Not on view
40
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
41
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
42
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Market Day, Roseau, Dominica
ca. 1780
Not on view
43
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
44
Thomas Patch, 1725–1782, British
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
45
Sir William Beechey, 1753–1839, British
Portrait of a Boy
ca. 1790
Not on view
46
William Ashford, 1746–1824, British
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
47
George Garrard, 1760–1826, British
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
48
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
49
James Seymour, 1702–1752, British
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
50
Thomas Smith of Derby, ca. 1720–1767, British
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
51
Thomas Gainsborough, 1727–1788, British
Landscape with Stream and Weir
between 1750 and 1753
Not on view
52
Thomas Smith of Derby, ca. 1720–1767, British
A Wooded Landscape with a Stream and a Fisherman
ca. 1749
Not on view
53
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Academy by Lamplight
1769
Not on view
54
George Romney, 1734–1802, British
Boy Seated beneath a Rock
undated
55
George Romney, 1734–1802, British
Mother and Son
undated
56
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
57
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
58
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
59
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
60
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
61
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
62
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
63
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
64
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
65
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
66
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
67
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
68
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
69
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
70
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
71
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
72
George Romney, 1734–1802, British
Head of a Young Boy
undated
73
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
74
Paul Sandby, 1731–1809, British
London Cries: Boy with a Donkey
ca. 1759
75
William Marlow, 1740–1813, British
Tivoli
ca. 1768
76
George Morland, 1763–1804, British
Landscape with Horses, Farmer and Dog
1794
77
Richard Crosse, 1742–1810, British
Joseph de Lautour
1793
78
Richard Crosse, 1742–1810, British
Peter de Lautour
1793
79
Matthew Haughton, 1768–1821, British
Girl and Boy Anglers
1791
80
Michael "Angelo" Rooker, 1746–1801, British
A Youth in a Farmyard with Pigs and Poultry
undated
81
Allan Ramsay, 1713–1784, British
George IV, When Prince of Wales
undated
82
Print made by Samuel Rawle, 1771–1860, British
North East View of Dunster Castle, Somersetshire
1800
83
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
The Swain's Amusement
between 1748 and 1756
84
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Young Male Shearing a Sheep
undated
85
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
86
Edward Dayes, 1763–1804, British
Haweswater, Westmoreland
ca. 1795
87
Edward Dayes, 1763–1804, British
Queen Square, London
1786
88
James Ward, 1769–1859, British
A Young Boy with Dogs
ca. 1798
89
John Collet, ca. 1725–1780, British
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
90
John Collet, ca. 1725–1780, British
Stable Boy Holding a Horse in a Landscape
undated
91
Engraved by Robert Pollard, 1755–1838, British
View of Queen Square
1789
92
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
93
George Lambert, 1700–1765, British
A Woody Landscape
undated
94
unknown artist
Sketches of Mother and Child and Sketch of an Arm
undated
95
Valentine Green, 1739–1813, British
St. Augustine's Gate, Canterbury
1779
96
Print made by Valentine Green, 1739–1813, British
Benjamin West and His Son Raphael
1775
97
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
98
William Dickinson, 1746–1823, British
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
99
Edward Fisher, 1722–1785, British
The Honorable George Seymour Conway
1771
100
Print made by James Watson, 1740–1790, British
Rt. Hon. John Manners, Marquess of Granby, and a Servant