Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
5
John Ferneley, 1782–1860, British
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
6
Richard Redgrave, 1804–1888, British
Self-Portrait
ca. 1832
Not on view
7
William Collins, 1788–1847, British
Frost Scene
1827
Not on view
8
Sir Francis Leggatt Chantrey, 1781–1841, British
George IV
1827
Not on view
9
John Gibson, 1790–1866, British, active in Rome, Italy
An Unknown Young Woman
late 1820s
Not on view
10
Sir Francis Leggatt Chantrey, 1781–1841, British
Alexander Knox
late 1820s
Not on view
11
Francis Danby, 1793–1861, Irish
Study for "The Golden Age"
1827
12
John Constable, 1776–1837, British
Sky Study with Rainbow
1827
13
Joseph Mallord William Turner, 1775–1851, British
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
14
Joseph Mallord William Turner, 1775–1851, British
Carlisle
ca. 1832
15
Edward Lear, 1812–1888, British
Entrance to the Port of Marseille
undated
16
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
17
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
18
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
19
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
20
Edward Lear, 1812–1888, British
English Country Town
undated
21
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
22
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
23
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
24
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
25
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
26
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
27
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
28
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
29
William Blake, 1757–1827, British
Illustrations to Dante's "Divine Comedy"
1827
30
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
31
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
32
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
33
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
34
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
35
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
36
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
37
Capt. Thomas Hastings, 1778–1854, British
Milfield, East Cowes, Isle of Wight
1827
38
Capt. Thomas Hastings, 1778–1854, British
Lord Henry Seymour's Estate
1827
39
Capt. Thomas Hastings, 1778–1854, British
The Road between East Cowes and Newport, 1 September 1827
1827
40
Capt. Thomas Hastings, 1778–1854, British
Distant View of West Cowes, Isle of Wight
1827
41
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
42
Capt. Thomas Hastings, 1778–1854, British
Bonchurch, Isle of Wight
1827
43
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
44
Capt. Thomas Hastings, 1778–1854, British
Portsmouth, Hampshire
1827
45
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
46
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
47
Print made by Thomas Goff Lupton, 1791–1873, British
Calais Pier - the English Packet Arriving
1827
48
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
49
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
50
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
51
William James Muller, 1812–1845, British
Study of a Cottage by a lane
undated
52
William James Muller, 1812–1845, British
Farm Buildings
undated
53
James Duffield Harding, 1798–1863, British
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
54
John Frederick Lewis, 1804–1876, British
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
55
John Frederick Lewis, 1804–1876, British
The Via Mala
1827
56
John Frederick Lewis, 1804–1876, British
The Valley of Lutscheuen
1827
57
John Frederick Lewis, 1804–1876, British
Tyrolese Hunters
between 1827 and 1828
58
Thomas Stothard, 1755–1834, British
The Fortune Teller
1827
59
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
60
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
61
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
62
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
63
Charles J. Hullmandel, 1789–1850, British
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
64
Capt. Thomas Hastings, 1778–1854, British
Sketch of Boatmen on the Shore, Ships in the Distance
1827
65
Sir George Hayter, 1792–1871, British
A Capriccio of Windsor Castle
1827
66
Sir George Hayter, 1792–1871, British
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
67
Frederick Christian Lewis the Elder, 1779–1856, British
River Tamar, near Endsleigh, Devon
ca. 1832
68
George Fennell Robson, 1788–1833, British
St. Paul's from Southwark by Sunset
ca. 1832
69
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
70
Print made by James T. Willmore, 1800–1863, British
Kilgarren Castle, Pembroke
1827-1838
71
Print made by Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
72
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827
73
Print made by Thomas Jeavons, ca. 1800–1867, British
Vesuvius in Eruption
1827
74
Joseph Nash, 1808–1878, British
Fashionable Men and Women Promenading
1827
75
Print made by William Tombleson, ca.1795–1835, British
City of London, Arch of Waterloo Bridge
1827
76
George Cooke, 1781–1834, British
Wilsdon Church, Middlesex
1827
77
T. Levens
Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
1827
78
William Deeble, active 1814–1849, British
The London Institution, Funsbury Circus
1827
79
unknown artist, ( J. Cleghorn )
Ticket for a Performance of Sacred Music on 1st March 1827
1827
80
George Cooke, 1781–1834, British
Enfield, Outer Suburb North
1827
81
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
82
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
83
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
84
Richard Parkes Bonington, 1802–1828, British
Trees and a Cottage by a River
1827
85
William James Muller, 1812–1845, British
The Bridge at Llangollen
undated
86
James Pattison Cockburn, 1779–1847, British
Advanced Guard - Sunrise
ca. 1832
87
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
88
William James Muller, 1812–1845, British
A Mountain Torrent
undated
89
William James Muller, 1812–1845, British
Study of a Rustic Interior Scene
undated
90
John James Chalon, 1778–1854, French, active in Britain
Music: Composition in a Garden
ca. 1832
91
William James Muller, 1812–1845, British
The Bridge
undated
92
Joseph Nash, 1808–1878, British
Sketches of Towns People
1827
93
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
94
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
95
Richard Parkes Bonington, 1802–1828, British
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
96
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
97
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Kneeler
undated
98
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Wall Lamp
undated
99
Augustus Welby Northmore Pugin, 1812–1852, British
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
100
Augustus Welby Northmore Pugin, 1812–1852, British