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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837, British
Study of Three Parrot Tulips
ca. 1832
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832, British
A View of Thames Street, Windsor
1827 to 1830
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859, British
Cattle at a Pool at Sunrise
1827
Not on view
Thomas Phillips Portrait of Charles Frederick Schlaberg, London, 1827
Thomas Phillips, 1770–1845, British
Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860, British
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888, British
Self-Portrait
ca. 1832
Not on view
William Collins Frost Scene
William Collins, 1788–1847, British
Frost Scene
1827
Not on view
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841, British
George IV
1827
Not on view
John Gibson An Unknown Young Woman
John Gibson, 1790–1866, British, active in Rome, Italy
An Unknown Young Woman
late 1820s
Not on view
Sir Francis Leggatt Chantrey Alexander Knox
Sir Francis Leggatt Chantrey, 1781–1841, British
Alexander Knox
late 1820s
Not on view
Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861, Irish
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837, British
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851, British
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851, British
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888, British
Entrance to the Port of Marseille
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
Edward Lear English Country Town
Edward Lear, 1812–1888, British
English Country Town
undated
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827, British
Illustrations to Dante's "Divine Comedy"
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Capt. Thomas Hastings Milfield, East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Milfield, East Cowes, Isle of Wight
1827
Capt. Thomas Hastings Lord Henry Seymour's Estate
Capt. Thomas Hastings, 1778–1854, British
Lord Henry Seymour's Estate
1827
Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827
Capt. Thomas Hastings, 1778–1854, British
The Road between East Cowes and Newport, 1 September 1827
1827
Capt. Thomas Hastings Distant View of West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Distant View of West Cowes, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Bonchurch, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Bonchurch, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Portsmouth, Hampshire
Capt. Thomas Hastings, 1778–1854, British
Portsmouth, Hampshire
1827
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873, British
Calais Pier - the English Packet Arriving
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
William James Muller Study of a Cottage by a lane
William James Muller, 1812–1845, British
Study of a Cottage by a lane
undated
William James Muller Farm Buildings
William James Muller, 1812–1845, British
Farm Buildings
undated
James Duffield Harding Fishermen's Houses at Sculcoats near Hull, Yorkshire
James Duffield Harding, 1798–1863, British
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
John Frederick Lewis St. Goarhausen on the Rhine between Koblenz and Mainz
John Frederick Lewis, 1804–1876, British
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
John Frederick Lewis The Via Mala
John Frederick Lewis, 1804–1876, British
The Via Mala
1827
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876, British
The Valley of Lutscheuen
1827
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876, British
Tyrolese Hunters
between 1827 and 1828
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834, British
The Fortune Teller
1827
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
W. R. Smith Tynemouth, Northumberland
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
Charles J. Hullmandel, 1789–1850, British
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854, British
Sketch of Boatmen on the Shore, Ships in the Distance
1827
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871, British
A Capriccio of Windsor Castle
1827
Sir George Hayter Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Sir George Hayter, 1792–1871, British
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856, British
River Tamar, near Endsleigh, Devon
ca. 1832
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833, British
St. Paul's from Southwark by Sunset
ca. 1832
Edward Goodall Old London Bridge and Vicinity
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
James T. Willmore Kilgarren Castle, Pembroke
Print made by James T. Willmore, 1800–1863, British
Kilgarren Castle, Pembroke
1827-1838
Edward Francis Finden Temple of Minerva, Cape Colonna
Print made by Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
Robert Wallis Buckfastleigh Abbey, Devonshire
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827
Thomas Jeavons Vesuvius in Eruption
Print made by Thomas Jeavons, ca. 1800–1867, British
Vesuvius in Eruption
1827
Joseph Nash Fashionable Men and Women Promenading
Joseph Nash, 1808–1878, British
Fashionable Men and Women Promenading
1827
William Tombleson City of London, Arch of Waterloo Bridge
Print made by William Tombleson, ca.1795–1835, British
City of London, Arch of Waterloo Bridge
1827
George Cooke Wilsdon Church, Middlesex
George Cooke, 1781–1834, British
Wilsdon Church, Middlesex
1827
T. Levens Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
T. Levens
Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
1827
William Deeble The London Institution, Funsbury Circus
William Deeble, active 1814–1849, British
The London Institution, Funsbury Circus
1827
unknown artist Ticket for a Performance of Sacred Music on 1st March 1827
unknown artist, ( J. Cleghorn )
Ticket for a Performance of Sacred Music on 1st March 1827
1827
George Cooke Enfield, Outer Suburb North
George Cooke, 1781–1834, British
Enfield, Outer Suburb North
1827
John Goddard This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
Thomas Jeavons Exeter
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
W. R. Smith Tynemouth, Northumberland
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828, British
Trees and a Cottage by a River
1827
William James Muller The Bridge at Llangollen
William James Muller, 1812–1845, British
The Bridge at Llangollen
undated
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847, British
Advanced Guard - Sunrise
ca. 1832
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
William James Muller A Mountain Torrent
William James Muller, 1812–1845, British
A Mountain Torrent
undated
William James Muller Study of a Rustic Interior Scene
William James Muller, 1812–1845, British
Study of a Rustic Interior Scene
undated
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854, French, active in Britain
Music: Composition in a Garden
ca. 1832
William James Muller The Bridge
William James Muller, 1812–1845, British
The Bridge
undated
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878, British
Sketches of Towns People
1827
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828, British
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Augustus Welby Northmore Pugin Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Design for a Gothic Kneeler
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Kneeler
undated
Augustus Welby Northmore Pugin Design for a Gothic Wall Lamp
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Wall Lamp
undated
Augustus Welby Northmore Pugin Chapel of the Archbishop's Palace, Croydon: View from the East End
Augustus Welby Northmore Pugin, 1812–1852, British
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
Augustus Welby Northmore Pugin Design for a Gothic Staff
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Staff
undated