Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
2
John Constable, 1776–1837, British
Parham Mill, Gillingham
ca. 1826
Not on view
3
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
4
John Constable, 1776–1837, British
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
5
John Constable, 1776–1837, British
Cloud Study with Trees
1821
Not on view
6
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
7
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
8
Attributed to John Constable, 1776–1837, British
Fire in London, Seen from Hampstead
ca. 1826
Not on view
9
Attributed to John Constable, 1776–1837, British
Study of Hollyhocks
ca. 1826
Not on view
10
John Constable, 1776–1837, British
Hampstead Heath Looking Towards Harrow
1821
Not on view
11
unknown artist, nineteenth century
Bologna
ca. 1826
Not on view
12
Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
A View of Trajan's Forum, Rome
1821
Not on view
13
Richard Parkes Bonington, 1802–1828, British
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
14
Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
The Erechtheum, Athens, with Figures in the Foreground
1821
Not on view
15
Peter Turnerelli, 1774–1839, British
An Unknown Man
1821
Not on view
16
Sir Francis Leggatt Chantrey, 1781–1841, British
Robert Stewart, Viscount Castlereagh
1821
Not on view
17
Sir Francis Leggatt Chantrey, 1781–1841, British
William Howley, Bishop of London (1766-1848)
1821
Not on view
18
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
At Hailsham, Sussex: a Storm Approaching
1821
19
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Harvest under a Crescent Moon
ca. 1826
20
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
ca. 1826
21
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
22
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
23
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
24
William Blake, 1757–1827, British
Epicurus
1821
25
William Blake, 1757–1827, British
Theocritus
1821
26
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
27
William Blake, 1757–1827, British
From Antique Coins
1821
28
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
29
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
30
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
31
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
32
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
33
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
34
William Blake, 1757–1827, British
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
35
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
36
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
37
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
38
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
39
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
40
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
41
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
42
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
43
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
44
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
45
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
46
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
47
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
48
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
49
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
50
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
51
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
52
Charles Augustus Busby, 1788–1834, British
Description of the Celebrated Suspended Wooden Bridge
1821
53
Print made by unknown artist, nineteenth century
The Three Swords
1821
54
J. Harrison, active 1821, British
Boston Church, Lincolnshire
1821
55
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
56
Print made by John Scott, 1774–1828, British
Aske Hall
1821
57
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
58
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
59
Print made by Samuel Rawle, 1771–1860, British
Brignall Church
1821
60
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
61
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
62
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
63
William Frome Smallwood, 1806–1834, British
Coutances Cathedral
undated
64
William Wyld, 1806–1889, British
View of Gibraltar
undated
65
unknown artist, (J Warren)
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
66
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
67
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
68
Attributed to Charles Bentley, 1806–1854, British
Hay Barge in a Calm Sea
undated
69
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
70
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
71
John Baverstock Knight, 1785–1859, British
Thatched Cottage near Henley
1821
72
unknown artist, ( T. Dale )
St. Pancras New Church
1821
73
unknown artist, ( T. Dale )
St. Pancras New Church
1821
74
James Wyld, 1790–1836, British
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
75
unknown artist
Enfield Church, Middlesex, Outer Suburb North
1821
76
Bartholomew Howlett, 1767–1827, British
The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
1821
77
unknown artist, ( Dale )
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
78
unknown artist, ( T. Bourne )
A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
1821
79
Joseph Murray Ince, 1806–1859, British
A Picnic on Richmond Hill
undated
80
Joseph Murray Ince, 1806–1859, British
An unidentified Gothic Mansion: Side View of the House with Garden
undated
81
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1821
82
Print made by William Bernard Cooke, 1778–1855, British
Parnassus
1821
83
Print made by unknown artist, nineteenth century
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
1821
84
Print made by James C. Allen, active 1821–1831, British
Addingham Mill on the Warfe
1821
85
Print made by John Wykeham Archer, 1808–1864, British
Crook of the Lune, Looking towards Hornby Castle
1821
86
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
87
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
88
William Wyld, 1806–1889, British
View of Mont St. Michel with Figures on the Beach
undated
89
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
90
Charles Bentley, 1806–1854, British
A Market Scene in Venice
undated
91
John Martin, 1789–1854, British
Travelers on a Road above a River
1821
92
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1821
93
Richard Parkes Bonington, 1802–1828, British
Portia and Bassanio
ca. 1826
94
John Skinner Prout, 1806–1876, British
The Church of St. Laurent
undated
95
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
96
Thomas Rowlandson, 1756–1827, British
Dr Syntax & Dairymaid
1821
97
Joseph Steuart, active 1821
Cavalrymen, etc
1821
98
John Buckler FSA, 1770–1851, British
Interior View of the hall at Longleat; the Seat of the Marquis of Bath