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Date 1821

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John Constable Cloud Study, Early Morning, Looking East from Hampstead
John Constable, 1776–1837, British
Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
John Constable Parham Mill, Gillingham
John Constable, 1776–1837, British
Parham Mill, Gillingham
ca. 1826
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837, British
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
John Constable Cloud Study with Trees
John Constable, 1776–1837, British
Cloud Study with Trees
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1821
Not on view
John Constable Fire in London, Seen from Hampstead
Attributed to John Constable, 1776–1837, British
Fire in London, Seen from Hampstead
ca. 1826
Not on view
John Constable Study of Hollyhocks
Attributed to John Constable, 1776–1837, British
Study of Hollyhocks
ca. 1826
Not on view
John Constable Hampstead Heath Looking Towards Harrow
John Constable, 1776–1837, British
Hampstead Heath Looking Towards Harrow
1821
Not on view
unknown artist Bologna
unknown artist, nineteenth century
Bologna
ca. 1826
Not on view
Sir Charles Lock Eastlake A View of Trajan's Forum, Rome
Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
A View of Trajan's Forum, Rome
1821
Not on view
Richard Parkes Bonington A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Richard Parkes Bonington, 1802–1828, British
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
Sir Charles Lock Eastlake The Erechtheum, Athens, with Figures in the Foreground
Sir Charles Lock Eastlake, 1793–1865, British, active in Italy (1816–30)
The Erechtheum, Athens, with Figures in the Foreground
1821
Not on view
Peter Turnerelli An Unknown Man
Peter Turnerelli, 1774–1839, British
An Unknown Man
1821
Not on view
Sir Francis Leggatt Chantrey Robert Stewart, Viscount Castlereagh
Sir Francis Leggatt Chantrey, 1781–1841, British
Robert Stewart, Viscount Castlereagh
1821
Not on view
Sir Francis Leggatt Chantrey William Howley, Bishop of London (1766-1848)
Sir Francis Leggatt Chantrey, 1781–1841, British
William Howley, Bishop of London (1766-1848)
1821
Not on view
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer Harvest under a Crescent Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Harvest under a Crescent Moon
ca. 1826
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
ca. 1826
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827, British
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827, British
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827, British
From Antique Coins
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Publius Virgilius Maro
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827, British
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
Charles Augustus Busby Description of the Celebrated Suspended Wooden Bridge
Charles Augustus Busby, 1788–1834, British
Description of the Celebrated Suspended Wooden Bridge
1821
unknown artist The Three Swords
Print made by unknown artist, nineteenth century
The Three Swords
1821
J. Harrison Boston Church, Lincolnshire
J. Harrison, active 1821, British
Boston Church, Lincolnshire
1821
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
John Scott Aske Hall
Print made by John Scott, 1774–1828, British
Aske Hall
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860, British
Brignall Church
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
William Frome Smallwood Coutances Cathedral
William Frome Smallwood, 1806–1834, British
Coutances Cathedral
undated
William Wyld View of Gibraltar
William Wyld, 1806–1889, British
View of Gibraltar
undated
unknown artist Mr. Thomas Hope's Picture Gallery, Duchess Street, London
unknown artist, (J Warren)
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
Charles Bentley Hay Barge in a Calm Sea
Attributed to Charles Bentley, 1806–1854, British
Hay Barge in a Calm Sea
undated
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
John Baverstock Knight Thatched Cottage near Henley
John Baverstock Knight, 1785–1859, British
Thatched Cottage near Henley
1821
unknown artist St. Pancras New Church
unknown artist, ( T. Dale )
St. Pancras New Church
1821
unknown artist St. Pancras New Church
unknown artist, ( T. Dale )
St. Pancras New Church
1821
James Wyld Plan of Westminster Abbey and Environs for the Coronation of George IV
James Wyld, 1790–1836, British
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
unknown artist Enfield Church, Middlesex, Outer Suburb North
unknown artist
Enfield Church, Middlesex, Outer Suburb North
1821
Bartholomew Howlett The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
Bartholomew Howlett, 1767–1827, British
The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
1821
unknown artist Part of the Choir wiith the remains of the South Transept of St. Barts the Great
unknown artist, ( Dale )
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
unknown artist A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
unknown artist, ( T. Bourne )
A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
1821
Joseph Murray Ince A Picnic on Richmond Hill
Joseph Murray Ince, 1806–1859, British
A Picnic on Richmond Hill
undated
Joseph Murray Ince An unidentified Gothic Mansion: Side View of the House with Garden
Joseph Murray Ince, 1806–1859, British
An unidentified Gothic Mansion: Side View of the House with Garden
undated
William Bernard Cooke Torbay from Brixham
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1821
William Bernard Cooke Parnassus
Print made by William Bernard Cooke, 1778–1855, British
Parnassus
1821
unknown artist Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
Print made by unknown artist, nineteenth century
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
1821
James C. Allen Addingham Mill on the Warfe
Print made by James C. Allen, active 1821–1831, British
Addingham Mill on the Warfe
1821
John Wykeham Archer Crook of the Lune, Looking towards Hornby Castle
Print made by John Wykeham Archer, 1808–1864, British
Crook of the Lune, Looking towards Hornby Castle
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
William Wyld View of Mont St. Michel with Figures on the Beach
William Wyld, 1806–1889, British
View of Mont St. Michel with Figures on the Beach
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Charles Bentley A Market Scene in Venice
Charles Bentley, 1806–1854, British
A Market Scene in Venice
undated
John Martin Travelers on a Road above a River
John Martin, 1789–1854, British
Travelers on a Road above a River
1821
William Bernard Cooke Plymouth Sound
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1821
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828, British
Portia and Bassanio
ca. 1826
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876, British
The Church of St. Laurent
undated
Thomas Rowlandson Dr Syntax outside the Halfway House
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
Thomas Rowlandson Dr Syntax & Dairymaid
Thomas Rowlandson, 1756–1827, British
Dr Syntax & Dairymaid
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
John Buckler FSA Interior View of the hall at Longleat; the Seat of the Marquis of Bath
John Buckler FSA, 1770–1851, British
Interior View of the hall at Longleat; the Seat of the Marquis of Bath
1821
Sir Jeffry Wyatville Design for Bridge over Great Western Road
Sir Jeffry Wyatville, 1766–1840, British
Design for Bridge over Great Western Road
ca. 1826
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821