Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
7
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
8
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
9
Thomas Shotter Boys, 1803–1874, British
Queen Anne Boleyn's Room, Windsor Castle
undated
10
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
11
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
12
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
13
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
14
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
15
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
16
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
17
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
18
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
19
Samuel Howitt, 1756–1822, British
Honey-Badger
1817
20
Samuel Howitt, 1756–1822, British
Polecat
ca. 1817
21
Samuel Howitt, 1756–1822, British
North American Lynx
ca. 1817
22
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
23
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
24
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
25
John Frederick Tayler, 1802–1889, British
A Fruit Stall in a Market
undated
26
William Heath, 1795–1840, British
An Episode at the Battle of Waterloo
1817
27
William Henry Hunt, 1790–1864, British
Interior of the Belfry, Bushey Church
ca. 1822
28
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
29
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
30
John Frederick Tayler, 1802–1889, British
Stable Boy with Cart Horses
undated
31
William Henry Hunt, 1790–1864, British
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
32
Thomas Lound, 1802–1861, British
The Keep and Gate, Ludlow Castle, Shropshire
undated
33
John Chessell Buckler, 1793–1894, British
South East View of the Church and Palace at Croydon, Surrey
1817
34
Richard Parkes Bonington, 1802–1828, British
A Seascape
undated
35
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
36
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
37
Thomas Shotter Boys, 1803–1874, British
A Christening
undated
38
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
39
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
40
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
41
Alexander Monro, 1802–1844
Porchester Castle
undated
42
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
43
Alexander Monro, 1802–1844
Classical Landscape
undated
44
Thomas Shotter Boys, 1803–1874, British
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
45
Thomas Shotter Boys, 1803–1874, British
The Footbridge
undated
46
Thomas Rowlandson, 1756–1827, British
A Tub Thumper
between 1817 and 1820
47
Thomas Shotter Boys, 1803–1874, British
Courtyard of an Inn on the Thames
undated
48
Thomas Shotter Boys, 1803–1874, British
Landscape with Windmills
undated
49
Henry Edridge, 1769–1821, British
Terrace at St. Germain-en-Laye
between 1817 and 1819
50
Francis Oliver Finch, 1802–1862, British
Landscape with Castle, Waterfall and Stream in Foreground
undated
51
Francis Oliver Finch, 1802–1862, British
Landscape with a Temple and Figures by a River
undated
52
Francis Oliver Finch, 1802–1862, British
Valley of Rocks, Lynton, North Devon
undated
53
Hon. Henrietta Anne Fortescue, ca. 1765–1841, British
Cascatella, Tivoli, 1817
1817
54
Thomas Rowlandson, 1756–1827, British
The Family Picture
1817
55
Sir Edwin Henry Landseer, 1802–1873, British
An Irish Wolfhound
undated
56
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
57
John Buckler FSA, 1770–1851, British
North East View of Harlaxton Manor House, Lincolnshire
1817
58
John Buckler FSA, 1770–1851, British
North West View of Harlaxton Manor House, Lincolnshire
1817
59
John Buckler FSA, 1770–1851, British
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
60
John Buckler FSA, 1770–1851, British
Samlesbury hall; Lancashire
1817
61
John Buckler FSA, 1770–1851, British
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
62
John Buckler FSA, 1770–1851, British
South West View of Burleigh House
1817
63
Thomas Rowlandson, 1756–1827, British
Plymouth Dock
1817
64
Attributed to John Frederick Tayler, 1802–1889, British
Four Hooded Falcons
undated
65
John Frederick Tayler, 1802–1889, British
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
66
John Buckler FSA, 1770–1851, British
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
67
John Buckler FSA, 1770–1851, British
Interior View of the Hall at Rushton
1817
68
John Buckler FSA, 1770–1851, British
North Front of Belton house Lincolnshire
1817
69
John Buckler FSA, 1770–1851, British
Flower Garden at Belton, Lincolnshire
1817
70
John Buckler FSA, 1770–1851, British
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
71
Thomas Rowlandson, 1756–1827, British
Jealousy, Rage, Disappointment..
1817
72
Thomas Rowlandson, 1756–1827, British
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
73
Isaac Weld, 1774–1856, Irish
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
74
Isaac Weld, 1774–1856, Irish
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
75
Isaac Weld, 1774–1856, Irish
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
76
Isaac Weld, 1774–1856, Irish
"After Pinnelli" (Group of Peasants Outside a House)
1817
77
Isaac Weld, 1774–1856, Irish
After Pinnelli - Group of Peasants Outside a Church
1817
78
Francis Oliver Finch, 1802–1862, British
Classical Landscape with Figures
undated
79
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
80
Joseph Cartwright, c.1789–1829, British
Lord Craven's Yacht, July 23, 1817
1817
81
Robert Bremmel Schnebbelie, active 1803–1849
Aldgate
1817
82
Francis Oliver Finch, 1802–1862, British
Classical Scene
undated
83
Richard Parkes Bonington, 1802–1828, British
Road Workers, near Lillebonne
undated
84
Richard Parkes Bonington, 1802–1828, British
Abbey St-Amand, Rouen
undated
85
Richard Parkes Bonington, 1802–1828, British
Ile de la Cite
undated
86
Jervis, Anne Sarah Paget, 1801-1886
Drawings of England and India
1817-1852
87
Walter, John
A tour in North Wales
1817
88
Green, James, 1771-1834
Picturesque geography
[1817?]
89
Davy, Henry, active 1829
Original drawings for A series of etchings illustrative of the architectural antiquities of Suffolk