attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Landscape Sketch
undated
4
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study for "The Shearers"
between 1833 and 1834
5
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Wayside Smithy
undated
6
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Rustic Contentment
undated
7
George Stubbs, 1724–1806, British
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
8
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
9
George Stubbs, 1724–1806, British
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
10
George Stubbs, 1724–1806, British
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
11
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
12
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
13
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
14
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
15
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Largely in outline)
1795 to 1806
18
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Outline drawing)
1795 to 1806
19
George Stubbs, 1724–1806, British
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
20
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806, British
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
22
William Hogarth, 1697–1764, British
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
23
Print made by William Hogarth, 1697–1764, British
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
24
Print made by William Hogarth, 1697–1764, British
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
25
Joseph Mallord William Turner, 1775–1851, British
Vesuvius in Eruption
between 1817 and 1820
26
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
between 1820 and 1826
27
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
28
Etched by Joseph Mallord William Turner, 1775–1851, British
From Spenser's Fairy Queen
1811
29
Engraved by Joseph Mallord William Turner, 1775–1851, British
Stonehenge at Daybreak
1815 to 1819
30
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
31
Etched by Joseph Mallord William Turner, 1775–1851, British
Ben Arthur, Scotland
1819
32
Etched by Joseph Mallord William Turner, 1775–1851, British
Solway Moss
1816
33
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
34
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
35
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
36
Etched by Joseph Mallord William Turner, 1775–1851, British
Marine Dabblers
1811
37
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
38
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
39
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
40
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
41
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
42
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
43
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
44
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
45
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
46
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
47
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
48
Print made by John Copley, 1875–1950, British
French Songs
1946
49
Joseph Farington, 1747–1821, British
[Landscape]
50
David Hockney, born 1937, British
5A: Viewing a Prison Scene from A Rake's Progress
1963
51
David Hockney, born 1937, British
8A: Bedlam from A Rake's Progress
1963
52
David Hockney, born 1937, British
1A: Receiving the Inheritance from A Rake's Progress
1963
53
David Hockney, born 1937, British
4: The Drinking Scene from A Rake's Progress
1963
54
David Hockney, born 1937, British
4A: Marries an Old Maid from A Rake's Progress
1963
55
Luigi Balugani, 1737–1770, Italian
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
56
Print made by John Boydell, 1720–1804, British
Greenland Fishery
1754
57
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
58
Print made by John Boydell, 1720–1804, British
Morning
1753
59
Print made by John Boydell, 1720–1804, British
Noon
1753
60
Print made by John Boydell, 1720–1804, British
A Calm
1754
61
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
62
Print made by James Bretherton, ca. 1730–1806, British
The Damnation of Obadiah
1773
63
Luigi Balugani, 1737–1770, Italian
Kanahia Laniflora and Crotalaria Pallida
undated
64
Luigi Balugani, 1737–1770, Italian
Trifolium Polystachyum and Trifolium Rueppellianum
undated
65
Print made by Sir Frank Short, 1857–1945, British
View of a Lake, Derwentwater
1891
66
Charles Turner, 1774–1857, British
The Little Cottager
1809
67
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
68
Print made by John Copley, 1875–1950, British
Trio
1940
69
James Bruce, 1730–1794, British
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
70
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Characters in the Streets of London
1799
71
James Bruce, 1730–1794, British
Details of Temple at Sheitla
undated
72
James Bruce, 1730–1794, British
Centre Composite Temple Suttetula Modern Sheitla
undated
73
James Bruce, 1730–1794, British
Measured sketches of arch at Assuras
undated
74
William Havell, 1782–1857, British, active in India (1820–26)
River Scene with Boy and Sheep
undated
75
William Havell, 1782–1857, British, active in India (1820–26)
Pale Melancholy
ca. 1804
76
James Howe, 1780–1836, British
Cart Horse Being Led
undated
77
James Howe, 1780–1836, British
Three Horses and Stable Lad
undated
78
James Howe, 1780–1836, British
Horse and Pony
undated
79
William Payne, active 1850s, British
Mill on the Tavy
undated
80
Cornelius Varley, 1781–1873, British
Evening
1828
81
Thomas Smith of Derby, ca. 1720–1767, British
Chiaja of Naples from Posillipo
ca. 1780
82
Henry William Bunbury, 1750–1811, British
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
83
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
84
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
85
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Romantic Landscape
1803
86
Sir Robert Ker Porter, 1777–1842, British
Near Mallwyd on the Dovey
undated
87
Print made by John Le Keux, 1783–1846, British
Rome, from the Farnese Gardens
1818-1820
88
Print made by W. R. Smith, active 1819–1851
Amboise
1833
89
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
90
Cornelius Varley, 1781–1873, British
A Moated House
undated
91
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
92
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
93
Sir Walter Thomas Monnington, 1902–1976, British
Garden Wall with Trees
undated
94
Jacob More, 1740–1793, British
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
95
William Wilkins, 1778–1839, British
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
96
Sir Robert Taylor, 1714–1788, British
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
97
George C. Winckler, Active 1760
Prospect der Koniglichen Marth in London
98
unknown artist, eighteenth century
The Foundation or Ground Plan of St. Pauls Church
undated
99
John S. Muller, ca. 1715–1792, German, active in Britain
A North West View of St. Paul's Cathedral, London
1753
100
John S. Muller, ca. 1715–1792, German, active in Britain