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Height [cm] 27

Robert Polhill Bevan The Horse Mart (Barbican No. 1)

Robert Polhill Bevan, 1865–1925, British

The Horse Mart (Barbican No. 1)

1920

Robert Polhill Bevan The Kill

Robert Polhill Bevan, 1865–1925, British

The Kill

undated

Robert Polhill Bevan Figures at Mass, Poland

Robert Polhill Bevan, 1865–1925, British

Figures at Mass, Poland

ca. 1904

Samuel Palmer Ancient Trees, Lullingstone Park

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Ancient Trees, Lullingstone Park

1828

Samuel Palmer Wilmot's Hill, Kent

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Wilmot's Hill, Kent

ca. 1851

Samuel Palmer Sunset

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Sunset

ca. 1861

Samuel Palmer A Cow Lodge with a Mossy Roof

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Cow Lodge with a Mossy Roof

ca. 1829

Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Old Cedar Tree in Botanic Garden, Chelsea

1854

Samuel Palmer A Moonlit Scene with a Winding River

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Moonlit Scene with a Winding River

ca. 1827

Samuel Palmer Study of a Pilgrim

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Study of a Pilgrim

undated

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806, British

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

George Stubbs, 1724–1806, British

Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

1795 to 1806

George Stubbs Dorking Hen, Lateral View

George Stubbs, 1724–1806, British

Dorking Hen, Lateral View

1795 to 1806

George Stubbs Tiger Body, Lateral View (Shows the third stage in dissection)

George Stubbs, 1724–1806, British

Tiger Body, Lateral View (Shows the third stage in dissection)

1795 to 1806

George Stubbs Tiger Body, Standing in Human Posture

George Stubbs, 1724–1806, British

Tiger Body, Standing in Human Posture

1795 to 1806

George Stubbs Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

George Stubbs, 1724–1806, British

Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

1795 to 1806

William Hogarth Benjamin Read

William Hogarth, 1697–1764, British

Benjamin Read

ca. 1757

William Hogarth Hudibras and the Lawyer (no.7)

William Hogarth, 1697–1764, British

Hudibras and the Lawyer (no.7)

William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Print made by William Hogarth, 1697–1764, British

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Print made by William Hogarth, 1697–1764, British

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Print made by William Hogarth, 1697–1764, British

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Print made by William Hogarth, 1697–1764, British

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Print made by William Hogarth, 1697–1764, British

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn

Print made by William Hogarth, 1697–1764, British

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London

Print made by William Hogarth, 1697–1764, British

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

Print made by William Hogarth, 1697–1764, British

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

Print made by William Hogarth, 1697–1764, British

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

Print made by William Hogarth, 1697–1764, British

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

Print made by William Hogarth, 1697–1764, British

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner On the Washburn

Joseph Mallord William Turner, 1775–1851, British

On the Washburn

ca. 1815

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851, British

Shields Lighthouse

between 1820 and 1826

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Joseph Mallord William Turner Calm

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Joseph Mallord William Turner Bonneville, Savoy

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner The Stork and Aqueduct

Etched by Joseph Mallord William Turner, 1775–1851, British

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner Interior of a Church

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Joseph Mallord William Turner Bonneville, Savoy

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Joseph Mallord William Turner Ville de Thun, Switzerland

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Joseph Mallord William Turner River Wye

Etched by Joseph Mallord William Turner, 1775–1851, British

River Wye

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Basle

Etched by Joseph Mallord William Turner, 1775–1851, British

Basle

1807

Joseph Mallord William Turner Bridge and Cows

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Joseph Mallord William Turner Dumblain Abbey, Scotland

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner Lauffenbourgh on the Rhine

Etched by Joseph Mallord William Turner, 1775–1851, British

Lauffenbourgh on the Rhine

1811

Joseph Mallord William Turner Windmill and Lock

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Joseph Mallord William Turner Junction of Severn and Wye

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Junction of Severn and Wye

1811

Joseph Mallord William Turner Ships in a Breeze

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Joseph Mallord William Turner Mt. St. Gothard

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Joseph Mallord William Turner The Source of the Arveron in the Valley of Chamouni, Savoy

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Joseph Mallord William Turner Calm

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Joseph Mallord William Turner The Crypt of Kirkstall Abbey

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Crypt of Kirkstall Abbey

1812

Joseph Mallord William Turner Scene in the Campagna

Etched by Joseph Mallord William Turner, 1775–1851, British

Scene in the Campagna

1812

Joseph Mallord William Turner Morpeth, Northumberland

Etched by Joseph Mallord William Turner, 1775–1851, British

Morpeth, Northumberland

1809

Edward Lear Knowsley Hall

Edward Lear, 1812–1888, British

Knowsley Hall

undated

Edward Lear Landscape Near Segni

Edward Lear, 1812–1888, British

Landscape Near Segni

1838

George Romney Reclining Nude

George Romney, 1734–1802, British

Reclining Nude

undated

George Romney Sketches for "The Accusation of Susanna"

George Romney, 1734–1802, British

Sketches for "The Accusation of Susanna"

undated

George Romney Prison Scene

George Romney, 1734–1802, British

Prison Scene

undated

George Romney Two Children Embracing

George Romney, 1734–1802, British

Two Children Embracing

undated

George Romney Anger, Envy, and Fear

George Romney, 1734–1802, British

Anger, Envy, and Fear

undated

William Blake Abraham and Isaac

William Blake, 1757–1827, British

Abraham and Isaac

1799 to 1800

William Blake Five Visionary Heads of Women

William Blake, 1757–1827, British

Five Visionary Heads of Women

1819 to 1820

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827, British

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827, British

Fable VI. The Miser and Plutus

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827, British

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827, British

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827, British

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827, British

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827, British

Fable XLI. The Owl and the Farmer

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827, British

Fable I. The Dog and the Fox

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827, British

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827, British

Fable XVI. The Pin and the Needle

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827, British

Fable XIII. The Tame Stag

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827, British

Fable XII. Pan and Fortune

1793

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Joseph Mallord William Turner London from Greenwich

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

William Blake Illustrations to Dante's Divine Comedy

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

Sir Robert Smirke the younger Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

Sir Robert Smirke the younger, 1781–1867, British

Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

1802-1804

Sir Robert Smirke the younger Study of the Capital of a PIllar

Sir Robert Smirke the younger, 1781–1867, British

Study of the Capital of a PIllar

1802-1804

Sir Robert Smirke the younger Study of the Capital of a Pillar

Sir Robert Smirke the younger, 1781–1867, British

Study of the Capital of a Pillar

1802-1804

Sir Robert Smirke the younger Gateway in the Ruins of the Ancient Walls of Arpino

Sir Robert Smirke the younger, 1781–1867, British

Gateway in the Ruins of the Ancient Walls of Arpino

1802-1804

Sir Robert Smirke the younger Ruins at Capua

Sir Robert Smirke the younger, 1781–1867, British

Ruins at Capua

1802-1804

Sir Robert Smirke the younger View From Cori Towards Villetri

Sir Robert Smirke the younger, 1781–1867, British

View From Cori Towards Villetri

1802-1804

Sir Robert Smirke the younger Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

Sir Robert Smirke the younger, 1781–1867, British

Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

1802-1804

Pieter de Jode II Ioannes Snellincx

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Ioannes Snellincx

ca. 1635

Paulus Pontius Aubertus Miræus

Print made by Paulus Pontius, 1603–1658, Flemish

Aubertus Miræus

ca. 1635

Paulus Pontius Henricus Steenwyck

Print made by Paulus Pontius, 1603–1658, Flemish

Henricus Steenwyck

ca. 1635

John Boydell Greenland Fishery

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Thomas Boydell A Small Breeze

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

John Boydell Morning

Print made by John Boydell, 1720–1804, British

Morning

1753

John Boydell Evening

Print made by John Boydell, 1720–1804, British

Evening

1755

John Boydell Noon

Print made by John Boydell, 1720–1804, British

Noon

1753