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Vanessa Bell Dahlias
Print made by Vanessa Bell, 1879–1961, British
Dahlias
1918
Robert Polhill Bevan Farmhouse with Children
Robert Polhill Bevan, 1865–1925, British
Farmhouse with Children
undated
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925, British
Ploughing the Hillside
ca. 1905
John Constable Sky Study with Rainbow
John Constable, 1776–1837, British
Sky Study with Rainbow
1827
John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837, British
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
John Constable Old Sarum at Noon
John Constable, 1776–1837, British
Old Sarum at Noon
1829
John Constable Salisbury Plain from Old Sarum
John Constable, 1776–1837, British
Salisbury Plain from Old Sarum
1829
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
George Stubbs A Lion [A Lion resting on a Rock]
George Stubbs, 1724–1806, British
A Lion [A Lion resting on a Rock]
1788
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806, British
A Tiger and a Sleeping Leopard
1788
George Stubbs A Prancing Horse, Facing Right
George Stubbs, 1724–1806, British
A Prancing Horse, Facing Right
ca. 1790
George Stubbs Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
1795 to 1806
George Stubbs Leopard Body, Lateral View
George Stubbs, 1724–1806, British
Leopard Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Recumbent, Viewed Ventrally
George Stubbs, 1724–1806, British
Tiger Body, Recumbent, Viewed Ventrally
1795 to 1806
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764, British
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764, British
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner On the Mosell, Near Traben Trarbach
Joseph Mallord William Turner, 1775–1851, British
On the Mosell, Near Traben Trarbach
ca. 1841
Joseph Mallord William Turner Sketch of Two Ships on a Catalogue Page
Joseph Mallord William Turner, 1775–1851, British
Sketch of Two Ships on a Catalogue Page
ca. 1823
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851, British
The Angler
1794
Joseph Mallord William Turner A Paddle-steamer in a Storm
Joseph Mallord William Turner, 1775–1851, British
A Paddle-steamer in a Storm
ca. 1841
Joseph Mallord William Turner Mountainous Landscape with Town in Valley
Joseph Mallord William Turner, 1775–1851, British
Mountainous Landscape with Town in Valley
ca. 1840
Joseph Mallord William Turner Lost to All Hope the Brig
Joseph Mallord William Turner, 1775–1851, British
Lost to All Hope the Brig
between 1845 and 1850
Joseph Mallord William Turner Tell's Chapel, Lake Lucerne
Joseph Mallord William Turner, 1775–1851, British
Tell's Chapel, Lake Lucerne
1841
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851, British
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851, British
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Edward Lear Calder Abbey, September 12. 1836
Edward Lear, 1812–1888, British
Calder Abbey, September 12. 1836
1836
Edward Lear A Ruined Tower House
Edward Lear, 1812–1888, British
A Ruined Tower House
1836
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888, British
Greek Woodcutter, June 13 /56
1856
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888, British
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
William Hogarth Crowns, Mitres, Maces, Etc.
Print made by William Hogarth, 1697–1764, British
Crowns, Mitres, Maces, Etc
1754
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827, British
Thomas Hayley (1780-1800)
1800
William Blake Jerusalem, Plate 10, "Into the Furnaces...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Jerusalem, Plate 42, "Thus Albion sat...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 42, "Thus Albion sat...."
1804 to 1820
William Blake Jerusalem, Plate 99, "All Human Forms identified...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 51
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
William Blake Jerusalem, Plate 52, "To the Deists...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 52, "To the Deists...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
1804 to 1820
William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 63, "Jehovah stood among the Druids...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 35, "Then the Divine hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 46, "Bath, mild Physician...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
William Blake Jerusalem, Plate 5, "The banks of the Thames...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
William Blake Jerusalem, Plate 7, "Was living: panting...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
Sir Robert Smirke the younger Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras
Sir Robert Smirke the younger, 1781–1867, British
Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras
1802-1804
Sir Robert Smirke the younger The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
Sir Robert Smirke the younger, 1781–1867, British
The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
1802-1804
Sir Robert Smirke the younger Arcadia
Sir Robert Smirke the younger, 1781–1867, British
Arcadia
1802-1804
Sir Robert Smirke the younger Temple at Phigalia
Sir Robert Smirke the younger, 1781–1867, British
Temple at Phigalia
1803
Sir Robert Smirke the younger Ancient Gateway in Ruins
Sir Robert Smirke the younger, 1781–1867, British
Ancient Gateway in Ruins
1802-1804
Sir Robert Smirke the younger Temple of Aphaea
Sir Robert Smirke the younger, 1781–1867, British
Temple of Aphaea
1802-1804
Sir Robert Smirke the younger Temple of Aphaea
Sir Robert Smirke the younger, 1781–1867, British
Temple of Aphaea
1802-1804
Sir Robert Smirke the younger A Tower Ruin, With Mount Parnasus in the Distance
Sir Robert Smirke the younger, 1781–1867, British
A Tower Ruin, With Mount Parnasus in the Distance
1802-1804
Sir Robert Smirke the younger The Ruins at the Temple of Aphaia
Sir Robert Smirke the younger, 1781–1867, British
The Ruins at the Temple of Aphaia
1802-1804
Sir Robert Smirke the younger Girgenti
Sir Robert Smirke the younger, 1781–1867, British
Girgenti
1802-1804
Sir Robert Smirke the younger Girgenti, in Sicily, to the South
Sir Robert Smirke the younger, 1781–1867, British
Girgenti, in Sicily, to the South
1802-1804