Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
5
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
6
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
7
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
8
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
12
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
13
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
14
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
15
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
16
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
17
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
18
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
19
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
20
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
21
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
22
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
23
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
24
Joseph Mallord William Turner, 1775–1851, British
Tours: Sunset: Looking Backwards
between 1826 and 1830
25
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
26
Edward Lear, 1812–1888, British
Vjose, 7:15 p.m. 17 April 1857
1857
27
Edward Lear, 1812–1888, British
Wady Halfeh
1867
28
Edward Lear, 1812–1888, British
Wady Halfeh
1867
29
Edward Lear, 1812–1888, British
Sketch studies of camels
January to April 1867
30
Edward Lear, 1812–1888, British
Garf Hassai, Malta
1866
31
Edward Lear, 1812–1888, British
Gebel Sheikh Eredi
1867
32
Edward Lear, 1812–1888, British
La Cava
1838
33
Edward Lear, 1812–1888, British
Lago di Como, Brienno?
1867
34
Edward Lear, 1812–1888, British
Near Khan Yunas
1867
35
Edward Lear, 1812–1888, British
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
36
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
37
Print made by William Hogarth, 1697–1764, British
Emerald Vessel
1723
38
George Romney, 1734–1802, British
Figure Composition Study 11
undated
39
George Romney, 1734–1802, British
Figure Composition Study 28
undated
40
George Romney, 1734–1802, British
Study of Leaves 2
undated
41
George Romney, 1734–1802, British
Figure Composition Study 36
undated
42
George Romney, 1734–1802, British
Study of Two Seated Figures
undated
43
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
44
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
45
George Romney, 1734–1802, British
Prison Scene
undated
46
George Romney, 1734–1802, British
Female Figure Kneeling on a Promontory, Waving
undated
47
George Romney, 1734–1802, British
Devils for the Temptation of Christ
undated
48
George Romney, 1734–1802, British
Two Figures: Probably for the Bath of Diana
undated
49
George Romney, 1734–1802, British
Women and Children
undated
50
George Romney, 1734–1802, British
Unidentified Subject: A Man with a Child
undated
51
George Romney, 1734–1802, British
Group of Figures, Possibly Women and Children Playing
undated
52
George Romney, 1734–1802, British
Couple Reading a Book
undated
53
George Romney, 1734–1802, British
Possibly a Crowd before a Prophetess
undated
54
George Romney, 1734–1802, British
Four Sketches of a Child at Play
undated
55
George Romney, 1734–1802, British
Figures
undated
56
George Romney, 1734–1802, British
Two Seated Figures
undated
57
George Romney, 1734–1802, British
Three Seated Figures and a Standing Figure
undated
58
George Romney, 1734–1802, British
Samson Overpowered
undated
59
George Romney, 1734–1802, British
Standing Figure with Arm Upraised and Seated Figure
undated
60
George Romney, 1734–1802, British
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
61
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
62
George Romney, 1734–1802, British
Howard Visiting a Prison
undated
63
George Romney, 1734–1802, British
Prison Scene
between 1749 and 1802
64
George Romney, 1734–1802, British
Prison Scene
between 1749 and 1802
65
George Romney, 1734–1802, British
Prison Scene
undated
66
George Romney, 1734–1802, British
Birth of Man
undated
67
George Romney, 1734–1802, British
The Temptation of Christ
undated
68
George Romney, 1734–1802, British
Fall of the Rebel Angels
undated
69
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
70
George Romney, 1734–1802, British
Satan Presiding over Hell
undated
71
George Romney, 1734–1802, British
Sketch for Howard Scene
undated
72
George Romney, 1734–1802, British
Prison Scene
undated
73
George Romney, 1734–1802, British
Loosely Described Figures
undated
74
George Romney, 1734–1802, British
Two Figures
undated
75
George Romney, 1734–1802, British
Possibly Seated Figure Pronouncing Judgement on a Kneeling Figure
undated
76
George Romney, 1734–1802, British
Seated Woman
undated
77
George Romney, 1734–1802, British
Group of Figures, with a Flying Figure Above
undated
78
George Romney, 1734–1802, British
Figure Composition Study 8
undated
79
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
80
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
81
William Blake, 1757–1827, British
Illustrations of The Book of Job, Title Page
1825
82
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
83
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
84
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
85
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
86
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
87
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
88
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
89
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
90
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
91
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
92
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
93
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
94
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
95
George Romney, 1734–1802, British
Sketch of a Landscape with Figures
undated
96
William Blake, 1757–1827, British
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
97
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
98
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
99
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
100
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'