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Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827, British
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
Thomas Stothard The Tenth Day of the Decameron
Thomas Stothard, 1755–1834, British
The Tenth Day of the Decameron
ca. 1825
Edward Goodall A Village – Evening
Print made by Edward Goodall, 1795–1870, British
A Village – Evening
1834
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870, British
The Gipsy
1834
William Finden A Wish
William Finden, 1787–1852, British
A Wish
1834
William Finden The Tear
William Finden, 1787–1852, British
The Tear
1834
William Finden The Mask
William Finden, 1787–1852, British
The Mask
1834
William Finden The Sailor
William Finden, 1787–1852, British
The Sailor
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
William Finden Shepherds
William Finden, 1787–1852, British
Shepherds
1834
William Finden The Swing
William Finden, 1787–1852, British
The Swing
1834
William Finden Lady Jane Grey
William Finden, 1787–1852, British
Lady Jane Grey
1834
William Finden An Alcove
William Finden, 1787–1852, British
An Alcove
1834
William Finden The Judgement Seat
William Finden, 1787–1852, British
The Judgement Seat
1834
William Finden Domestic Happiness
William Finden, 1787–1852, British
Domestic Happiness
1834
John Flaxman Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
Daniel Allen Travelling Monks
Print made by Daniel Allen, active 1830s, British
Travelling Monks
1830
Edward Goodall A Village – Evening
Print made by Edward Goodall, 1795–1870, British
A Village – Evening
1834
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870, British
The Gipsy
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870, British
Datur Hora Quieti
1833
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870, British
Caerlaverock Castle
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Edward Goodall A Village – Evening
Print made by Edward Goodall, 1795–1870, British
A Village – Evening
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878, British
Kelso
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Abington as Thalia
1783
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Sir Anthony Van Dyck William Cavendish, Duke of Newcastle
after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41)
William Cavendish, Duke of Newcastle
1836
Brown Title Page, Fables by John Gay
Print made by Brown, active 1793, British
Title Page, Fables by John Gay
1793
Lovegrove Fable I. The Lion, the Tiger, and the Traveller
Print made by Lovegrove, active 1793, British
Fable I. The Lion, the Tiger, and the Traveller
1793
Wilson Fable III. The Mother, the Nurse, and the Fairy
Print made by Wilson, active 1793, British
Fable III. The Mother, the Nurse, and the Fairy
1793
William Skelton Fable II. The Spaniel and the Cameleon
Print made by William Skelton, 1763–1848, British
Fable II. The Spaniel and the Cameleon
1793
W. Grainger Fable IV. The Eagle and the Assembly of Animals
Print made by W. Grainger, active 1793
Fable IV. The Eagle and the Assembly of Animals
1793
William Skelton Fable V. The Wild Boar and the Ram
Print made by William Skelton, 1763–1848, British
Fable V. The Wild Boar and the Ram
1793
W. Grainger Fable VII. The Lion, the Fox, and the Geese
Print made by W. Grainger, active 1793
Fable VII. The Lion, the Fox, and the Geese
1793
Lovegrove Fable VIII. The Lady and the Wasp
Print made by Lovegrove, active 1793, British
Fable VIII. The Lady and the Wasp
1793
W. Grainger Fable IX. The Bull and the Mastiff
Print made by W. Grainger, active 1793
Fable IX. The Bull and the Mastiff
1793
W. Grainger Fable XI. The Peacock, the Turkey, and the Goose
Print made by W. Grainger, active 1793
Fable XI. The Peacock, the Turkey, and the Goose
1793
Wilson Fable X. The Elephant and the Bookseller
Print made by Wilson, active 1793, British
Fable X. The Elephant and the Bookseller
1793
William Skelton Fable XII. Cupid, Hymen, and Plutus
Print made by William Skelton, 1763–1848, British
Fable XII. Cupid, Hymen, and Plutus
1793
William Skelton Fable XV. The Philosopher and the Pheasants
Print made by William Skelton, 1763–1848, British
Fable XV. The Philosopher and the Pheasants
1793
William Skelton Fable XVII. The Shepherd's Dog and the Wolf
Print made by William Skelton, 1763–1848, British
Fable XVII. The Shepherd's Dog and the Wolf
1793
Lovegrove Fable XIV. The Monkey Who Had Seen the World
Print made by Lovegrove, active 1793, British
Fable XIV. The Monkey Who Had Seen the World
1793
Wilson Fable XVIII. The Painter Who Pleased No Body and Every Body
Print made by Wilson, active 1793, British
Fable XVIII. The Painter Who Pleased No Body and Every Body
1793
Philip Audinet Fable XXV. The Scold and the Parrot
Print made by Philip Audinet, 1766–1837, British
Fable XXV. The Scold and the Parrot
1793
Wilson Fable XXVI. The Cur and the Mastiff
Print made by Wilson, active 1793, British
Fable XXVI. The Cur and the Mastiff
1793
William Skelton Fable XXVII. The Sick Man and the Angel
Print made by William Skelton, 1763–1848, British
Fable XXVII. The Sick Man and the Angel
1793
Thomas Cook Fable XXXIV. The Mastiffs
Print made by Thomas Cook, 1744–1818, British
Fable XXXIV. The Mastiffs
1793
W. Grainger Fable XXXV. The Barley-mow and the Dunghil
Print made by W. Grainger, active 1793
Fable XXXV. The Barley-mow and the Dunghil
1793
Thomas Cook Fable XLV. The Poet and the Rose
Print made by Thomas Cook, 1744–1818, British
Fable XLV. The Poet and the Rose
1793
W. Grainger Fable XLIII. The Council of Horses
Print made by W. Grainger, active 1793
Fable XLIII. The Council of Horses
1793
Peter Mazell Fable XLVII. The Court of Death
Print made by Peter Mazell, active 1761–1797, Irish
Fable XLVII. The Court of Death
1793
Wilson Fable XLVI. The Cur, the Horse, and the Shepherd's Dog
Print made by Wilson, active 1793, British
Fable XLVI. The Cur, the Horse, and the Shepherd's Dog
1793
John Hall Title Page, Vignette Portrait of John Gay
Print made by John Hall, 1739–1797, British
Title Page, Vignette Portrait of John Gay
1793
Lovegrove Fable XXXIX. The Man and the Flea
Print made by Lovegrove, active 1793, British
Fable XXXIX. The Man and the Flea
1793
William Skelton Fable II. The Vulture, the Sparrow, and Other Birds
Print made by William Skelton, 1763–1848, British
Fable II. The Vulture, the Sparrow, and Other Birds
1793
Peter Mazell Fable VI. The Squire and His Cur
Print made by Peter Mazell, active 1761–1797, Irish
Fable VI. The Squire and His Cur
1793
William C. Wilson Fable VIII. The Man, the Cat, the Dog, and the Fly
Print made by William C. Wilson, active 1798–1836
Fable VIII. The Man, the Cat, the Dog, and the Fly
1793
William Skelton Fable X. The Degenerate Bees
Print made by William Skelton, 1763–1848, British
Fable X. The Degenerate Bees
1793
William Skelton Fable XIV. The Owl, the Swan, the Cock, the Spider, the Ass, and the Farmer
Print made by William Skelton, 1763–1848, British
Fable XIV. The Owl, the Swan, the Cock, the Spider, the Ass, and the Farmer
1793
William C. Wilson Fable XIII. Plutus, Cupid, and Time
Print made by William C. Wilson, active 1798–1836
Fable XIII. Plutus, Cupid, and Time
1793
W. Grainger Fable XI. The Pack-Horse and the Carrier
Print made by W. Grainger, active 1793
Fable XI. The Pack-Horse and the Carrier
1793
Peter Mazell Fable IX. The Jackall, Leopard, and other Beasts
Print made by Peter Mazell, active 1761–1797, Irish
Fable IX. The Jackall, Leopard, and other Beasts
1793
W. Grainger Fable XV. The Cook-Maid, the Turnspit, and the Ox
Print made by W. Grainger, active 1793
Fable XV. The Cook-Maid, the Turnspit, and the Ox
1793
William Skelton Fable XXXII. The Two Owls and the Sparrow
Print made by William Skelton, 1763–1848, British
Fable XXXII. The Two Owls and the Sparrow
1793
William C. Wilson Frontispiece, Monument to John Gay
Print made by William C. Wilson, active 1798–1836
Frontispiece, Monument to John Gay
1793
William Skelton Fable XX. The Old Hen and the Cock
Print made by William Skelton, 1763–1848, British
Fable XX. The Old Hen and the Cock
1793
W. Grainger Fable XIX. The Lion and the Cub
Print made by W. Grainger, active 1793
Fable XIX. The Lion and the Cub
1793
Lovegrove Fable XXIII. The Old Woman and Her Cats
Print made by Lovegrove, active 1793, British
Fable XXIII. The Old Woman and Her Cats
1793
Wilson Fable XXI. The Rat-catcher and Cats
Print made by Wilson, active 1793, British
Fable XXI. The Rat-catcher and Cats
1793
W. Grainger Fable XXIX. The Fox at the Point of Death
Print made by W. Grainger, active 1793
Fable XXIX. The Fox at the Point of Death
1793
Philip Audinet Fable XXXI. The Universal Apparition
Print made by Philip Audinet, 1766–1837, British
Fable XXXI. The Universal Apparition
1793
Wilson Fable XXXIII. The Courtier and Proteus
Print made by Wilson, active 1793, British
Fable XXXIII. The Courtier and Proteus
1793
Wilson Fable XXXIX. The Father and Jupiter
Print made by Wilson, active 1793, British
Fable XXXIX. The Father and Jupiter
1793
William Skelton Fable XXXVIII. The Turkey and the Ant
Print made by William Skelton, 1763–1848, British
Fable XXXVIII. The Turkey and the Ant
1793
Peter Mazell Fable XXXVII. The Farmer's Wife and the Raven
Print made by Peter Mazell, active 1761–1797, Irish
Fable XXXVII. The Farmer's Wife and the Raven
1793
Philip Audinet Fable XLII. The Jugglers
Print made by Philip Audinet, 1766–1837, British
Fable XLII. The Jugglers
1793
Wilson Fable XL. The Two Monkeys
Print made by Wilson, active 1793, British
Fable XL. The Two Monkeys
1793
Peter Mazell Fable XXXVI. Pythagoras and the Countryman
Print made by Peter Mazell, active 1761–1797, Irish
Fable XXXVI. Pythagoras and the Countryman
1793