<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Period 19th century

Remove constraint Period: 19th century

Width [cm] 40

Remove constraint Width [cm]: 40

Search Results

Samuel Palmer Landscape Sketch
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Landscape Sketch
undated
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study for "The Shearers"
between 1833 and 1834
Samuel Palmer The Wayside Smithy
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Wayside Smithy
undated
Samuel Palmer Rustic Contentment
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Rustic Contentment
undated
Joseph Mallord William Turner Vesuvius in Eruption
Joseph Mallord William Turner, 1775–1851, British
Vesuvius in Eruption
between 1817 and 1820
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
between 1820 and 1826
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851, British
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Stonehenge at Daybreak
Engraved by Joseph Mallord William Turner, 1775–1851, British
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Ben Arthur, Scotland
Etched by Joseph Mallord William Turner, 1775–1851, British
Ben Arthur, Scotland
1819
Joseph Mallord William Turner Solway Moss
Etched by Joseph Mallord William Turner, 1775–1851, British
Solway Moss
1816
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851, British
Marine Dabblers
1811
Joseph Mallord William Turner Mt. St. Gothard
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888, British
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Sir Frank Short View of a Lake, Derwentwater
Print made by Sir Frank Short, 1857–1945, British
View of a Lake, Derwentwater
1891
Charles Turner The Little Cottager
Charles Turner, 1774–1857, British
The Little Cottager
1809
R. Martin Ancient View of the Greengate Street Stafford
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
James Bruce Measured sketches of arch at Assuras
James Bruce, 1730–1794, British
Measured sketches of arch at Assuras
undated
William Havell Pale Melancholy
William Havell, 1782–1857, British, active in India (1820–26)
Pale Melancholy
ca. 1804
Cornelius Varley Evening
Cornelius Varley, 1781–1873, British
Evening
1828
William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
Henry Le Keux Simmer Lake near Askrig
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
Sir George Howland Beaumont seventh Baronet Romantic Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Romantic Landscape
1803
John Le Keux Rome, from the Farnese Gardens
Print made by John Le Keux, 1783–1846, British
Rome, from the Farnese Gardens
1818-1820
W. R. Smith Amboise
Print made by W. R. Smith, active 1819–1851
Amboise
1833
Robert Brandard Rouen, looking up the river
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
James Miller Dandelion Farm, near Margate
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
William Wilkins Elevation of a Proposed Design for Cambridge Colleges
William Wilkins, 1778–1839, British
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
William Havell Landscape with figures
William Havell, 1782–1857, British, active in India (1820–26)
Landscape with figures
ca. 1804
Julius Caesar Ibbetson The Sailor's Farewell
Julius Caesar Ibbetson, 1759–1817, British
The Sailor's Farewell
1801
Harry John Johnson On the Shores of an Italian Lake
Harry John Johnson, 1826–1884, British
On the Shores of an Italian Lake
undated
William Henry Hunt The Building of Waterloo Bridge
William Henry Hunt, 1790–1864, British
The Building of Waterloo Bridge
ca. 1816
William Byrne Newbury from Speen Hill
Print made by William Byrne, 1743–1805, British
Newbury from Speen Hill
1805
William Byrne Wickham from the Marlow Road
Print made by William Byrne, 1743–1805, British
Wickham from the Marlow Road
1803
William Byrne Eton, from the Slough Road
Print made by William Byrne, 1743–1805, British
Eton, from the Slough Road
1803
William Byrne Abingdon from the Thames Navigation
Print made by William Byrne, 1743–1805, British
Abingdon from the Thames Navigation
1805
William Byrne Part of Chester Castle
Print made by William Byrne, 1743–1805, British
Part of Chester Castle
1810
John Frederick Tayler Stable Boy with Cart Horses
John Frederick Tayler, 1802–1889, British
Stable Boy with Cart Horses
undated
William Wilkins Elevation of a Proposed Design for Cambridge Colleges
William Wilkins, 1778–1839, British
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
William Henry Hunt A Farmhouse
William Henry Hunt, 1790–1864, British
A Farmhouse
ca. 1817
William Bernard Cooke Ilfracombe, North Devon
Print made by William Bernard Cooke, 1778–1855, British
Ilfracombe, North Devon
1818
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
Richard Principle Leitch Landscape with Ruined Castle on the Esk
Richard Principle Leitch, 1844–1875, British
Landscape with Ruined Castle on the Esk
1874
John Ruskin Mountain Landscape, Macugnaga
John Ruskin, 1819–1900, British
Mountain Landscape, Macugnaga
1845
Thomas Rowlandson Newbury Market Place, Berkshire
Thomas Rowlandson, 1756–1827, British
Newbury Market Place, Berkshire
between 1815 and 1820
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887, British
Sir Thomas Lawrence P. R. A
1830
Robert Havell A pair: 2. The Oxford and Oppostion Coaches.
Robert Havell, 1769–1832, British
A pair: 2. The Oxford and Oppostion Coaches
1818
Henry Edridge View of Eton from Windsor Castle
Henry Edridge, 1769–1821, British
View of Eton from Windsor Castle
1806
Samuel Atkins Shakespeare Cliff, Dover
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Shakespeare Cliff, Dover
ca. 1800
James Baylis Allen Caudebec
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
David Cox Landscape with a Man Washing His Feet at a Fountain, after Poussin
David Cox, 1783–1859, British
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
Robert MacPherson Palace, Church, and Baptistery of the Lateran
Robert MacPherson, 1814–1872, British
Palace, Church, and Baptistery of the Lateran
ca. 1860
James McNeill Whistler The Storm
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Storm
1861
James Pollard Partridge Shooting
James Pollard, 1792–1867, British
Partridge Shooting
undated
James Pollard Grouse Shooting
James Pollard, 1792–1867, British
Grouse Shooting
undated
Charles Jameson Grant The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
Print made by Charles Jameson Grant, active 1830–1852, British
The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
1833
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
George Hunt Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
George Hunt Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
George Hunt Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
George Hunt Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
George Hunt Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
George Hunt Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
George Hunt The Toast
George Hunt, active 1820–1840, British
The Toast
1824
Charles Cousen Abingdon
Print made by Charles Cousen, ca. 1819–1889, British
Abingdon
between 1859 and 1861
James Charles Armytage Approach to Venice
James Charles Armytage, 1802–1897, British
Approach to Venice
between 1859 and 1861
John West Giles Man Leading a Horse in Front of a Stable
Possibly John West Giles, (record as 'J Giles'), active 1827–1865
Man Leading a Horse in Front of a Stable
1827
John Buckler FSA North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
John Buckler FSA, 1770–1851, British
North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
1823
Isaac Mendes Belisario Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
Isaac Mendes Belisario, 1795–1849
Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
1835
Conrad Martin Metz Christ the Judge and Saints John the Baptist and Abel
Conrad Martin Metz, 1749–1827, German
Christ the Judge and Saints John the Baptist and Abel
1801
Hablot Knight Browne "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Hablot Knight Browne, 1815–1882, British
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882, British
"You're Not Going to Follow, Belle, Are You?"
undated
John Buckler FSA South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.
John Buckler FSA, 1770–1851, British
South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr
1810
John Buckler FSA South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton
John Buckler FSA, 1770–1851, British
South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton
1811
John Buckler FSA North view of Longford Castle, lately erected
John Buckler FSA, 1770–1851, British
North view of Longford Castle, lately erected
1811
Joseph Josiah Dodd View of Tonbridge During the Late Election
Joseph Josiah Dodd, 1809–1894, British
View of Tonbridge During the Late Election
after 1832
James T. Willmore Montjen
Print made by James T. Willmore, 1800–1863, British
Montjen
1833
Robert Brandard Graville
Print made by Robert Brandard, 1805–1862, British
Graville
1834
R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
R.C. Roffe A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Print made by R.C. Roffe, active in London 1806–1835, British
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
George Hunt Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
George Hunt, active 1820–1840, British
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
unknown artist The Viaduct
unknown artist, nineteenth century
The Viaduct
undated
David Cox Jr. Group Seated in Grounds of a Large House
David Cox Jr., 1809–1885, British
Group Seated in Grounds of a Large House
between 1840 and 1849
R. Stirzaker Landscape with Town and Beyond River, Castle on Hill in Distance
R. Stirzaker
Landscape with Town and Beyond River, Castle on Hill in Distance
undated
unknown artist Kowloon China, looking towards Hong Kong Island
unknown artist
Kowloon China, looking towards Hong Kong Island
undated
David Cox Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
David Cox, 1783–1859, British
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813