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Period 19th century

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Joseph Mallord William Turner Tours: Sunset: Looking Backwards
Joseph Mallord William Turner, 1775–1851, British
Tours: Sunset: Looking Backwards
between 1826 and 1830
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
Edward Lear Vjose, 7:15 p.m. 17 April 1857
Edward Lear, 1812–1888, British
Vjose, 7:15 p.m. 17 April 1857
1857
Edward Lear Wady Halfeh
Edward Lear, 1812–1888, British
Wady Halfeh
1867
Edward Lear Wady Halfeh
Edward Lear, 1812–1888, British
Wady Halfeh
1867
Edward Lear Sketch studies of camels
Edward Lear, 1812–1888, British
Sketch studies of camels
January to April 1867
Edward Lear Garf Hassai, Malta
Edward Lear, 1812–1888, British
Garf Hassai, Malta
1866
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888, British
Gebel Sheikh Eredi
1867
Edward Lear La Cava
Edward Lear, 1812–1888, British
La Cava
1838
Edward Lear Lago di Como, Brienno?
Edward Lear, 1812–1888, British
Lago di Como, Brienno?
1867
Edward Lear Near Khan Yunas
Edward Lear, 1812–1888, British
Near Khan Yunas
1867
Edward Lear Near El Areesh, 3:30 pm, 30 March 1867 (27)
Edward Lear, 1812–1888, British
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
William Blake Illustrations of The Book of Job, Title Page
William Blake, 1757–1827, British
Illustrations of The Book of Job, Title Page
1825
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
Sir Robert Smirke the younger The Fort of Zakynthos, Greece
Sir Robert Smirke the younger, 1781–1867, British
The Fort of Zakynthos, Greece
1802-1804
Sir Robert Smirke the younger Suburbs of Corfu
Sir Robert Smirke the younger, 1781–1867, British
Suburbs of Corfu
1802-1804
Sir Robert Smirke the younger Inscriptions in Greek Alphabet
Sir Robert Smirke the younger, 1781–1867, British
Inscriptions in Greek Alphabet
1802-1804
Sir Robert Smirke the younger Palazzo di Vicenza
Sir Robert Smirke the younger, 1781–1867, British
Palazzo di Vicenza
1802-1804
Sir Robert Smirke the younger View of Vienna from the Gardens of Schonbrunn
Sir Robert Smirke the younger, 1781–1867, British
View of Vienna from the Gardens of Schonbrunn
1802-1804
Sir Robert Smirke the younger A Cow House, Attached to a Villa Near Dresden
Sir Robert Smirke the younger, 1781–1867, British
A Cow House, Attached to a Villa Near Dresden
1802-1804
Sir Robert Smirke the younger A Villa Near Potsdam
Sir Robert Smirke the younger, 1781–1867, British
A Villa Near Potsdam
1802-1804
Sir Robert Smirke the younger One of the Entrances to Potsdam
Sir Robert Smirke the younger, 1781–1867, British
One of the Entrances to Potsdam
1804
Sir Robert Smirke the younger Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden.
Sir Robert Smirke the younger, 1781–1867, British
Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden
1802-1804
Sir Robert Smirke the younger Sketch of a Tombstone
Sir Robert Smirke the younger, 1781–1867, British
Sketch of a Tombstone
1802-1804
Sir Robert Smirke the younger Sketch of a Sculpture of the Face of a Mythical Creature
Sir Robert Smirke the younger, 1781–1867, British
Sketch of a Sculpture of the Face of a Mythical Creature
1802-1804
Sir Robert Smirke the younger Study of a Chandelier
Sir Robert Smirke the younger, 1781–1867, British
Study of a Chandelier
1802-1804
Capt. Thomas Hastings Above West Cowes, 8 February 1826
Capt. Thomas Hastings, 1778–1854, British
Above West Cowes, 8 February 1826
1826
Capt. Thomas Hastings Near Saint Lawrence, 14 January 1826
Capt. Thomas Hastings, 1778–1854, British
Near Saint Lawrence, 14 January 1826
1826
Capt. Thomas Hastings Near West Cowes
Capt. Thomas Hastings, 1778–1854, British
Near West Cowes
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Large Tree and a Cottage
Capt. Thomas Hastings, 1778–1854, British
Sketch of a Large Tree and a Cottage
between 1826 and 1830
Capt. Thomas Hastings Appuldurcombe, Isle of Wight, 29 December 1826
Capt. Thomas Hastings, 1778–1854, British
Appuldurcombe, Isle of Wight, 29 December 1826
1826
Capt. Thomas Hastings Lord Henry Seymour's from West Cowes
Capt. Thomas Hastings, 1778–1854, British
Lord Henry Seymour's from West Cowes
1825
Capt. Thomas Hastings In Godshill, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
In Godshill, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings On the Parade, West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
On the Parade, West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Group of People
Capt. Thomas Hastings, 1778–1854, British
Sketch of a Group of People
between 1826 and 1830
Capt. Thomas Hastings Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
Capt. Thomas Hastings, 1778–1854, British
Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
1814
Capt. Thomas Hastings By Captain Landon's Cottage near Cheshunt, 21 May 1814
Capt. Thomas Hastings, 1778–1854, British
By Captain Landon's Cottage near Cheshunt, 21 May 1814
1814
Capt. Thomas Hastings Mayo's Island, Cheshunt, 23 May 1814
Capt. Thomas Hastings, 1778–1854, British
Mayo's Island, Cheshunt, 23 May 1814
1814
Capt. Thomas Hastings Cheshunt Church, 23 May 1814
Capt. Thomas Hastings, 1778–1854, British
Cheshunt Church, 23 May 1814
1814
Capt. Thomas Hastings View of Mayo's Island, Cheshunt, 23 May 1814
Capt. Thomas Hastings, 1778–1854, British
View of Mayo's Island, Cheshunt, 23 May 1814
1814
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890, British
Morning Prayer
1844
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857, British
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
Sir Frank Short Monnikendam
Sir Frank Short, 1857–1945, British
Monnikendam
1892
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874, British
Street Scene at Stratford by Bow
undated
unknown artist View of Verona
unknown artist
View of Verona
undated
John Gendall A Georgian House
John Gendall, 1790–1865, British
A Georgian House
undated
Thomas Hollis Westminster Bridge from the Lambeth Shore
Thomas Hollis, 1818–1843, British
Westminster Bridge from the Lambeth Shore
1835
William Bell Scott The New Moon
William Bell Scott, 1811–1890, British
The New Moon
1863
unknown artist A Farm with Farmer and His Horse and Plow in the Foreground
unknown artist
A Farm with Farmer and His Horse and Plow in the Foreground
between 1826 and 1866
unknown artist The Maison Dieu, Dover
unknown artist
The Maison Dieu, Dover
between 1826 and 1866
William James Muller A Castle Above an Estuary
William James Muller, 1812–1845, British
A Castle Above an Estuary
ca. 1831
William Mulready The Fight Interrupted
William Mulready, 1786–1863, Irish
The Fight Interrupted
undated
David Charles Read Landscape with two figures beside an old building
David Charles Read, 1790–1851, British
Landscape with two figures beside an old building
undated
B. R. Davies Mount Blanc
Print made by B. R. Davies, active ca. 1833, British
Mount Blanc
1828
Edward Francis Finden Bolton Abbey, Wharfdale
Print made by Edward Francis Finden, 1791–1857, British
Bolton Abbey, Wharfdale
1826
Josiah Henshall The Forum Romanum
Print made by Josiah Henshall, 1806–1869, British
The Forum Romanum
1830
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated