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Credit Line Yale Center for British Art, Paul Mellon Collection

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Henry Thomas Alken Scenes from a steeplechase: Taking a Hedge
Henry Thomas Alken, 1785–1851, British
Scenes from a steeplechase: Taking a Hedge
ca. 1845
Not on view
Neil Cawthorne Last Run of the Day: The Quorn
Neil Cawthorne, 1936–1978, British
Last Run of the Day: The Quorn
ca. 1975
Not on view
John Ferneley Archery Meeting in Bradgate Park, Leicestershire
John Ferneley, 1782–1860, British
Archery Meeting in Bradgate Park, Leicestershire
1850
Not on view
William Frederick Witherington Mid-Day Rest, Harvest
William Frederick Witherington, 1785–1865, British
Mid-Day Rest, Harvest
ca. 1840
Not on view
Jacques-Laurent Agasse A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
early 19th century
Not on view
Henry Thomas Alken Scenes From a Steeplechase: Another Hedge
Henry Thomas Alken, 1785–1851, British
Scenes From a Steeplechase: Another Hedge
ca. 1845
Not on view
Robert Burnard John Gubbins Newton and His Sister, Mary Newton
Robert Burnard, 1800–1876, British
John Gubbins Newton and His Sister, Mary Newton
ca. 1833
Not on view
Peter Biegel A Fox on the Run - Gidding Windmill in the Distance
Peter Biegel, 1913–1988, British
A Fox on the Run - Gidding Windmill in the Distance
20th century
Not on view
John Constable Sky Study with Rainbow
John Constable, 1776–1837, British
Sky Study with Rainbow
1827
John Constable Stoke Poges Church
John Constable, 1776–1837, British
Stoke Poges Church
1834
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bright Cloud
undated
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Kensington Gardens
ca. 1848
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851, British
The Moselle Bridge, Coblenz
ca. 1842
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851, British
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Edward Lear A View of the Harbour at Cannes
Edward Lear, 1812–1888, British
A View of the Harbour at Cannes
1869
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888, British
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888, British
Tollygunge, Calcutta
undated
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888, British
A View of the Pine Woods Above Cannes
1869
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear View near Palermo
Edward Lear, 1812–1888, British
View near Palermo
1847
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888, British
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888, British
Wied Zurrik (Malta)
1848
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888, British
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
George Romney Study of a Clouded Moonlit Sky
George Romney, 1734–1802, British
Study of a Clouded Moonlit Sky
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802, British
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 5, "The banks of the Thames...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
William Blake Jerusalem, Plate 65, "To decide Two Worlds...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 65, "To decide Two Worlds...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Air; Plate 6
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
William Callow The Seine at St. Cloud
William Callow, 1812–1908, British, active in France
The Seine at St. Cloud
undated
William Callow Notre Dame, Paris
William Callow, 1812–1908, British, active in France
Notre Dame, Paris
1835
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874, British
Street Scene at Stratford by Bow
undated
Thomas Shotter Boys Fountain in the Gardens, Paris: Evening
Thomas Shotter Boys, 1803–1874, British
Fountain in the Gardens, Paris: Evening
undated
Samuel Davis View in St. Helena
Samuel Davis, 1760–1819, British
View in St. Helena
1806
James Holland Evening Sky on the Coast
James Holland, 1799–1870, British
Evening Sky on the Coast
between 1859 and 1861
James Duffield Harding Naples from the Strada Nouva, Nov.26, 1830
James Duffield Harding, 1798–1863, British
Naples from the Strada Nouva, Nov.26, 1830
1830
James Duffield Harding French Coast Scene with Fisherboy
James Duffield Harding, 1798–1863, British
French Coast Scene with Fisherboy
1829
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863, British
The Grand Canal, Venice
1835