Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: monument

Robert Polhill Bevan, 1865–1925, British

Aldwych

1924

Not on view

Robert Smith, 1787–1873, British

Inside the Main Entrance of the Purana Qila, Delhi

1823

Not on view

Robert Smith, 1787–1873, British

The Kila Kona Masjid, Purana Qila, Delhi

ca. 1823

Not on view

John Inigo Richards, 1730/31?–1810, British

Castel Sant'Angelo, Rome

1776

Not on view

unknown artist, nineteenth century

Sunny Landscape with Trees and Monument on a Hill

ca. 1830

Not on view

Francis Swain Ward, ca. 1734–1794, British

Mausoleum at Outatori near Trichinopoly

ca. 1788

Not on view

Francis Swain Ward, ca. 1734–1794, British

Mausoleum with Stone Elephants

1788

Not on view

Unknown artist, seventeenth century

Frost Fair on the Thames, with Old London Bridge in the distance

1684

Not on view

Canaletto, 1697–1768, Venetian, active in Britain (1746–55)

Westminster Bridge, with the Lord Mayor's Procession on the Thames

1747

Not on view

Frederick Nash, 1782–1856, British

The Monument and London Bridge

ca. 1825

Not on view

unknown artist

Stonehenge at Sunset

1836

Not on view

George Henry Laporte, 1799–1873, British

Grey Arabian mare and foal, with a family

ca. 1835

Not on view

George Henry Laporte, 1799–1873, British

Mameluke purchasing an Arabian stallion

ca. 1835

Not on view

Thomas Creswick, 1811–1869, British

Waterloo

ca. 1838

Not on view

Thomas Luny, 1759–1837, British

The Port of London

1798

Not on view

Samuel Collings, active 1784–1795, British

Frost on the Thames

1788 to 1789

Not on view

William Anderson, 1757–1837, British

London Bridge, with St. Paul's Cathedral in the distance

1815

Not on view

Pieter Angillis, 1685–1734, Flemish, active in Britain (from ca. 1715)

Covent Garden

ca. 1726

Not on view

Thomas Daniell, 1749–1840, British, active in India

Pinnace sailing down the Ganges past Monghyr Fort

ca. 1791

Not on view

Daniel Turner, active 1782–1805, British

A View of London Bridge

early 19th century

Not on view

Benjamin West, 1738–1820, American, active in Britain (from 1763)

The Apotheosis of Nelson

1807

Not on view

John Ferneley, 1782–1860, British

William Massey-Stanley driving his Cabriolet in Hyde Park

1833

Not on view

Edward Lear, 1812–1888, British

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867

William Blake, 1757–1827, British

A Visionary Head

1819 to 1820

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

Giovanni Battista Borra, 1713–1770, Italian

Sepolcro di Zagaria

ca. 1750

Print made by Samuel Buck, 1696–1779, British

Bristol High Cross

1734

Print made by John Sell Cotman, 1782–1842, British

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

James Lambert of Lewes, 1725–1788, British

The Monument of Thomas Fiennes

undated

Simon Watts, active 1812

The Monument of Lady Legh from Fulham Church

undated

William Pars, 1742–1782, British

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Charles Heathcote Tatham, 1772–1842, British

Design for a Naval Monument: Elevation

1799

Lewis Vulliamy, 1791–1871, British

Design for a Monument

undated

William Henry Hunt, 1790–1864, British

The Essex Chantry, Watford Church

ca. 1820

Charles Manning, 1776–1812

Design for Monument to Captain Hardinge

1810

Lewis Vulliamy, 1791–1871, British

Variant Designs for the Somerset Monument: Elevation

undated

Benjamin West, 1738–1820, American, active in Britain (from 1763)

A Project for the Monument of the Apotheosis of Nelson

1806

George Vertue, 1684–1756, British

The Monument in Westminster Abbey of King Henry V

between 1699-1756

Claude Du Bosc, c.1711–1740

The Monument of King Edward III in Westminster Abbey

undated, ca. 1726-1740

Thomas Shotter Boys, 1803–1874, British

The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

1832

George Belton Moore, 1805–1875, British

A Proposed plan for Trafalgar Square

1841

Agostino Aglio the elder, 1777–1857, Italian, active in Britain

An Imaginary Design for a Monument to Lord Nelson

1805

Thomas Girtin, 1775–1802, British

View of the Pantheon from the Arsenal

1802

Charles Heathcote Tatham, 1772–1842, British

Final Design for a Naval Monument: Plan and Elevation

1799

William Simpson, 1823–1899, British

Dust Storm Coming On, near Jeypore, Rajpootana

1863

Augustine Aglio the younger, 1816–1885, British

Flounder's Monument From the Race Course, Ludlow

undated

Godfrey Thomas Vigne, 1801–1863, British

Oruro, Bolivia

1855

John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)

Design for a Monument to Sir James Reade, Hatfield

undated

John Varley, 1778–1842, British

View of New Street, near London Bridge

undated

Print made by Joseph Powell, 1780–1834, British

Winchester Cross

1800

Print made by Joseph Powell, 1780–1834, British

Winchester Cross

1800

Print made by James T. Willmore, 1800–1863, British

The Lanterne of St. Cloud

1835

unknown artist, nineteenth century

King Charles's Statue, Whitehall

ca. 1815

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

John Skippe, 1741–1812, British

Tall Monument at a Roadside

undated

Sir William Chambers, 1723–1796, British

Monument to Shakespeare

ca. 1763

John Flaxman, 1755–1826, British

Study for a Monument to the Reverend John Clowes

ca. 1820

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Royal Monument

undated

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

Charles Heathcote Tatham, 1772–1842, British

Design for a Naval Monument: Elevation

1799

Nathaniel Parr The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

Nathaniel Parr, active 1742–1751, British

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women

undated

George Bickham the Younger, ca. 1706–1771, British

A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

Charles Heathcote Tatham, 1772–1842, British

Design for a Naval Monument: Elevation

1799

Charles Heathcote Tatham, 1772–1842, British

Design for a Naval Monument: Elevation

1799

Charles Heathcote Tatham, 1772–1842, British

Design for a Naval Monument: Elevation

1799

Print made by James T. Willmore, 1800–1863, British

The Lanterne of St. Cloud

1835

Print made by James T. Willmore, 1800–1863, British

The Lanterne of St. Cloud

1835

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

1783

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

unknown artist

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory