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Thomas Luny, 1759–1837, British, The Port of London, 1798
- Title:
The Port of London
- Date:
- 1798
- Medium:
- Oil on canvas
- Dimensions:
- 21 3/4 x 33 7/8 inches (55.2 x 86 cm)
- Inscription(s)/Marks/Lettering:
Signed and dated in black paint, lower left: "Luny | 1798."
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1976.7.130
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1976.7.130FR
- Subject Terms:
- barrels | boats | bridge (built work) | buildings | cityscape | costume | cutters (sailing vessels) | dome | full-rigged ships | masts | men | merchantmen | monument | port | river | rowboats | sailboats | ships | sloops (sailing vessels) | steeples
- Associated Places:
- England | Europe | London | Thames | United Kingdom
- Access:
- Not on view
Note: To make an appointment to see this work, please contact the Paintings and Sculpture department at ycba.paintings@yale.edu. Please visit the Paintings and Sculpture collections page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:350
- Export:
- XML
- IIIF Manifest:
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Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 152-153, N590.2 A83 (YCBA) [YCBA]
Markman Ellis, River and Labour in Samuel Scott's Thames Views in the Mid-Eighteenth Century, London Journal, vol. 37, November 2012, p. 157, fig. 2, Available online : ORBIS (in Taylor $ Francis Online) [ORBIS]
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