<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms man

Remove constraint Subject Terms: man

Search Results

William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851, British
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
George Romney The Bath of Bath-sheba
George Romney, 1734–1802, British
The Bath of Bath-sheba
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802, British
Study of the Head of a Young Man
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802, British
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827, British
A Visionary Head
1819 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Paulus Pontius Aubertus Miræus
Print made by Paulus Pontius, 1603–1658, Flemish
Aubertus Miræus
ca. 1635
Paulus Pontius Petrus Paulus Rubbens
Print made by Paulus Pontius, 1603–1658, Flemish
Petrus Paulus Rubbens
ca. 1635
Paulus Pontius Cæsar Alexander Scaglia
Print made by Paulus Pontius, 1603–1658, Flemish
Cæsar Alexander Scaglia
ca. 1635
Paulus Pontius Cæsar Alexander Scaglia
Print made by Paulus Pontius, 1603–1658, Flemish
Cæsar Alexander Scaglia
ca. 1635
James Hakewill Holland Estate, St. Thomas in the East, View from the Change of Air House
James Hakewill, 1778–1843, British
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
Charles Grignion A Macarony at a Sale of Pictures
Charles Grignion, 1717–1810, British
A Macarony at a Sale of Pictures
1771
William Bromley Portrait of Fuseli
Print made by William Bromley, 1769–1842, British
Portrait of Fuseli
undated
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
James Bretherton Every Sous Begad!
Print made by James Bretherton, ca. 1730–1806, British
Every Sous Begad!
1799
James Bretherton The Fish-Street Macaroni
Print made by James Bretherton, ca. 1730–1806, British
The Fish-Street Macaroni
1772
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806, British
Inimitable Mr. James Moss
1773
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821, British
Road Scene, Trowse Hall, near Norwich
1813
John Sell Cotman Spanish Student
Print made by John Sell Cotman, 1782–1842, British
Spanish Student
ca. 1830
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815, British
Cottage at Diss
1811
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
Robert Dixon Remains of the Priory, Beeston Regis
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
John Browne Morning
Print made by John Browne, 1741–1801, British
Morning
ca. 1797
James Bretherton The Full Blown Macaroni
Print made by James Bretherton, ca. 1730–1806, British
The Full Blown Macaroni
1772
James Bretherton A Modern Spread Eagle
Print made by James Bretherton, ca. 1730–1806, British
A Modern Spread Eagle
1782
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
James Bretherton Monsieur Le Fouet, La Francia
Print made by James Bretherton, ca. 1730–1806, British
Monsieur Le Fouet, La Francia
1772
James Bretherton Man with a Walking Stick in a Landscape
Print made by James Bretherton, ca. 1730–1806, British
Man with a Walking Stick in a Landscape
1773
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Inglese
1772
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873, British
Procris and Cephalus
1864
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
Robert Dixon Beeston Priory, Beeston Regis
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
John Dixon Mr. John Joshua Kirby
John Dixon, ca. 1740–1811, Irish
Mr. John Joshua Kirby
between 1765 and 1771
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
John Goldar Captain Conquest and His Baggage Wagon
Print made by John Goldar, 1729–1795, British
Captain Conquest and His Baggage Wagon
1772
James Caldwall A Macarony Alderman and His Rib
Print made by James Caldwall, 1739–1819, British
A Macarony Alderman and His Rib
1772
Thomas Frye Portrait of a Man Wearing Turban
Print made by Thomas Frye, 1710–1762, Irish
Portrait of a Man Wearing Turban
1760