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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms hills

Classification Prints

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925, British

The Meet

1898-1899

Robert Polhill Bevan Found!

Print made by Robert Polhill Bevan, 1865–1925, British

Found!

1898-1899

Robert Polhill Bevan The Flying Pack

Print made by Robert Polhill Bevan, 1865–1925, British

The Flying Pack

1898-1899

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Samuel Palmer The Skylark

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Samuel Palmer The Skylark

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Joseph Mallord William Turner Hind Head Hill

Etched by Joseph Mallord William Turner, 1775–1851, British

Hind Head Hill

1811

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

1804 to 1820

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

1789

William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

1794

Thomas Boydell A Small Breeze

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

John Browne After Sun-Set

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

John Sell Cotman Cader Idris

Print made by John Sell Cotman, 1782–1842, British

Cader Idris

between 1824 and 1830

Miles Edmund Cotman Study of Trees on the Banks of the Yare

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

John Browne Morning

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

James Bretherton Man with a Walking Stick in a Landscape

Print made by James Bretherton, ca. 1730–1806, British

Man with a Walking Stick in a Landscape

1773

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

John Grant Royal Horse Artillery, 1843

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

François M. la Cave The Foundlings

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

William Finden The Drachenfels

Print made by William Finden, 1787–1852, British

The Drachenfels

1833

Robert Wallis Coteaux de Mauves

Print made by Robert Wallis, 1794–1878, British

Coteaux de Mauves

1831

Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Thomas Girtin, 1775–1802, British

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

William Byrne The Ruins of the College of Lincluden

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

John Horsburgh Ashestiel

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Day & Co. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Print made by Day & Co., 1824–1913, British

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

William Finden The Drachenfels

Print made by William Finden, 1787–1852, British

The Drachenfels

1832-1834

unknown artist The Prospect of their Majesties Castle of Sterling

unknown artist

The Prospect of their Majesties Castle of Sterling

unknown artist The Prospect of the Town of Dumblane

unknown artist

The Prospect of the Town of Dumblane

Giles King A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

Giles King, active 1732–1746

A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

James Mason A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

James Mason, 1710–1783, British

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Thomas Bowles A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Thomas Bowles, ca. 1712–died 1753, British

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

between 1780 and 1815

J. Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

J. Couse, active 1750

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

Thomas Bowles A View of Florence from the Convent of Capuchins at Montugi

Thomas Bowles, ca. 1712–died 1753, British

A View of Florence from the Convent of Capuchins at Montugi

undated

Pierre Charles Canot A View from one Tree-Hill in Greenwich Park

Pierre Charles Canot, ca. 1710–1777, French, active in Britain

A View from one Tree-Hill in Greenwich Park

Matthew Dubourg Grouse Shooting

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Matthew Dubourg Partridge Shooting

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

unknown artist The Prospect of the Town of Dunkeld

unknown artist

The Prospect of the Town of Dunkeld

unknown artist A View of the City of Oporto

unknown artist

A View of the City of Oporto

between 1780 and 1815

Thomas Bowles A Perspective View of the City of Naples

Thomas Bowles, ca. 1712–died 1753, British

A Perspective View of the City of Naples

undated

William Finden The Drachenfels

Print made by William Finden, 1787–1852, British

The Drachenfels

1833

John Horsburgh Ashestiel

Print made by John Horsburgh, 1791–1869, British

Ashestiel

William Richardson Ashestiel

Print made by William Richardson, active 1842–1877, British

Ashestiel

1835

Pierre Audouin Angelica Kauffman

Print made by Pierre Audouin, 1768–1822, French

Angelica Kauffman

undated

Esme de Boulonois Antonius Morus Ultraiectinus Pictor

Print made by Esme de Boulonois, active 1645–1681, French

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

Robert Pollard View of Queen Square

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Robert Wallis Coteaux de Mauves

Print made by Robert Wallis, 1794–1878, British

Coteaux de Mauves

1831

Robert Wallis Coteaux de Mauves

Print made by Robert Wallis, 1794–1878, British

Coteaux de Mauves

1831

Robert Wallis Coteaux de Mauves

Print made by Robert Wallis, 1794–1878, British

Coteaux de Mauves

1831

John Horsburgh Ashestiel

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

1783

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

unknown artist The Expedition against Cape Breton in Nova Scotia

unknown artist

The Expedition against Cape Breton in Nova Scotia

Remi Parr The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Print made by Remi Parr, active 1723–1750, British

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

unknown artist West View of the City of Edinburgh

unknown artist

West View of the City of Edinburgh

ca. 1765

unknown artist The Prospect of ye Town of Perth

unknown artist

The Prospect of ye Town of Perth

unknown artist The Prospect of ye Town of Dundee

unknown artist

The Prospect of ye Town of Dundee

unknown artist The Prospect of the Town of St. Andrews

unknown artist

The Prospect of the Town of St. Andrews

unknown artist A General View of the City of Madrid, the Capital of Kingdom of Spain

unknown artist

A General View of the City of Madrid, the Capital of Kingdom of Spain

Robert Wallis Lake Albano

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822, British

Sensibility

1789

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822, British

Sensibility

1789

George Richmond The Shepherd

Print made by George Richmond, 1809–1896, British

The Shepherd

1827

William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

William Dickinson, 1746–1823, British

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

1774

Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Print made by Matthew Dubourg, active 1786–1838, British

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815