Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: birds / Classification: Prints

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

William Blake, 1757–1827, British

Illustrations of Imitation of Eclogue I, Page 17

1821

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

1794

William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by James Clark, 19th century

Cowdray Ruins

1824

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

1847

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Pheasant Shooting

1822

Print made by Alfred Henry Forrester, 1804–1872, British

Why... Because..

undated

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Edward Fisher, 1722–1785, British

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

1762

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by unknown artist, ( J. Fagan )

St. Vincent's Rocks, Clifton (Hotwell House and Baths)

ca. 1840

Print made by Henry William Bunbury, 1750–1811, British

The Judgement of Paris

1771

James Duffield Harding, 1798–1863, British

Château Vilain sur la Riviere Dain, Franche Comte

undated

Print made by Edward Calvert, 1799–1883, British

The Lady and the Rooks

1829

Print made by Richard Ansdell, 1815–1885, British

The Sentinel

1857

Print made by unknown artist, (G., T. W.)

A Maiden Lady and her Family

between 1820 and 1840

Louis Haghe, 1806–1885, British

Thornbury Castle, Gloucestershire

between 1823 and 1835

Robert Havell, 1769–1832, British

Clifton Spring and Woods near Maidenhead

1818

J. Hill, active 19th century

A Frigate in a Calm

1811

J. Hill, active 19th century

A Seventy-four in a Fresh Gale

1811

J. Hill, active 19th century

A Sloop of War in a Light Breeze

1811

J. Hill, active 19th century

A First Rate after a Storm

1811

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

Sir Francis Seymour Haden, 1818–1910, British

Cowdray

1882

Print made by John Condé, 1765–1794, French, active in Britain

Mrs. Fitzherbert

1792

Louisa Augusta Greville, 1743–active 1762, British

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

Louis Haghe, 1806–1885, British

Newstead Abbey, The Seat of the Late Lord Byron

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Richard Parkes Bonington, 1802–1828, British

Ancienne Porte a Stirling

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Brackline

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828, British

Façade de l'Eglise de Brou

1825

Print made by Richard Parkes Bonington, 1802–1828, British

Glenfinlas

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

Print made by Richard Parkes Bonington, 1802–1828, British

Tour aux Archives a Vernon

1824

Print made by unknown artist, ( related to Thomas Bewick material )

Illustrations used for 17th Century Chapbook

1909

Print made by Richard Ansdell, 1815–1885, British

Sleepest or Wakest Thou?

ca. 1853

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Henry Heath, active 1824–1835, British

Ominum Gatherum No. 6

undated

Henry Heath, active 1824–1835, British

Ominum Gatherum, Second Series, No. 5

1831

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758, British

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

1731

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by James Caldwall, 1739–1819, British

Ham Court, the Seat of John Martin, Esq

undated

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Two Geese and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

George Bickham the Elder One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

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Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms birds

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