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Credit Line Yale Center for British Art, Paul Mellon Collection

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Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806, British
A Horse Affrighted by a Lion
1788
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851, British
The Straw Yard
1808
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
The West India Washer-Women
1779
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813, British
Mrs. Cosway
1787
George Cuitt Presented by the Officers
Print made by George Cuitt, 1779–1854, British
Presented by the Officers
after 1813
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
1797
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Henry Fuseli O Evening thou Bringest All
Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
O Evening thou Bringest All
1802
William Bernard Cooke The Spot where Harold Fell
Print made by William Bernard Cooke, 1778–1855, British
The Spot where Harold Fell
1816 to 1820
William Bernard Cooke The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
William Bernard Cooke Vale of Heathfield, Sussex
Print made by William Bernard Cooke, 1778–1855, British
Vale of Heathfield, Sussex
1816
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
William Bernard Cooke Vale of Heathfield, Sussex
Print made by William Bernard Cooke, 1778–1855, British
Vale of Heathfield, Sussex
1818
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855, British
Hurstmonceux Castle
1820
William Bernard Cooke Bodiham Castle, Sussex
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
George Cooke The Roman Forum from the Tower of the Capitol
Print made by George Cooke, 1781–1834, British
The Roman Forum from the Tower of the Capitol
1818-1820
John Byrne Rome from Monte Mario
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1818-1820
John Byrne Rome from Monte Mario
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1820
George Cooke Naples, from the Mole
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
George Cooke Naples, from the Mole
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1819
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
W. R. Smith Longships Lighthouse, Lands End
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
John Horsburgh Bell Rock Lighthouse
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
George Cooke Edinburgh from the Calton Hill
Print made by George Cooke, 1781–1834, British
Edinburgh from the Calton Hill
1820
unknown artist Waterloo Bridge
unknown artist, twentieth century
Waterloo Bridge
1928
unknown artist Sir Francis Burdett, 5th Baronet
unknown artist, ( William Harp )
Sir Francis Burdett, 5th Baronet
1811
unknown artist Old St. Pauls
unknown artist, seventeenth century-eighteenth century
Old St. Pauls
undated
George Vertue The South Prospect of St. Martin's Church
George Vertue, 1684–1756, British
The South Prospect of St. Martin's Church
1720
Tom Waghorn Putney
Tom Waghorn, 1900–1959
Putney
1950
Tom Waghorn Chelsea Bridge
Tom Waghorn, 1900–1959
Chelsea Bridge
1950
William Henry Toms The South Prospect of the Church of St. Alphage
William Henry Toms, ca. 1700–ca. 1750, British
The South Prospect of the Church of St. Alphage
1736
John Goddard This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
S. Springsguth Southeast View of the Nunnery of St. Helen, Bishopsgate Street
S. Springsguth, active 1816–1819
Southeast View of the Nunnery of St. Helen, Bishopsgate Street
1819
John Landseer Alum Bay, Isle of Wight
Print made by John Landseer, 1769–1852, British
Alum Bay, Isle of Wight
1799
William Bernard Cooke St. Michael's Mount, Cornwall
Print made by William Bernard Cooke, 1778–1855, British
St. Michael's Mount, Cornwall
1813
George Cooke Lulworth Castle, Dorsetshire
Print made by George Cooke, 1781–1834, British
Lulworth Castle, Dorsetshire
1814 to 1826
George Cooke Lulworth Castle, Dorsetshire
Print made by George Cooke, 1781–1834, British
Lulworth Castle, Dorsetshire
1820