Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
ca. 1819
Not on view
6
William Anderson, 1757–1837, British
A Wherry Taking Passengers out to Two Anchored Packets
1825
Not on view
7
Benjamin Marshall, 1768–1835, British
Joshua Rose of Liverpool
ca. 1795
Not on view
8
Gwen John, 1876–1939, British
Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
late 1920s
Not on view
9
Sawrey Gilpin, 1733–1807, British
A Setter at the Edge of a Wood
between 1775 and 1785
Not on view
10
Sir David Wilkie, 1785–1841, British
The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
undated
Not on view
11
William Anderson, 1757–1837, British
Dutch Sailing Vessels
1814
Not on view
12
George Jones, 1786–1869, British
The Passing of the Great Emancipation Act
ca. 1829
Not on view
13
Attributed to William Havell, 1782–1857, British, active in India (1820–26)
Study of a Groom, Seen from Behind
ca. 1820
Not on view
14
John Ferneley, 1782–1860, British
The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
ca. 1825
Not on view
15
Sir Alfred J. Munnings, 1878–1959, British
The Pink Jockey
ca. 1950
Not on view
16
John Willis Good, 1845–1879, British
After the Race
1875
Not on view
17
Herbert Haseltine, 1877–1962, American
Polo Pony: Perfection
cast 1963 (original model 1933)
Not on view
18
Herbert Haseltine, 1877–1962, American
Mumtaz-Mahal
1957
Not on view
19
Robert Polhill Bevan, 1865–1925, British
The Horse Mart (Barbican No. 1)
1920
20
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Ancient Trees, Lullingstone Park
1828
21
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Wilmot's Hill, Kent
ca. 1851
22
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Sunset
ca. 1861
23
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
24
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Old Cedar Tree in Botanic Garden, Chelsea
1854
25
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Moonlit Scene with a Winding River
ca. 1827
26
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
27
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
28
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
29
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
30
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
31
George Stubbs, 1724–1806, British
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
32
George Stubbs, 1724–1806, British
Dorking Hen, Lateral View
1795 to 1806
33
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
34
George Stubbs, 1724–1806, British
Tiger Body, Standing in Human Posture
1795 to 1806
35
George Stubbs, 1724–1806, British
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
36
William Hogarth, 1697–1764, British
Benjamin Read
ca. 1757
37
Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
38
Joseph Mallord William Turner, 1775–1851, British
On the Washburn
ca. 1815
39
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
40
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
41
Etched by Joseph Mallord William Turner, 1775–1851, British
The Fifth Plague of Egypt
1808
42
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
43
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Interior of a Church
1819
44
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
45
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
46
Etched by Joseph Mallord William Turner, 1775–1851, British
River Wye
1812
47
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
48
Etched by Joseph Mallord William Turner, 1775–1851, British
Basle
1807
49
Etched by Joseph Mallord William Turner, 1775–1851, British
Bridge and Cows
1807
50
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
51
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, Valley of Chamouni, Savoy
1812
52
Etched by Joseph Mallord William Turner, 1775–1851, British
Lauffenbourgh on the Rhine
1811
53
Etched by Joseph Mallord William Turner, 1775–1851, British
Windmill and Lock
1811
54
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Junction of Severn and Wye
1811
55
Etched by Joseph Mallord William Turner, 1775–1851, British
Ships in a Breeze
1808
56
Etched by Joseph Mallord William Turner, 1775–1851, British
Mt. St. Gothard
1808
57
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
58
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
59
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
60
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Crypt of Kirkstall Abbey
1812
61
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
62
Etched by Joseph Mallord William Turner, 1775–1851, British
Morpeth, Northumberland
1809
63
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
64
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
65
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
66
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
67
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
68
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a PIllar
1802-1804
69
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a Pillar
1802-1804
70
Sir Robert Smirke the younger, 1781–1867, British
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
71
Sir Robert Smirke the younger, 1781–1867, British
Ruins at Capua
1802-1804
72
Sir Robert Smirke the younger, 1781–1867, British
View From Cori Towards Villetri
1802-1804
73
Sir Robert Smirke the younger, 1781–1867, British
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
74
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes Snellincx
ca. 1635
75
Print made by Paulus Pontius, 1603–1658, Flemish
Aubertus Miræus
ca. 1635
76
Print made by Paulus Pontius, 1603–1658, Flemish
Henricus Steenwyck
ca. 1635
77
Print made by John Boydell, 1720–1804, British
Greenland Fishery
1754
78
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
79
Print made by John Boydell, 1720–1804, British
Morning
1753
80
Print made by John Boydell, 1720–1804, British
Evening
1755
81
Print made by John Boydell, 1720–1804, British
Noon
1753
82
Print made by John Boydell, 1720–1804, British
Night
1756
83
Print made by Charles Bretherton, ca. 1760–1783, British
Lady Pointing with a Stick
1782
84
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
85
Print made by David Lucas, 1802–1881, British
A Mill
1830
86
Print made by Charles Turner, 1774–1857, British
Shields on the River Tyne
1823
87
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
88
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
89
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
90
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
91
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
92
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
93
Luigi Balugani, 1737–1770, Italian
Design for Title Page
undated
94
Luigi Balugani, 1737–1770, Italian
Testi di Madoqua (Antelope Head and Skulls)
undated
95
Print made by Charles Bretherton, ca. 1760–1783, British